All posts by Shouts - Music from the Rooftops!

Shouts - Music from the Rooftops! is a media project that publishes news, exclusive content, and interviews with protest musicians, socially and ecologically conscious artists, and activists from around the globe.

Iranian musician, Mehdi Yarrahi, drops new protest song, titled Auschwitz

Mehdi Yarrahi Iranian protest singer 2026
Snapshot from the video for Auschwitz, by Mehdi Yarrahi.

While the US and Israel wage war on Iran, Iranian singer-songwriter Mehdi Yarrahi has released one of his most striking and politically charged works to date. Titled Auschwitz, the song dropped in early 2026 following a crackdown on protesters in Iran, continuing Mehdi’s tradition of using music as a way of speaking out against his own government.

Yarrahi first gained recognition through pop records such as Mano Raha Kon and Emperor, but his artistic trajectory has increasingly shifted toward social critique. Over the years, he has included themes of inequality, environmental decline, and civil rights in his work—actions that have drawn the attention of authorities and led to harsh restrictions on his career.

His support for the labor protests in Khuzestan in 2018, followed by his song Roosarito, released in solidarity with the Woman, Life, Freedom movement, intensified scrutiny against him, culminating in his arrest and sentencing in 2023.



Auschwitz can be seen as a stark continuation of this defiance. The song, which uses the Holocaust as a reference, employs imagery associated with systematic violence and dehumanization, which it uses to comment on current realities. It does not use this reference as a comparison but as a symbol, which challenges the audience to consider the normalization of brutality and the lack of safety in their daily lives.

The lyrics of the song, written by Hossein Shanbehzadeh, provide another form of resistance. Shanbehzadeh himself was sentenced to prison for a seemingly minor offense of online dissent and, in return, earned him the nickname “Dot Prisoner.” The combination of his work with Yarrahi brings together two voices all too familiar with censorship and oppression.

The song feels both like an anthem and a warning—one that refuses to look away from what many are forced to endure. And by releasing this music, Yarrahi once again demonstrates how art can bear witness in times of crisis, even when the personal cost is severe.

Pearl Jam join activists in the fight against open-net salmon farming in Iceland

Seyðisfjörður bay in Iceland from up the mountains. Photo by Lode Van de Velde, who released the image under Public Domain license CC0 Public Domain.

The fight to preserve Iceland’s pristine wild fjords from industrial-scale salmon farming has gained the support of an unlikely ally, with the legendary Pearl Jam adding their voice to the growing fight against open-net salmon farming, a movement that is slowly gaining traction in the small island nation in the North Atlantic.

For several years, environmental groups and residents around Iceland have raised their concerns about the impact of open-net fish farming on the country’s marine ecosystems, which they claim are being polluted by the farms, causing disease in the country’s fish populations. Several cases of the farmed salmon escaping into the wild have also been documented, which can alter the genetic makeup of the country’s native salmon populations.

While the risk of damage to environments by farmed salmon that escape from fish farms, pollution, and parasites is a major cause of concern, new research also shows that large environmental impacts of farmed salmon in Iceland come not from the fish farms themselves, but from the global supply chain of ingredients used in fish feed.

The issue has become increasingly divisive, with a majority of the country’s residents opposing the growth of the industry.

This is not the first time that Pearl Jam has engaged in activism – the band has long been vocal about climate issues, including environmental activism, and has helped draw attention to issues that would otherwise not have been given much media coverage.

The battle against open-net fish farming in Iceland has already gained some high-profile support. Maybe the country’s most renowned musician, Björk, has previously helped raise funds for legal action against fish farming companies, bringing into focus the environmental risks that this industry poses.

The addition of Pearl Jam’s voice to this list of celebrity supporters of fish farming abolition is likely to bring this movement against fish farming in Iceland into greater focus worldwide. To the activists on the ground, gaining international support is of great importance.

The country’s fjords, considered some of Europe’s last remaining wild marine environments, are now on the frontline of this debate over how we can sustainably produce fish without sacrificing biodiversity.

According to a 2023 research paper, Iceland urgently needs better marine planning to battle both climate change and increased aquaculture. However, the current Marine Spatial Planning system (MSP) in the Westfjords is limited by weak public participation, a lack of transparency, and power imbalances that favor influential actors. To succeed, the system must become more inclusive, transparent, and proactive while addressing broader governance issues related to aquaculture regulation.

Eddie Vedder and Jeff Ament of Pearl Jam. Photo by vazzz – published under a CC BY 2.0 license.

Those who have followed Pearl Jam throughout their career know that they’ve always used their music and their collective voice to help others. And while Icelandic people were perhaps not expecting help to come from this direction, it is definitely greatly appreciated.

On their website, Pearl Jam write:

“We stand with the people of Iceland to end open net salmon farming and protect Iceland’s biodiversity and coastal ecosystems for future generations.

Sign the petition at LetsUndoThis.com to stand with the 63% of Icelanders who oppose sea cages and urge Parliament to strengthen the bill by adding three guardrails: 

✔️ Phase out sea cages 

✔️ Stop new sea‑cage licenses 

✔️ Transition to closed or land‑based systems 

Every signature and share helps secure a stronger future for Iceland and wild Atlantic salmon.”

From rapper to political leader: 4 songs by Balen, Nepal’s future prime minister

Nepali rapper and Kathmandu mayor Balendra Shah performing
Snapshot from the music video for “Balidan” by Balen.

When people think of protest music entering politics, the examples that usually come to mind are folk singers addressing different issues in their lyrics and sometimes even performing on the streets – surrounded by people demanding justice. One former hip-hop artist in Nepal did exactly that – only he took it a few steps further.

Balendra Shah, or Balen, is a musician who first rose to fame as a socially active rapper in the emerging Nep-hop scene (Nepalese hip-hop). His songs dealt with issues such as corruption and inequality and lifted up the voice of a generation of disenchanted young people in Nepal.

Nep-hop, Nepal’s growing hip-hop scene, emerged in the early 2000s and has increasingly become a platform for social commentary and political criticism among young artists.

Shah’s rise in politics began when he won a surprise victory as Mayor of Kathmandu in 2022, running as an independent candidate and defeating politicians from Nepal’s established parties. The win highlighted a major shift in the country’s political landscape, driven largely by younger voters seeking change.

Now, after his extraordinary journey from socially conscious artist to political reformer, Shah is expected to become Nepal’s next prime minister. His wild trip from underground rap battles to the top of national politics highlights just how powerful a vehicle for political change music can be.

Whether governing proves as powerful as his music remains to be seen. But if he does take office, Nepal may soon be led by a prime minister whose political vision was first delivered through music.

Here are four songs from the time Balen used a mic and a beat to effect change.

1. “Balidan” (Sacrifice)

One of Shah’s most famous songs, Balidan is an uncompromising attack on corruption in Nepalese politics. The track calls out leaders who, in Shah’s words, have betrayed the people they claim to represent.

The song resonated widely among young listeners who felt locked out of opportunity by a political system dominated by old elites. It quickly became an anthem for frustration with corruption and mismanagement.

2. “Ma Nepal Haseko Dekhna Chahanchu” (I Want to See Nepal Smiling)

While sharply critical of political leaders, this song carries a hopeful message. Shah imagines a Nepal where citizens live with dignity and opportunity rather than political instability and corruption.

The track’s vision of a better future made it particularly popular among youth activists and students calling for reform.

3. “Sadak Balak” (Street Child)

In Sadak Balak, Shah turns his attention to social inequality. The song tells the story of children forced to survive on the streets, shining a light on poverty and social neglect in Nepal’s cities.

The track showed that Shah’s political consciousness extended beyond party politics to broader questions of justice and human dignity.

4. “Nepal Haseko” (Nepal Smiling)

Another widely shared track, Nepal Haseko continues Shah’s theme of imagining a happier and more just country. Its hopeful tone contrasts with the harsh political criticism found elsewhere in his catalogue, but the underlying message remains clear: Nepal deserves better leadership.

The song has often been used at youth rallies and reformist gatherings, reinforcing Shah’s connection with a younger generation of voters.