All posts by Shouts - Music from the Rooftops!

Shouts - Music from the Rooftops! is a media project that publishes news, exclusive content, and interviews with protest musicians, socially and ecologically conscious artists, and activists from around the globe.

Andy White (interview)

From Belfast comes Andy White who has a love for music and strong opinions about the societies he lives in. We contacted Andy and learned more about his music and about his future plans of wearing sunglasses more often!

 

First off, for those not familiar with your work, who is Andy White?

He’s an Irish songwriter/troubadour from Belfast City. He writes words. A lot of words. Sings, plays the acoustic & electric in public. Bass, piano in private. Knocked on the door with ‘Religious Persuasion’ some years ago, and his new album is ‘The Guilty & The Innocent’.

“Growing up in Belfast it was obvious that someone had to say something. Making something beautiful out of chaos is what my Mum taught me.”

How did you get into making music and especially protest music?

My grandmother played the piano, taught the piano, loved the piano. I listened to The Beatles, T Rex and Bob Dylan on my Dad’s Pye Black Box record player. Scribbled poetry. Knew during punk that anyone could do it. Growing up in Belfast it was obvious that someone had to say something. Making something beautiful out of chaos is what my Mum taught me.

Are you a part of a strong, like-minded scene in Belfast? Or do you feel alone at times and that more people need to use their voices responsibly through their music?

I played at Tom Robinson’s Power In The Darkness 40th anniversary show last week. I had been at the first as a schoolboy. It was like when the Sex Pistols played Manchester – everyone at the gig went and formed a band, started to write music, or ended up in rock’n’roll.

There are no rules of art, and ‘responsible’ doesn’t feel right – though it should just ‘be’. Use your own instinct to select. Do what feels right and watch out for what’s not.

Can you share some of your favorite political/socially conscious/protest bands or musicians, current or not?

Kendrick Lamar, Courtney Barnett, Tom Waits, Sinead O’Connor (always). John Cooper Clarke, Billy Bragg and Tom Robinson. The Streets.

Do you partake in other activist activities outside the music?

Demonstrations.

What do you think you’d sing about if the world was all of a sudden kind and full of empathy between all people and animals?

Ha ha dream on!

How do you feel people are receiving political music these days?

With earbuds.

What is on the horizon for you?AW_LP1_04PhotoSquareNoType

Wearing sunglasses more often! Touring this album, I want people to hear the songs.

(insert from Shouts: Apparently when one writes ” 8) “, as in the question number, in the chat on Facebook it automatically changes it into a sunglasses wearing emoji.)

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Thank you very much for participating and for the music you make!

Thank YOU!

 

SB (interview)

Out of Chicago, US, comes an fresh voice that calls himself SB and he has a very focused and organized mission to change the world through his hip-hop music. We interviewed the man behind the initials and learned about the Chicago music scene and what sets his music apart from the rest.

 

For those not familiar with your music, who is SB?

I’m an artist first and foremost. Most people know me as socially-conscious hiphop recording artist but I’m actually a multi-media artist, music is one of the many forums I express through. I also draw/illustrate, write, paint, act, etc. My main goal through all expression is to bring people closer to God and in alignment with His purpose and will for their lives. I see my role as an emcee as a derivative of the griot tradition of West Africa. The griots were singer/musician/historians that passed on the morals, values, ethos and history of the people through the oral tradition. I look at my role as an emcee to be one and the same.

“Things really took off when I had a chance meeting with Bushwick Bill… He said I had the “skills to make mills”.”

How and when did you discover you could use music to get your message across?

As a teenager. Growing up I spent a lot of time listening to my parents’ music collection. Listening to artists like Bob Marley, Curtis Mayfield, and Marvin Gaye (circa “What’s Going On?”) showed me the impact that music could have on people for good and really inspired me to do the same through hiphop. Things really took off when I had a chance meeting with Bushwick Bill from the legendary rap group, The Geto Boyz. He was staying at the same hotel where we were holding our annual family reunion and one of my cousins invited him to join us for dinner. He ended up hearing me freestyling with my cousins as we always do at family functions and urged my Uncle Gill to get me into a studio to record a demo as a solo artist (I’d recorded a demo before as part of a three member group). He said that I had the “skills to make mills” and I figured since he was in the industry and had built a great career for himself, it would probably be a good idea to take his advice.

Describe the hip-hop scene in Chicago at the moment? Is it very socially conscious?

I’d describe the music scene in Chicago as very diverse. It’s very much a reflection of the people and always has been. Some are socially conscious individuals and so they express that social consciousness through their music. Others are not and so they may speak more to doing what they feel they need to do to improve the their lives and the lives of their loved ones. But the common thread is that it’s all politics. It’s all tied to to the human struggle. And that is universal. That being said, Chicago has always had a rich tradition tied to social consciousness so I think there will always be a strong element of that in the not just the music but in all art forms as it is reflective of the culture here. For example, Chicago has always been very much a paradigm. On one end, it is a city that was founded by a black man, Jean Baptiste Point du Sable. But the majority of Chicagoans are either unaware of this fact or fail to acknowledge it. It was a city that promised hope, job opportunities and freedom from the outright racism prevalent in the South. But many of those that migrated from the South during the Great Migration found that they’d left the South only to have to fight the same battles against the ugly reality of racism in the North. The history of the struggle for equality goes way back in Chicago so it most certainly reflected in the culture.

“I believe music is one of the most powerful mediums we have at our disposal… And I believe that with power comes responsibility.”

Your latest effort is titled REVOLUSEAN. Has your work always been a fire to start a revolution?

As a solo act, yes. When I was part of a group it was more about showing skills and being as unique as possible.  But when I decided to leave the group and go at it solo, it was very important for me to make music that would inspire positive change. I believe music is one of the most powerful mediums we have at our disposal because of it’s ability to influence people physically, mentally, psychologically and even spiritually. And I believe that with power comes responsibility. When I look at the world, I see much that we need to change for the better, not just for ourselves but for future generations. Music is my main forum of choice because I believe as the great Fela Kutionce said, “Music Is the Weapon”.

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How important is it for you to use the right political words versus the words that make a good flow, rhythmically? Do you find it hard to make that balance when writing your lyrics?

I think it is extremely important. And it’s certainly more challenging. But I think it’s worth it. In my humble opinion, rhyming for the sake of rhyming isn’t a difficult thing to do. We all grew up reading Mother Goose rhymes when we were kids. But expressing one self with skill and substance is different….it takes mastery of a varied skill set. So I definitely think that artists that strive to strike that balance with their lyrics should be honored as part of the upper echelon when we are evaluating lyricism.

You mention on your Bandcamp page that your music is different from other hip-hop music. What makes it different and how do you feel your peers in the scene are taking your music?

First and foremost, my music is different because it is very much gospel driven. I don’t label it as gospel music or gospel hiphop but if you listen to it, that’s what it is. It’s based very much in leveraging gospel lessons, values, etc., and applying it to our lives. Secondly, it’s profanity/vulgarity free. Which means that all generations, kids, parents, grandparents, etc., can listen to it at the same time and enjoy it. I think these characteristics make it  not only universally appealing, but even more commercially viable than the music that is typically marketed and promoted. A good example, would be much of the content that Disney produces. Their content speaks directly to audiences of all ages and backgrounds. Hence, when people go to see a Disney movie, they aren’t going by themselves or simply with a date. It’s usually a family event where multiple generations are present. Not only is that a beautiful phenomenon to witness and partake in, it also quite profitable.

What are some of your favorite political musicians, current or not?

Bob Marley, Fela Kuti, Curtis Mayfield, Marvin Gaye(circa the “What’s Going On Album”), Lauryn Hill, KRS ONE, Public Enemy, Common, Yassin Bey (Mos Def), Talib Kweli, A Tribe Called Quest, De La Soul, Nina Simone, Stevie Wonder, Andre 3000, Erykah Badu, Amel Larrieux, Dead Prez, Lupe Fiasco, The Fugees, Tupac, etc.

What do you hope to achieve with your music?

I hope to motivate and inspire people to be aligned with God’s purpose for their lives. I hope to inspire people to be agents of positive change not just locally but globally. I hope to get people to embrace their global citizenship and by doing so, be better stewards of the world. As Dr. Martin Luther King, Jr. once said, “Oppression anywhere, is a threat to freedom everywhere”.

Do you take part in any activism outside of the music?

I do. In many ways I live it. Sometimes I speak in public forums and lend my words and public profile to causes. Other times, I may march in solidarity or petition. Most often though, on a day to day basis, I think my activism is rooted in where I choose not to put my dollars. For example, I strive to commit to a vegan diet and I’m very committed to purchasing organic, non-gmo foods. So certain businesses will probably never see a dime from my hard earnings. I think with most businesses, organizations, and even individuals, the strongest messages you can send involve where you choose to put your dollars and where you choose not to put your dollars.

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What is on the horizon for you? Any live shows outside of the US for your international fans?

Right now I’m working on a trip to S. Africa that will involve performances, collaboration with local artists/musicians and a documentary capturing the experience. I’m also working on a LOT of new music and looking to start touring globally soon, God willing. So lots of good things on the horizon!

Thank you so much for participating and for the music you make. Anything else you’d like to shout from the rooftops?

Thank you so much for reaching out to me and for providing a forum for artists like myself! As for shouting from the rooftops, please share this verse with the people for me: “Jesus said unto him, Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy mind.” This is the first and greatest commandment. And the second is like unto it, “Thou shalt love thy neighbor as thyself. On these two commandments hang all the law and the prophets.”

 

Eco Faeries (interview)

Growing up in Iceland I am well aware of the existence of hidden people and giants but I am less familiar with faeries. In Australia there is a colorful group of faeries who use music to share their love of nature and how to take better care of mother earth. So I interviewed Faerie Cara of the Eco Faeries to learn more about these faeries and their music, nature preservation and how one can get married at their concerts.

First of all, who are the Eco Faeries?

Eco Faeries use entertainment to promote a love of nature and taking care of the environment. We specialize in performing for families with children who are in early childhood years of 2-7 years of age. One stage there are two main performers, myself Faerie Cara, and Faerie Kirstee. I’ve been working as a faerie for over 23 years, Kirsten came into the company two years ago now, but really she’s always been a faerie. We also have a team of faeries who work in schools doing educational incursions, faeries who run nature craft workshops, street artists and volunteers.

What is your background in music? Has it always been educational?

All our performers have different backgrounds. Kirstee is a classically trained flautist, multi instrumentals and vocalist trained at WAAPA. I’ve worked as a faerie my whole life, creating songs as I travel the world. We also love to collaborate with local musicians to create a certain sound. The way we work is first coming up with a message we want to deliver, then we create a song and record it in the studio. For our live children’s shows we use a karaoke track that we created in the studio so we can focus on singing live while dancing and acting. It’s important to be high energy and engaging for the age group we are performing for.

Yes it’s always been educational. We believe faeries are the guardians of nature and we represent them in a way they we’re talked about in faerie tales years before Disney cartoons we’re created. For us to represent faeries we don’t want to fluff about. We want to empower children to make a difference, to use their voices and be the change the world is waiting for.

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It seems at a first glance that you are more than just a band. Can you elaborate on the scope of the project?

We like to be seen as an entertainment company and make everything as catchy, high energy and memorable as possible. Within that framework we are educators. We have a message to deliver and through creating magical moments within the community, the families we meet continue to speak about what they learned from the faeries.

Can anyone learn to become an Eco Faerie?

We have a live performance show for events, shopping centers and schools, plus we run workshops, create art installations and just generally create a faerie buzz of activity wherever we can. We also organize our own events and create education videos in partnership with local organizations.

Are you part of any other musical projects?

Yes we are! Here in Perth, Western Australia we love to collaborate with like minded performers to create crowd stopping shows. Our main partners in crime are Junkadelic, an explosive live performance brass band with percussion instruments made from junk. Together we work with other local groups to put on themed shows at street festivals.

Is it true that one could attend a Eco Faeries concert and get married at the same time?

It’s true, it’s a sneaky twist to our faerie tale. I’m an authorized civil Marriage Celebrant in Australia. I was hoping that same sex marriage would be legalized so I studied and registered to become a celebrant. Unfortunately we are still waiting for marriage laws to change, in the mean time I’ve been able to officiate many amazing weddings from barefoot ceremonies in the forest to cabaret shows in a ballroom. It’s definitely not the focus of the main Eco Faerie company but it’s been amazing to be part of so many outstanding weddings. (Input: shortly after interviewing Faerie Cara, Australian people voted in favor of same-sex marriage!)

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What do you hope to achieve with your music?

We hope our songs are enjoyed and are continued to be sung by families. We deliberately make them catchy and fun, then the messages written into them are remembered. We’re always aiming to reach more people so we find new events to visit.

Next year we’ll be touring Australia some more, who knows, maybe once day we can do another international tour. In the mean time we just made three short educational videos that can be viewed through our website. These we’re produced through a grant from Keep Australia Beautiful WA so they all have a waste theme. They feature a short educational segment followed up by a song. That way we can share what we do with families around the world and not have to fly about too far.

How has the response been from peers within the music industry?

The response has been great so far. Eco Faeries has been running for 13 years now and is a full time gig for us. We keep our work polished and original so bands and organizers see the hard work that goes into everything we do. Every event that we do leads to more gigs so we must do something right.

Are you connected with faeries around the world?

We keep an eye on social media to see what other faeries are up to. We also love to connect with mermaids or just groups that are working hard to change the world. Everyone represents ‘faerie’ differently. We work on keeping our work original and pull from our own ideas but it’s always fun to meet faeries when we travel. Years ago I travelled through Canada and USA and met some inspiring magical creatures on the way. I love to see the evolution of their performances over the years.

What is on the horizon for the Eco Faeries?

We’re in the midst of our peak performance season but we are looking ahead to 2018 where we’ve booked some interstate events, a few Fringe shows and hopefully we can make more videos.

Thank you very much for participating and for the work you do! Anything else you would like to shout from the rooftops?

Thank you so much for connecting with us. Please check out our website, watch Eco Faerie TV where you can see us in action anywhere around the world and don’t forget that the magic of nature is in you.