Tag Archives: political music

DJ General Strike’s Top 40 Protest Songs of Summer 2024

Greetings comrades, this is DJ General Strike, host of the weekly protest music radio show, Protest Tunes on 91.3 KBCS FM in Seattle, WA. I broadcast 2 hours of radical protest music of all genres and eras every Wednesday at 9 PM. Every quarter, I put together a radio show and playlist of my favorite new protest songs released that season, which I call “molotov hot tracks.” This Summer saw the release of many great protest songs, most notably songs about the upcoming US presidential election and songs against Israel’s ongoing war/genocide in Gaza.  I aired most of these songs on my show last Wednesday 9/25, (during the station’s Fall fund drive) which you can listen to an archive of here. I’ve organized these 40 protest songs by genre below (and alphabetically within genre). You can also listen to all 40 songs on this Spotify Playlist. I hope you all are inspired by these molotov hot tracks!

Folk

Carsie Blanton – Ugly Nasty Commie Bitch

Carsie Blanton is a singer-songwriter and guitarist based in New Orleans. Blanton says she “writes anthems for a world worth saving.” She describes this one minute viral song, which was inspired by some internet trolls, as “a new song to unify the working class.“


Crys Matthews – The Difference Between – (feat. Melody Walker & Chris Housman)

Crys Matthews is a former drum major and clarinetist turned folk singer, who is using her voice to answer MLK’s call to be “a drum major for justice.”   About this song she said “This is a reclamation not just of the space Black artists have been denied in Country and Americana music, not just of the space LGBTQ people have been denied in communities of faith, not just of the autonomy women have been denied over our own bodies, but a reclamation of the South that raised me.”


Jesse Welles – The Poor

Jesse Welles, AKA Welles, is a singer-songwriter and guitarist from Arkansas. Welles was also the frontman of the bands Dead Indian, formed in 2012, and Cosmic-American, formed in 2015. In 2024, Welles garnered attention on social media for authoring and performing folk protest songs, like this one.  He released an album of these protest songs called Hells Welles, in July.


Sister Wife Sex Strike – From the River to the Sea

Sister Wife Sex Strike is a Seattle-based anarchist folk punk band comprised of Sister Pigeon and Sister Moth. The band’s name is inspired by a real life sex strike that they went on in 2021. They released this anti-zionist single on July 4th, off their new album Sister Wife Sex Change, which dropped August 2nd.

Rock and Roll

Ghost – The Future Is A Foreign Land

Ghost  is a Swedish rock band known for combining theatricality, heavy metal, and arena rock, formed in 2006. Renowned for their costumed stage presence, Ghost’s members are known as “Nameless Ghouls” and the lead-singer is called “Papa Emeritus”. The track is off the soundtrack of Ghost’s debut movie, Rite Here, Rite Now.


Scarlet Rebels – How Much Is Enough

Scarlet Rebels are a five-piece melodic rock band from Llanelli, South Wales, formed in 2018. They’re known for their efforts to raise money and collect donations for local food banks and charities. This track is off their new album, “Where The Colours Meet” released in August.


Sleater-Kinney – Here Today

Sleater-Kinney are a riot girl turned indie rock band formed in Olympia, WA in 1994 by Corin Tucker of  Heavens to Betsy  and Carrie Brownstein of  Excuse 17. The group’s name derives from Sleater Kinney Road, where they used to practice together. This single released September 3rd will be a bonus track on the deluxe version of Little Rope coming out in October.

R&B/Pop

She Drew The Gun – Mirrors

She Drew The Gun is a psych pop band known for its often political lyrics, from Wirral, England. Louisa Roach, started She Drew the Gun in 2013 as a solo project, then expanded it to a four-piece band in 2015. About this song, Roach said “it’s about trying to heal, and about getting sick of trying to heal but also about how healing in a neoliberal world is also recognising your oppression.”


Stevie Wonder – Can We Fix Our Nation’s Broken Heart

The 74 year old living legend, had his first Billboard No. 1 hit at the age of 12, and has won 25 Grammys (the most by any solo artist). This is Stevie’s first new song since 2020, which encourages people to get involved and seize the crucial moment that the country and the world find themselves in right now.


Tune Yards – Rally

Tune Yards is an Oakland-based music project of Merrill Garbus and Nate Brenner. Their music draws from an eclectic variety of sources and uses elements such as loop pedals, ukulele, vocals, and lo-fi percussion. Rally was a bonus new track on the 10th anniversary deluxe reissue of their 2014 album Nikki Nack, released 8/9.


Zeshan B – Change (Is On the Way)

Zeshan B is an Indian-American singer, multi-instrumentalist, songwriter and recording artist from Chicago. He started his music career as an opera singer, but early on in his opera career, he formed a world music string band with some of his colleagues and left the world of opera behind him. This hopeful song is off his new protest songs album O Say, Can You See? released in late July. 

Reggae/Ska

AHI – My People

AHI is a Canadian singer-songwriter, of Western Caribbean descent, from Toronto. His stage is an acronym of his full name Ahkinoah Habah Izarh.  About his songs, AHI says, “I write the songs I need to hear. I share them just in case someone else might need them too.” AHI released this black pride single August 16th.


Arivu – Billions

Arivu, is an Indian composer, rapper, singer and songwriter. He was a member of  The Casteless Collective and leads the 10-piece band Ambassa, founded in 2022. He is best known for his independent singles, like this one. This global justice song is off Arivu’s new album Valliama Peraandi, released in July.


DJ Pamplona & Soom T – War and Bombs

DJ Pamplona is an independent audio engineer from Rio de Janeiro Brazil, of the group Dub Ataque. He is now based in Florida where he owns his own studio and record label, Pamplona Beats. This anti-war on Gaza song features Soom T, a Scottish reggae singer of Indian origin.


Peetah Morgan, Zion I Kings – Who Run the World

Zion I Kings, a family of producers and musicians from three respected roots production houses, finished and released this posthumous track by the late Peetah Morgan in July. Peetah, who passed away on February 25th, was the lead singer of Grammy-winning  contemporary reggae band Morgan Heritage, formed in 1994 by five children of reggae artist Denroy Morgan.

Jazz/Swing/Spoken Word

Cats and Dinosaurs – Neoliberalism Is Dead

Cats and Dinosaurs, known as “the world´s most radical swing band,” are a socialist and feminist swing collective from Gothenburg, Sweden. They make vintage jazz and blues music with political lyrics, and stop motion music videos in Swedish and English.


Meshell Ndegeocello – Tsunami Rising

Meshell Ndegeocello is a singer-songwriter, poet, and bassist. Her music incorporates a wide variety of influences, including funk, soul, jazz, hip hop, reggae and rock. She’s been nominated for 11 Grammys, and won two. This epic 8-minute track is off her new album, No More Water: The Gospel of James Baldwin, which pays homage to the eminent writer and activist James Baldwin.


Morley – Where Are We

Born and raised in New York City, Morley, blends jazz, soul, and folk traditions with lyrics about human rights and environmental justice. This song is about healing ancestral trauma and building a better future for the next generation. The chorus is a traditional hymn from Nigeria, sung in Yoruba, meaning, “Giving thanks to the most high.”

Hip-Hop

Eddie Mack – The Sound Of War, Pt. 2

Eddie Mack is an Arab-American Hip-Hop artist from Detroit. Mack engineers and produces and writes all of his own music. His distinct sound combines vintage Hip-Hop tracks with contemporary production methods. This sequel to his October 2023 protest song against Israel’s war on Gaza, The Sound Of War, was released in August.


Harris J ft. Lowkey – Hourriya (Freedom)

Harris J, AKA “the Muslim Justin Bieber” is a young British Muslim artist whose debut album, Salam, was released in 2015. This song features rapper Lowkey, an Iraqi-British rapper and activist from London.  These two London-based Muslim artists collaborated on this anti-war track against Israel’s war/genocide in Gaza.


Heems, Vijay Iyer – Manto 

Heems is an Indian-American rapper from Queens, New York, best known for being part of the alternative hip hop groups Das Racist and Swet Shop Boys.  Heems is also an activist and board member with the South Asian community organization SEVA.  This song is about the 1947 partition of India and Pakistan, and features Indian-American composer and pianist Vijay Iyer.


Hyphen – Deskjob

Hyphen is an English rapper and songwriter of Indian origin. He was working in finance and feeling depressed and lacking purpose, and started making music to help him deal with depression, which gave him a new sense of purpose. Hyphen said this song is “about corporate life sucking a** while being at work is weird and disorienting”.


Macklemore – Hind’s Hall 2

The Seattle star rapper released this follow-up to his viral Spring protest single on September 20th, and performed it live for the first time in Seattle the next day at the Palestine Will Live Forever benefit concert. The track features Palestinian-American artists Anees and Amer Zahr, Gaza-born rapper MC Abdul, and the LA Palestinian Kids Choir. Just like the first song, Macklemore is donating the proceeds from “Hind’s Hall 2” to UNRWA.

MC Lyte – Change Your Ways (feat. Stevie Wonder and Common)

Considered one of the pioneers of female rap, MC Lyte first gained fame in the late 1980s, becoming the first female rapper to release a full solo album in 1988. She’s back after ten years with a brand new album, called ‘1 of 1’. In this song MC Lyte, Stevie Wonder, and Common address systemic injustice and the pervasive impact of racism on African Americans.


Old Boy Rhymes – American Pyramids (feat. Mr Lif & Sage Francis)

Alaska-born, third world-raised OldBoy Rhymes, released his debut album in August on Sage Francis’ Strange Famous Records. About his stage name, he said “I don’t believe a no-name nobody has ever dropped a debut album from out of nowhere, in their late 30’s, featuring a bunch of genre icons.” On “American Pyramids,” all three emcees liken the American currency structure to a large pyramid scheme.


Wax and Eric Krasno – Things Are Changin (feat. Marlon Craft)

Indie rap legend Wax and modern funk guitarist Eric Krasno (AKA Kraz), have been friends and occasional collaborators for many years and released their epic collaborative album LIGHT YEARS this August. This track features NYC-based Rapper Marlon Craft, known for his politically conscious lyricism and throwback jazzy beats.

Metal/Hardcore

BODY COUNT – F**k What You Heard

Formed in LA in 1990, fronted by rapper Ice-T who first established himself as a rapper then co-founded the group with lead guitarist Ernie C out of their shared interest in heavy metal music. Body Count have been credited for paving the way for the rise of rap metal and nu metal, even though Ice-T does not rap in most Body Count songs. This track critiques the American two party system, comparing the Democrats and Republicans to warring gangs.


Corporate Avenger- War Is Won

Corporate Avenger are an 8 member native rap metal band from Southern California, including members of The Kottonmouth Kings,  20 Dead Flower Children & No Doubt. Their first album in 2001 was met with backlash by conservative and religious watchdog groups leading to some retailers refusing to stock their album. This single which dropped August 31st is their first release in 19 years.


FEVER 333 – No Hostages

FEVER 333 is a political rap-core trio formed in Inglewood, California, in 2017 by members of Letlive,  Chariot and Night Verses. Originally named The Fever, 333 represents the band’s three core principles of community, charity and change. This anti-police brutality single, released in August, is off their new album ‘Darker White’, set for release on October 04.


Serj Tankian – Justice Will Shine On

Serj Tankian is an Armenian-American musician and activist, best known as the lead vocalist, primary lyricist, keyboardist, and occasional rhythm guitarist of the heavy metal band System of a Down, formed in 1994. Tankian says he wrote this song during the early days of System of a Down. It’s about the Armenian genocide that took place during WWI, and how it still impacts his family and the broader Armenian community.

Punk

Chasing Ghosts – Amnesia Everybody

Chasing Ghosts are an Australian-Aboriginal-lead indie-punk band. According to the band, ‘Amnesia Everybody‘ is about “non-indigenous Australians and their failure to acknowledge not just the atrocities of our past, but in also choosing to not think about them at all. Instead, a different history arose in Australia – one of negative stereotypes that victim-blamed First Nations Peoples for our own marginalisation and systematic decimation.”


CLAMM – Define Free

CLAMM are a Melbourne-based Australian punk trio. Their songs are about “trying to navigate systems of power and oppression while retaining a healthy sense of self and mental health.” About this song, off their new EP Disembodiment, the band says “Define Free speaks to the idea that even within the privilege of a first world country, how free is the individual?”


Destroy Boys – You Hear Yes (feat. Mannequin Pussy, and Scowl)

Destroy Boys are a teen punk band from Sacramento, CA. Their name was taken from words that singer Violet Mayugba wrote on her chalkboard at home during a period of relationship troubles. This feminist anti-assault/harassment anthem from their new album, Funeral Soundtrack No. 4 features fellow feminist punks Mannequin Pussyfrom Philadelphia, and Scowl from Santa Cruz, California.


Mike and the Molotovs – Monarchy in the USA  

Mike and the Molotovs are a country punk band, self-described as “Spaghetti Punk…serving up fresh satire and catchy anti-corporate rock and roll.” They’re a supergroup made up of country and punk luminaries based in Phoenix, Arizona. This song is the title track off their 6-song EP of irreverent working-class anthems, “Monarchy in the USA,” released in August.


Millie Manders and The Shutup – Me Too

London born, classically-trained multi-instrumentalist and vocalist Millie Manders, formerly of Second Sense, launched her solo career in 2013 and formed her punk band “The Shutup” in 2015. This song, inspired by the #MeToo movement against sexual violence is off their new album Wake Up, Shut Up, Work released in August.


The Oozes – Piggies In Blankets (feat. Grove)

The Oozes are Queer-Punk band from London. Their music “centres trans liberation, opposing the conventional, embracing the bizarre and uplifting the oppressed.” This anti-police brutality track features Jamaican-British rapper, Grove, a genre-defying, non-binary femme artist based in Bristol.


The O’Reilly’s and the Paddyhats – Rise Up, Tear Down

This 7-member Irish Folk Punk Band from Germany, started out as a duo, playing in small barns and pubs as “The O’Reillys,” and a little later mutual friends joined them as the “Paddyhats” and turned the duo into a full band. This anti-fascist song is “directed against political and social currents that endanger democracy – and calls on people to speak up, rise up and fight together for freedom and justice.”


Problem Patterns – I Think You Should Leave

Problem Patterns are “four shouty queers who write songs for right now.” They don’t have a front person, they swap instruments and roles to ensure that each member of the group has a voice. This single, released at the end of June, tackles negative attitudes towards their hometown of Belfast and was inspired by a journalist who disparaged Northern Ireland.


Rent Strike – Escape from Mobius Strip Mall

Rent Strike are a Lansing, MI based folk punk band.   Their sound falls somewhere in the intersection between folk, indie, punk, metal, and jazz. This prison abolitionist song which “aims to explore and free the listener from the titular psychic prison apparatus” is off their upcoming album Möbius Strip Mall, due out October 4th.


Zebrahead – Doomsday on the Radio

Zebrahead is a punk rock band from La Habra, California, formed in 1996.  All 4 band members, whose bands at the time shared the same practice space, met each other experimenting with different music styles together. This led to them all leaving their old bands and forming Zebrahead. About this song the band said “When the world gives you lemons in the news and media…make some f**king lemonade and embrace it.”


EXCLUSIVE ALBUM PREMIERE: Until I Seen It All (EP) by Dereos Roads

Mixing boom bap, blues, hip-hop, soul and new age soundscapes is what Dereos Roads has been doing for around 20 years out of Pittsburgh, US. A veteran in the hip-hop scene, he’s shared the stage with the likes of Tech N9ne, Aesop Rock, Mr. Lif, Fat Lip, Blueprint and more.

Roads’ new EP, Until I Seen It All, which explores themes of struggle, perseverance and self-discovery, drops on all streaming platforms on September 18th but you can here it exclusively, in full, here on Shouts – Music from the Rooftops!

Dereos Roads. Photo by Derek Tull. Used with permission.

When I asked Roads what sets the new EP apart from his previous projects, he told me that it has a far more alternative rock vibe to it. As far as the songwriting goes, Roads is continuing on the journey he embarked on with ‘Worlds Apart’ (2023) and he says he is still sharing the space with the listener, no longer judging, and just wanting people to enjoy the music.

Hip-hop has always had an anti-establishment side to it and that is something that appealed to him from the beginning. Artists who, in the late 1990s, went against the commercialisation of hip-hop music and culture were those who influenced him above anyone else.

“For a long time, it was clear there wasn’t much interest from the suits to expose or get behind political rap after Public Enemy’s high-water mark in the mid 90s. They’re not interested in anyone rocking the boat. Rage Against the Machine is probably the biggest band to have a sizable reach while being authentically conscious and opposed to who runs the world. I think, aside from marketers and corporations figuring out how to sell anti-capitalism as a brand, activist music is no longer the center piece if it’s a part of a band’s identity. It’s a temporary detour from music that’s often edgy, but very much appealing to a demographic already on the side of the artist. It’s a choice not very much different than a set list that includes a song played in minor key after multiple songs in major. Very few are willing to risk alienating the listener. I used to think that was a sign of weakness or a lack of integrity. I don’t anymore.”

When I asked Roads about music and activism and how the two should or should not mix, he replied that there’s a time and place for both to co-exist.

“There are acts who became popular decades ago getting booed today for bringing their politics on stage, and I don’t blame the crowd. Most people want to experience your music, not your politics. At an organized protest or rally for labor, you’ve got them on your side when you say eat the rich. I really don’t think a straightforward political message in a song is going to resonate with anyone who doesn’t already agree with you. That’s where creativity comes into play, and the ability to write a song that doesn’t point the finger at someone for their place on the political spectrum, and instead connects with them because of your unique point of view; your perspective on a universal human experience. That’s what I tried to do with “Flowers From the Rubble.” [the second song off the new EP] I don’t mention a state. I call out a bully. I allude to the hypocrisy & complicity of the U.S. in the war on Gaza (“handed ’em the bomb while supplyin’ aid”). I explain why Gen Z is outraged and how their plight is very much the same plight of the generation before them (my own). But there’s still optimism for the future. ‘When it showers, you can see the grown flowers through the puddle.'”

So what’s next for Roads? And what does he hope to achieve with his music?

“For me, making music is a beautiful, therapeutic experience with a goal of a transcendent outcome. The way someone experiences it from the other side as a listener is always going to be different from person to person, but I hope they at least feel better about themselves and about life; that they’re not alone; that there’s value in art; there’s value in poetry and songwriting; and everything from the melody, words and the way they are sung has a part to play in that everlasting feeling which transcends one song’s duration. So in the end, I hope my art reaches out and surprises them along the way, whoever and wherever they may be.

Besides the new album, I’m in the midst of taking my role as a musician one step further with plans in my area to become a mentor of sorts for younger musicians who, like me, don’t reside within walking distance of a major city. I’d love to share more about it when I’m a lot closer to that reality.”

All songs written, produced, recorded & mixed by Dereos Roads.

Guitar by Dereos Roads.

“Until I Seen it All” bass guitar by Kevin Nolan & Dereos Roads.
“Flowers From the Rubble” bass guitar by Sean Zuza.
“Radio” co-written by Real Deal & Dereos Roads.

Mastered by Ayé. I.
Artwork by Allison Austad.

Surface Level Records 2024


EXCLUSIVE ALBUM PREMIERE: Take The Rad Pill by Mat Ward

The veteran protest musician takes a break from concept albums with his latest release – although all the songs are united in protest.

Mat Ward. Photo courtesy of the artist.

Since releasing his debut album, Slow Car Crash – a jungle album about financial markets- in 2017, Australian-based musician Mat Ward has been anything but lazy. He has released seven topical protest albums in that time, covering themes such as surveillance, the media, and the climate crisis. He also produced the G.O.D. EP by his friend and collaborator, Aboriginal rapper Provocalz. On July 26, Ward is set to release his new album, Take The Rad Pill.

When I asked Ward about what set the new album apart from his previous releases, he told me that one of the main differences is that this is his first album that doesn’t revolve around a specific theme. However, although Take The Rad Pill is not a concept album, all the songs on it are bound together by one thing – protest.

Protest music is something that is dear and close to Ward, not only through his music, but as a journalist. For the last decade or so, he’s been publishing a monthly column for an Australian media outlet, Green Left, in which he shares contemporary protest music while covering political news from around the world. He has also published a book about Aboriginal rappers that was called a “must-read” by Britain’s I Am Hip-Hop magazine.

Another big difference with the new album is how Ward is exploring new genres. He told me he was listening to a lot of Rancid while making the album “which resulted in a lot of catchy punk songs.”

“I also had Happy Mondays on repeat, so that resulted in several songs that are like house music with indie vocals. One of these is about a notorious political staffer and tobacco lobbyist called Bruce Lehrmann. He has been making headlines in Australia for years for all the wrong reasons. It’s called ‘Bruce Is Snorting A Line’ and has been getting played on the radio, with the result that people have been ‘shazamming’ it – identifying the song with their phones.”

I asked Ward about his extra curricular activity, i.e. his activism outside of his music or his passion for hiking, and he told me that he can regularly be found on the streets, using his voice in protest:

“You can see me doing that in the video for one of the lead singles off the album, ‘Your Vote’s A Joke’, which has also been getting radio play. The idea behind this song is: If you live in a democracy, you’re lucky, right? But then why do so many people in democracies hate politics and politicians? I’d say a big reason is that they’re allowed to break their promises as soon as they’re elected.

“[The song is] mainly inspired by an interview I did with an author about accountable democracy years ago: He said: ‘The commonly held notion of democracy is not the accountable version originally defined by the ancient Greeks – democratia comes from demos “the people” and kratia “power or rule”. Instead, it is more like the version defined by Harvard political scientist and sometime government adviser Samuel Huntington. His widely cited definition of democracy is profoundly unambitious. He defines it as a system whose most powerful decision-makers are chosen through fair, honest and periodic elections… Huntington’s democracy is nothing like what we could enjoy with truly accountable governance, something we deny ourselves by accepting his democracy-lite version.”

In terms of hiking, as with his music, there is no lack of productivity there for Ward. He is about to finish a 250 km long hike from Sydney to Newcastle which he describes as having been “incredible”. Prior to that, Ward walked 110 km from Barrenjoey lighthouse to Bondi beach during which time he came up with the lead song of the new album, “I Wanna Be Like Violet CoCo”. Ward explained to me how he uses an app that reduces webpages to text only so he can read heavy loads of news offline while out and about and without all the distractions the internet has to offer. For that reason, he’d read news about Violet CoCo, a rather famous activist in Australia, but he didn’t know what she looked like.

“Violet CoCo was so inspiring to me because, like many protesters, I had been going to rallies for years, trudging the same tired streets, with seemingly little to show for it. This person was approaching protest in a whole new, innovative, creative way, that grabbed attention in ways less imaginative activists like me could only hope for. I wanted the song to capture the same emotion as one that had intrigued me in my childhood, The Jam’s cover of The Kinks’ ‘David Watts’. That song and its main lyric, ‘wish I could be like David Watts, conduct my life like David Watts’, left a big impression on me because it was such an unusual admission. Amid so many songs of braggadocio that boast of the writer’s greatness, here was a frank insight into a state most people feel but never share – the desire to be more like someone else.

“When I got home from that day’s walk and began Googling Violet CoCo to flesh out my verses, I gazed in wonder at the screen. I was shocked to find that she was nothing like the person I had imagined. She was young, photogenic, charismatic. The soft edges of her quiet, sweet personality contrasted with her jagged, wonky, lopsided rock star haircut. I hadn’t even realised she was the protester who had set fire to a pram outside parliament in Canberra. That iconic image had seared itself into my mind for eternity the moment I saw it.

“I was inspired and fascinated by one particular video of her outside court. Prodded by her interviewer, she admitted that, far from being hard as nails, she was ‘actually a very fearful person’.

“This is our problem. We’re all too stupid to be scared. Violet CoCo is one of the few people with the fear we should all have. That’s why I wrote this song.”

We’re thrilled to be able to offer a platform for the premiere of Ward’s new album, Take The Rad Pill, which can be streamed exclusively below.


TAKE THE RAD PILL

Out July 26, 2024 Genre: EDM / Punk

TRACKLISTING

1. Who Are Ya?
2. Your Vote’s A Joke
3. Stoop So Low
4. I Wanna Be Like Violet CoCo
5. Bruce Is Snorting A Line
6. Quiet Quitting
7. She’s Fighting On
8. PwC – Prison Waits for Criminals
9. Why’s It Always Us Who Get The Blame?
10. Low-Rung Thinking
11. You Gotta Be Kiddin’ (Bandcamp download-only bonus track)
12. Where Were You? (Bandcamp download-only bonus track)
13. Musk And Murdoch (Bandcamp download-only bonus track)

Check out more of Mat Ward’s music and work here: linktr.ee/MatWard