Tag Archives: protest song

Steve Von Till and Firekeeper Noise Collective: Heavy Music as a Force for Connection

What happens when a legendary heavy musician puts his experience, equipment and creativity in the hands of a group of young people? In the case of Steve Von Till and the Firekeeper Noise Collective, the answer is iiyiikวŽakimวŽan โ€” a powerful new piece of music about perseverance, connection and belonging.

The song brings together Von Till, best known as a member of the influential experimental metal band Neurosis, and students from Browning Public Schoolsโ€™ Heavy Music Symposium in Montana. Released through Firekeeper Alliance Records, iiyiikวŽakimวŽan marks the first in what Firekeeper Alliance hopes will become a continuing series of collaborations between its students and musicians from around the world.

The title refers to the idea of โ€œto try hard, to persevere.โ€ And perseverance is at the heart of the project.

When heavy music becomes a place to belong

The Heavy Music Symposium was created by Firekeeper Alliance as an interdisciplinary high-school program exploring heavy music, creativity, culture, community and emotional expression. Rather than treating heavy music simply as entertainment, the program sees it as a potential space where young people can express difficult emotions, develop creative skills and find community.

For iiyiikวŽakimวŽan, students contributed guitar drones, spoken words, Blackfoot words and phrases, and field recordings of wind and water captured during their spring semester.

The recordings were made at Buffalo Hide Academy and Red Eagle Campground in May 2026. Von Till subsequently recorded, assembled and mixed the material, with Scott Evans mastering the finished track at Antisleep Audio.

Music, community and mental health

The track was released around World Suicide Prevention Day, reflecting Firekeeper Alliance’s broader work to reduce suicidal distress within Blackfeet Nation.

The organisation’s approach goes beyond talking about crisis. It emphasises creating communities and experiences that can make young people feel connected, creative, valued and excited to return the next day. Heavy music becomes one of those spaces.

That makes iiyiikวŽakimวŽan more than an interesting collaboration between a respected experimental musician and a group of students. It is an example of how music can become education, cultural expression, mentorship and community-building at the same time.

Listen to iiyiikวŽakimวŽan

Firekeeper Noise Collective describes the release as the first of many collaborations involving its Heavy Music Symposium students. Proceeds from the name-your-own-price release are intended to help purchase equipment for the group’s after-school program.

IiyiikวŽakimวŽan is a reminder that music doesn’t have to change the world overnight to matter. Sometimes, giving young people a voice, a room, an instrument and someone willing to listen is already a form of change.

Listen to Steve Von Till and the Firekeeper Noise Collective’s iiyiikวŽakimวŽan below. The song is available on Bandcamp, for pay-as-you-like. All the proceeds will go into buying new gear for the project’s after school club.

Iranian musician, Mehdi Yarrahi, drops new protest song, titled Auschwitz

Mehdi Yarrahi Iranian protest singer 2026
Snapshot from the video for Auschwitz, by Mehdi Yarrahi.

While the US and Israel wage war on Iran, Iranian singer-songwriter Mehdi Yarrahi has released one of his most striking and politically charged works to date. Titled Auschwitz, the song dropped in early 2026 following a crackdown on protesters in Iran, continuing Mehdiโ€™s tradition of using music as a way of speaking out against his own government.

Yarrahi first gained recognition through pop records such as Mano Raha Kon and Emperor, but his artistic trajectory has increasingly shifted toward social critique. Over the years, he has included themes of inequality, environmental decline, and civil rights in his workโ€”actions that have drawn the attention of authorities and led to harsh restrictions on his career.

His support for the labor protests in Khuzestan in 2018, followed by his song Roosarito, released in solidarity with the Woman, Life, Freedom movement, intensified scrutiny against him, culminating in his arrest and sentencing in 2023.



Auschwitz can be seen as a stark continuation of this defiance. The song, which uses the Holocaust as a reference, employs imagery associated with systematic violence and dehumanization, which it uses to comment on current realities. It does not use this reference as a comparison but as a symbol, which challenges the audience to consider the normalization of brutality and the lack of safety in their daily lives.

The lyrics of the song, written by Hossein Shanbehzadeh, provide another form of resistance. Shanbehzadeh himself was sentenced to prison for a seemingly minor offense of online dissent and, in return, earned him the nickname โ€œDot Prisoner.โ€ The combination of his work with Yarrahi brings together two voices all too familiar with censorship and oppression.

The song feels both like an anthem and a warningโ€”one that refuses to look away from what many are forced to endure. And by releasing this music, Yarrahi once again demonstrates how art can bear witness in times of crisis, even when the personal cost is severe.

From rapper to political leader: 4 songs by Balen, Nepal’s future prime minister

Nepali rapper and Kathmandu mayor Balendra Shah performing
Snapshot from the music video for “Balidan” by Balen.

When people think of protest music entering politics, the examples that usually come to mind are folk singers addressing different issues in their lyrics and sometimes even performing on the streets – surrounded by people demanding justice. One former hip-hop artist in Nepal did exactly that – only he took it a few steps further.

Balendra Shah, or Balen, is a musician who first rose to fame as a socially active rapper in the emerging Nep-hop scene (Nepalese hip-hop). His songs dealt with issues such as corruption and inequality and lifted up the voice of a generation of disenchanted young people in Nepal.

Nep-hop, Nepalโ€™s growing hip-hop scene, emerged in the early 2000s and has increasingly become a platform for social commentary and political criticism among young artists.

Shahโ€™s rise in politics began when he won a surprise victory as Mayor of Kathmandu in 2022, running as an independent candidate and defeating politicians from Nepalโ€™s established parties. The win highlighted a major shift in the countryโ€™s political landscape, driven largely by younger voters seeking change.

Now, after his extraordinary journey from socially conscious artist to political reformer, Shah is expected to become Nepalโ€™s next prime minister. His wild trip from underground rap battles to the top of national politics highlights just how powerful a vehicle for political change music can be.

Whether governing proves as powerful as his music remains to be seen. But if he does take office, Nepal may soon be led by a prime minister whose political vision was first delivered through music.

Here are four songs from the time Balen used a mic and a beat to effect change.

1. โ€œBalidanโ€ (Sacrifice)

One of Shahโ€™s most famous songs, Balidan is an uncompromising attack on corruption in Nepalese politics. The track calls out leaders who, in Shahโ€™s words, have betrayed the people they claim to represent.

The song resonated widely among young listeners who felt locked out of opportunity by a political system dominated by old elites. It quickly became an anthem for frustration with corruption and mismanagement.

2. โ€œMa Nepal Haseko Dekhna Chahanchuโ€ (I Want to See Nepal Smiling)

While sharply critical of political leaders, this song carries a hopeful message. Shah imagines a Nepal where citizens live with dignity and opportunity rather than political instability and corruption.

The trackโ€™s vision of a better future made it particularly popular among youth activists and students calling for reform.

3. โ€œSadak Balakโ€ (Street Child)

In Sadak Balak, Shah turns his attention to social inequality. The song tells the story of children forced to survive on the streets, shining a light on poverty and social neglect in Nepalโ€™s cities.

The track showed that Shahโ€™s political consciousness extended beyond party politics to broader questions of justice and human dignity.

4. โ€œNepal Hasekoโ€ (Nepal Smiling)

Another widely shared track, Nepal Haseko continues Shahโ€™s theme of imagining a happier and more just country. Its hopeful tone contrasts with the harsh political criticism found elsewhere in his catalogue, but the underlying message remains clear: Nepal deserves better leadership.

The song has often been used at youth rallies and reformist gatherings, reinforcing Shahโ€™s connection with a younger generation of voters.