All posts by Halldór H Kristínarson

Halldór is the managing editor of Shouts - Music from the Rooftops!, an investigative journalist, audio engineer, and animal rights activist. Currently based in Cuernavaca, Mexico.

Representing Chilean ecosystems through Black Metal: an interview with Ecologist

In recent years, the world has witnessed the alarming consequences of climate change. From rising sea levels and extreme weather events to the loss of biodiversity, no corner of the globe has been spared. One country that has been particularly affected is Chile, a land of breathtaking landscapes, diverse ecosystems, and vibrant culture.

Chile’s unique geography spans across a vast range of ecosystems, including the Atacama Desert, the Andes Mountains, and the temperate rainforests of Patagonia. However, these natural wonders are under severe threat due to climate change. The rising temperatures and changing weather patterns have led to prolonged droughts in the central and northern regions of the country, including the Atacama Desert, one of the driest places on Earth. This has had a catastrophic impact on local flora and fauna, pushing many species to the brink of extinction.

Additionally, the melting glaciers in the Andes Mountains pose a significant challenge for Chile. These glaciers are not only a source of freshwater but also play a crucial role in regulating the country’s water supply. As they continue to shrink, Chile faces a severe water scarcity crisis, particularly in its agricultural heartland. Farmers are struggling to grow crops, and the lack of water has led to a decline in agricultural productivity, thus threatening food security for the Chilean people.

Black metal music is perhaps not the first thing that comes to people’s minds when you say environmental protest music, but in recent years, the musical genre has become more and more socially and environmentally conscious as bands around the world are using their music to raise awareness about rising fascism, animal rights or harm to the environment. The often very atmospheric music is a perfect fit for songs about the earth, its wonders and its pain.

One of these artists is a black metal project from Chile, called Ecologist, and the man behind it, simply called V, states that each song on the album represents a different ecosystem in his home country. I spoke with V about the new album and about the consequences him and his people are facing in Chile as a result of rising temperatures and sea levels.

You can follow Ecologist on Facebook and Instagram for updates about the music!

Halldór Kristínarson: Thank you for taking the time to answer a few questions. For those not familiar with your work, who is V and how did the Ecologist project come about? What is your musical background?

Ecologist: Thanks for the space for the interview Halldór. V. stands for the first initial of my name and I am the only member behind the environmentalist black metal project Ecologist.

The project came under the idea to explore ecology and environment with the music and writing of the possible demise of humanity under the circumstances of global warming, climate change and biodiversity loss.

My musical background is very diverse, but I‘m mostly into alternative rock and black metal, so some of the juxtapositions of the music are in between those main styles, sometimes managing to insert shoegaze in black metal, sometimes making „rock influenced“ passages, and other similar stuff.

Further compositions vary in style a lot though.

HK: What made you want to create an album represting the nature and ecological systems of Chile?

E: Nature contemplation is one of my main drivers to compose music. It might be most prevalent source of inspiration of atmospheric black metal bands, but I believe that my vision is of the [concern] of the risks and impacts that climate change can cause on it.

The idea of representing the Chilean Eco-regions was given by my love. I was wondering how I could represent different ecosystems through each compositions and the use of Chilean Eco-regions to exemplify them was her idea while discussing it. I chose some examples of places I knew and visited and made an investigation to elaborate the lyrics.

HK: Has your music always been in the form of protest or always included a socially or ecologically conscious message?

E: I believe it is more like a call to conscientize [about] the risks of nature and biodiversity loss. In Ecologist the main drive was to imagine a future where we could no longer exist because the climate conditions don‘t allow life as we know it.

HK: Why do you think music can be such an effective form of protest or activism?

E: Maybe because of the same reason in which black metal evocates nature and landscapes. Recognizing the beauty in nature, and understanding that the risk of loss is prevalent, might be the first step to try to address it.

“I believe that changing the mindset of other people and communicating might be the most powerful act that one can do.”

HK: What do you hope to achieve with your music?

E: Express my worry and disgust of the system we live in.

HK: What are some of your favorite places in Chilean nature that you‘d like to recommend to people?

E: There are many national parks that I love, but maybe one of the most beautiful places I‘ve ever been is the Torres del Paine. Most of Patagonia is simply astonishing.

The album cover for ‘reinos y ecoregiones’ (translated: kingdoms and ecoregions) by Ecologist out now on tape by Fiadh Productions. Cover photo was taken by V himself in Torres del Paine National Park in Chile.

HK: What projects do you have on the horizon?

E: Many, but I‘m having bit lack of time to execute them. For the nearest possible release, there might be an EP in 2024 and possibly I‘ll have the second album finished.

HK: Anything else you‘d like to shout from the rooftops?

E: It’s hard to take action in environmental issues world wide. We‘ve seen many efforts in diplomacy to establish effective measures to mitigate climate change, but still they are very mild. Each country faces different risks under climate change and Chile will face some of the worst due to its vulnerability to other existing risks. In Chile we‘re seeing deforestation, fires everywhere, over exploitation of resources, drought and many other impacts that will be even more enhanced by the rise of temperatures and sea level.

Which action is effective? Well, I still really don‘t know and I believe that changing the system is so hard that I feel a bit demoralized that we won‘t be even able to adapt and mitigate the risks. Everything you can do is a pro to mitigate and adapt, but I believe that changing the mindset of other people and communicating might be the most powerful act that one can do.

Pushing against hateful narrative with art: an interview with Bristol musician Krantz

Take discovering acid jazz at the age of 12, then studying classical music and throw some beatboxing into the mix, and you’ll have some of the pieces visible that make up Bristol musician and activist, Krantz.

After discovering his music on X (formerly known as Twitter) I contacted Krantz to learn more about his work. It was clear that the man uses all his talents very specifically, and directly, to tackle certain political issues that belong to his proximate surroundings as well as around the globe. One of his latest tracks is a piece of emotional, moving electronica, that is created around a speech from US Senator Nina Turner, which Krantz sampled and puzzled in with the music – as if the powerful words were performed to the music.

During recent Covid lockdowns, Krantz used all of his musical talents, every Sunday, to entertain his fellow neighbors by performing music from his garden patio. Later on, other neighbors and musicians started participating, sending tones across rooftops and lifting people’s spirits.

Krantz took a moment to answer a few questions to further explain his background, music, and future projects. Read his message to the world below and check out his webpage and socials to follow his music.

Halldór Kristínarson: Thank you for taking the time to answer a few questions! First of all, who is Krantz and how did you first get into making music?

Krantz: I’m a pianist, producer, composer, songwriter and beatboxer from Bristol who has a passion for politics and wants to help those speaking truth to power by sampling their spoken dialogue from Youtube videos to create impactful and memorable songs. I want to help them reach as far and wide as possible to show that people are leading the fight against those who continue to want to divide us.

I’m a classically trained pianist and after discovering Acid Jazz at the age of 12 and teaching myself to play Jazz and Funk, I also found a love for emotive classical music after hearing Samuel Barber’s ‘Adagio For Strings’. When I began composing on the piano I started beatboxing to give each piece it’s character/ genre and this ability to beatbox and play piano at the same time has led to me supporting the likes of the Dub Pistols, Kosheen and performing at the world-renowned Boom Town Festival on multiple occasions.

My passion for many musical genres is displayed in my huge catalogue of tracks which include Classical, Post Classical, Orchestral Dubstep, Electronica, Hip Hop, Jazz, Beatbox, Funk, DnB, House, Trip Hop and World Fusion and I look forward to continue sharing as much music of varying genres as possible in the future.

HK: Did you decide from the beginning of your career to use your music and your voice for good? Or did politics and protest come into your craft at a later stage?

K: Politics and protest definitely came the more I emotionally matured and realised the good fortune and privilege I’ve had by having opportunities and choices. Before deciding to use the dialogue of truth teller’s dialogue in my tracks, my own lyrics were always very zeitgeist and addressed social, political and environmental issues so it was a natural progression and perhaps was destined to happen.

HK: Why do you think music is such an effective vessel for protest and activism?

K: Most people won’t spend the time watching a debate, an interview or even reading full articles and mostly make decisions on very little information e.g. ‘get Brexit done’. To be able to deliver the truth and the words of truth-tellers to the general public we have to be creative and find vessels that push against the [mainstream media] narrative that are entertaining, memorable through repetition and help induce introspection- you can take a horse to water but can’t make it drink. People need to be in a neutral space away from bias or influence to truly reflect and this is where art and specifically music can be most powerful. I’m creating alternative versions and remixes of multiple dance genres for every song so that the dialogue has a chance to reach as far and wide as possible and for the tracks to be used in DJ mixes online, in bars, festivals, radio and in clubs. The hope is people really enjoy the music, find the dialogue intriguing, want to find out who’s delivering the lyrics and then hopefully start following that person.

HK: You mentioned via our chat, on the medium formerly known as Twitter, that Facebook and Instagram had suppressed your posts after sharing a certain song. Can you tell me more about that?

K: I produced a song and lyric video featuring the dialogue of Alexandria Ocasio-Cortez (AOC) called “The Insurrection” and when trying to boost a post containing the video, Facebook responded by saying it was inappropriate and was not following the rules and regulations. Ever since that point my exposure has been incredibly small and is proving to be a massive obstacle in sharing content with people even within my own social circles let alone the wider public. Twitter is the only platform that really offers me the opportunity to share content to a wide audience and therefore the potential for increased awareness and followers.

Krantz working on ‘We Must Stand Up and Speak the Truth ft. Nina Turner’. Photo retrieved from the official Krantz Facebook page.

HK: How is the scenery around you, music and activism-wise? Where you live and work, do you feel artists are using their voices to create change?

K: I very much keep myself to myself in regards to music creation however I don’t feel enough people are using their privilege and platform for positive means. I’m incredibly lucky to be in a position where I can make a difference in people’s lives and I feel it’s now my duty to make this happen. Fear and hate are constantly being fed to the public and we need to fight against this with an abundance of art filled with messages of optimism, truth and unity.

HK: Who are some of the artists or people that have inspired you?

K: Herbie Hancock, Samuel Barber, Hybrid, Outside, James Brown, Tower Of Power, Pink Floyd, Jazzanova

HK: What do you hope to achieve with your music?

K: I hope to help inspire other artists to produce their own political/protest art, for people to listen to the songs and be inclined to find out more about the featured speaker and to help sow some seeds that lead to introspection. Even if someone initially only engages with the composition hopefully through repetition, the lyrical content will start to penetrate their thoughts.

HK: What is on the horizon for you?

K: I’m continuing to produce a vast amount of songs with alternative versions and remixes which I’ll be releasing over the coming months. The next release is a track featuring James O’Brien (LBC) called “Twaddle Is Still The Order Of The Day” which is about the collusion between politicians and the right-wing newspapers. I’m looking to release it before the end of the year. I’ll then be releasing 3 different versions of a narrative I’ve created using Nina Turner- the song is called “Many Hands Make For Light Work”. The genres are classical, Jazz and Dub.

HK: Thank you again for participating. Anything else you‘d like to shout from the rooftops?

K: Want to say a massive thanks to yourself for putting the time and effort into trying to help make a difference. It’s not easy, you have to have self-belief, believe that hope can materialize and the aptitude to be able to keep on pushing. Keep up the good work as it will pay off and we will help to implement change.

Goodbye General! A London event commemorates 50 years since the military coup in Chile.

For many, still, the coup in Chile in 1973 is in fresh memory and for others the trauma has lived on in the children and grandchildren of those who suffered.

Naomi Larsson Piñeda, a musician and journalist, told me via Twitter messaging about how Chilean families still have a hard time talking about the events in 1973 and the years that followed.

Read also: “Justice Finally Served For 1973 Murder Of Chilean Musician Victor Jara”

Naomi’s mother moved from Chile in 1980 to the United Kingdom and although having traveled to Chile in her youth, it was not until in her adult life that Naomi started reconnecting with her homeland: “I work as a journalist so have spent a lot of time reporting from Chile and learning about its history – as a child, the dictatorship was something that was never really discussed, like in so many Chilean families.”

Read also: “The Violator Is You: Women In Chile Perform A Protest Chant”

This coming Wednesday, October 18, Naomi has organised a night of music, titled ¡Adios General!, in cooperation with Movimientos, to commemorate the decades that have passed since the coup.

Featured bands are Naomi in Blue, Malena Zavala, and Patiño. ¡Adiós General! will celebrate Nuevo Pop Chileno and the songs of Los Prisioneros, Aparato Raro, Los Pinochet Boys and more – the Chilean rock bands who drove the sounds of a new counterculture.”

“The 18 October is also a particularly important day – it was the start of the social uprising in 2019 where millions of Chileans took to the streets to protest the economic and social hangovers of the dictatorship.”
– Naomi Larsson Piñeda

Profits from the event will go to Ecomemoria, a collective planting a forest in the south of Chile with each tree memorialising a victim of the dictatorship.

When: 18 October 2023
Where: the Jago, Dalston (UK)
Tickets: here