Sons of Kemet have never been known to stay stuck in the same path. The band is more of a collaborative effort, that has changed through the years, but guided by the brilliant jazz mind of Shabaka Hutchings. On Black To The Future (Impulse!, 2021) the saxophonist and clarinet player has with him Theon Cross on tuba and Edward Wakili-Hick and Tom Skinner on percussion. In addition, the jazz music they create is, on some tracks, fused with spoken word, song, and rap.

The opening track sets the theme. Under a build-up of horn instruments and percussion, poet Joshua Idehen performs a powerful spoken-word piece that explores the past and present of his people’s oppression. He’s certainly angry and tired which he makes clear.

“Thank you
For refusing me that inch
Because now I do recognise your yardstick
The scales have toppled
The curtains have collapsed
The blonde baboon’s arse is bare in the open
And I am a field negro now
I do not want your equality
It was never yours to give me
And even then it was too minor, too little, too late
Pull the balaclava over my heart and set it running
My revolution rides a black horse and it is stunning”

Another track, Hustle, has a deep, strong beat to it that makes one want to stand up and march in rhythm. The chorus, “Born from the mud with the hustle inside me”, repeats in such a way that it becomes a mantra that one can imagine thousands of people chanting on the street while demanding change.

For those that think jazz can be heavy on the ears, have no worry. This is not as experimental as Hutchings could easily have made it. This is more dance-able and if anything, full of fire. A subtle type of fire that will make you want to move your way in rhythm to the protest.

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𝗜𝗳 𝘆𝗼𝘂 𝗹𝗶𝗸𝗲 𝗼𝘂𝗿 𝗶𝗻𝘁𝗲𝗿𝘃𝗶𝗲𝘄𝘀 𝗮𝗻𝗱 𝗰𝗼𝗻𝘁𝗲𝗻𝘁 𝘄𝗲 𝘄𝗼𝘂𝗹𝗱 𝗹𝗼𝘃𝗲 𝗳𝗼𝗿 𝘆𝗼𝘂 𝘁𝗼 𝗽𝗮𝗿𝘁𝗶𝗰𝗶𝗽𝗮𝘁𝗲 𝗶𝗻 𝗴𝗿𝗼𝘄𝗶𝗻𝗴 𝘁𝗵𝗲 𝗦𝗵𝗼𝘂𝘁𝘀 𝗽𝗿𝗼𝗷𝗲𝗰𝘁 𝗯𝘆 𝘀𝘂𝗽𝗽𝗼𝗿𝘁𝗶𝗻𝗴 𝘂𝘀 𝗼𝗻 𝗣𝗮𝘁𝗿𝗲𝗼𝗻! 𝗪𝗲 𝗮𝗹𝘀𝗼 𝗲𝗻𝗰𝗼𝘂𝗿𝗮𝗴𝗲 𝘆𝗼𝘂 𝘁𝗼 𝘀𝗵𝗮𝗿𝗲 𝘁𝗵𝗲 𝗮𝗿𝘁𝗶𝗰𝗹𝗲𝘀 𝗼𝗻 𝘀𝗼𝗰𝗶𝗮𝗹 𝗺𝗲𝗱𝗶𝗮, 𝗯𝗲𝗰𝗮𝘂𝘀𝗲 𝗶𝗻 𝘁𝗵𝗮𝘁 𝘄𝗮𝘆 𝘆𝗼𝘂 𝗵𝗲𝗹𝗽 𝘀𝗽𝗿𝗲𝗮𝗱𝗶𝗻𝗴 𝘁𝗵𝗲 𝗺𝘂𝘀𝗶𝗰 𝗮𝗻𝗱 𝗺𝗲𝘀𝘀𝗮𝗴𝗲 𝗼𝗳 𝘁𝗵𝗲 𝗮𝗿𝘁𝗶𝘀𝘁𝘀. 𝗧𝗵𝗮𝗻𝗸 𝘆𝗼𝘂!