Category Archives: Exclusive

Exclusive Premiere: Strike Till We Win, Build Solar, Build Wind By Mat Ward

Electronic musician and producer, activist and journalist, Mat Ward, will start 2022 by releasing a new album, titled ‘Why I Protest’, and we are psyched to exclusively premiere a single off said album here on Shouts.

Along with writing regular columns about protest music for Green Left Mat has dropped a few albums already. Mat’s debut solo release, a concept jungle album about financial markets, was released in January 2017. A chill trap album about Apple, made entirely on an iPad, followed the same year. On July 31, 2018, when Mars was closest to Earth, he released a lo-fi future bass album about Elon Musk. In 2019, he released a chill trap album about surveillance and Provocalz released his hip-hop EP G.O.D with all tracks produced by Mat Ward. In 2020, he released an acclaimed concept album about the media that blended future bass and drum and bass to come up with a new genre. In 2021, he released a future DnB album about the controversial mission to make humans multiplanetary.

Mat has been partaking in protests for many years and on his new album, he sings about the slogans he heard along the way and weaves field recordings from the protests into the future bass/drum and bass style. Besides exploring various issues on this album, that range from climate change and police militarization to fake news and political corruption, Mat is also exploring his own voice for the first time (his previous albums have been more instrumental or featuring guest vocals) making this album even more personal.

‘Strike Till We Win, Build Solar, Build Wind’ will be officially released as a single this Friday. It starts off with one of those protest sound bytes and then dives into a really catchy song that equally makes you want to dance as go out and partake in the sustainable energy revolution.

Listen to the exclusive premiere of ‘Strike Till We Win, Build Solar, Build Win’ below and follow more of Mat’s work via his webpage, https://linktr.ee/MatWard, and via his social media links: FB / Twitter / Instagram / Soundcloud: @matwardmusic.

To receive the album for free as soon as it’s released, simply download any of Mat Ward’s releases for free from his Bandcamp page. You’ll then be automatically added to his mailing list, from which you can unsubscribe at any time. To get his releases for free on Bandcamp, just enter zero as the amount you wish to pay. https://matward.bandcamp.com

‘Why I Protest’ release date: Friday, January 21, 2022 Genre: Future DnB / Indie Rap

‘Strike Till We Win, Build Solar, Build Wind’ by Mat Ward


Exclusive Premiere: ‘Scared’ By Adptd

Opposite to the title of her new single, Adptd does not seem to be scared of anything when you hear her rock out on her new, banging track. From recording music in her bedroom to landing a record deal, Adptd is all set to release her debut EP in 2022.

The music is reminiscent of the best of early 2000’s rock; with its guitar driven, groovy melodies and catchy vocals (with some awesome and perfectly fitted screams). This protest song comes mindfully wrapped, and completely slays it for this holiday season.

The new single, exclusively premiered on Shouts, is a call to action against racism. Growing up as an adopted child to white foster parents, Adptd (real name Josie Randle) learned early on how to embrace herself and to not give a crap about what other people think of her or the color of her skin. She hopes that some people can relate to the things she sings about as she told us via email:

“I want every song that I release on this upcoming album to relate to someone else. I’m not the only one to experience loss, pain, love, depression, and anxiety.  None of us are alone in our emotions, our thoughts, or beliefs. I want people to know that not just through me, and my music but at our shows, your family. Adptd is a community to feel welcome, and loved, no matter who you are or what you’re going through.”

Photo by courtesy of the artist

Being a person of color in the rock music scene has had an impact on Adptd and she takes it seriously representing POC in this dominantly white surrounding: “I’d like to think it’s important for me and every other artist of colour in our music community to stand up and show that, yo we too can write some emo, pop punk, pop rock shit and rock out just as hard.

I’ve been to many shows where I very well may be the only black person there either on stage throwing down or in the crowd rocking out. So when you do see another person having a dope time listening to a metal band, a rock band, pop punk band, whatever it’s dope to see.

There’s definitely an unspoken stigma out there for sure. So when I see new bands popping up like, Meet Me at the Alter, Magnolia Park, and (not new) but Turnstile, to name a few, killing it in this dominant scene of white folks, then hell ya I’m stoked on it and to be apart of these awesome POC killing it in the music scene.”

Adptd’s debut EP is set for release in 2022 so stay tuned! Listen to the exclusive premiere of ‘Scared’ below and check out more of Adptd’s work via her webpage adptd.com.


A Protest Music Interview: Mat Ward (Exclusive 3-Track Premiere)

According to some, electronic music used to be political but now it has ‘lost its edge‘. Mat Ward is fully aware of this and now does his utmost best to make his music sit just right, dangling the feet over the edge with the headphones blasting.

His latest album is self described as ‘a chill trap album about surveillance’ and it features titles such as ‘The Value of Metadata’, ‘Undersea Cable’ and ‘Holed Up In The Ecuadorian Embassy’.

The album subtly flows on, at one moment you almost forget yourself until you realise you have been swept away by the music and it has become an echoing, cool soundtrack in your brain. A bit like surveillance. You might know it is there, but it does more than you think while you loose your mind to other things.

Mat’s new album, due out in January, is a new concept and his current 9-5 profession: the media. For Mat is a journalist by day and a trap music maker by night. We have been listening to the unreleased album and it is stellar. It opens with much more of a bang in comparison to the more chill, previous album. Which fits well, for the media screams much louder than surveillance. Both concepts are large and complicated but Mat gives them structure and builds sonic landscapes that easily sweep you away.

We contacted Mat and asked him a few questions about his concept music. In addition we have a special 3-song preview off the upcoming album which Mat made exclusively for the Shouts project. Check out the new music below as well as the interview with Mat.

Photo from Mat Ward’s Bandcamp page

Has your music always been political?

“Yes, my music was political from the start, most probably because my two obsessions are music and politics.

I started making music at first for my favourite rapper, Provocalz, who I met here in Sydney when I interviewed him for my book Real Talk: Aboriginal Rappers Talk About Their Music and Country. That interview ended with us both being questioned by police.

I felt Provocalz was such a great poet that he should reach a far wider audience. But his music was not on any of the big music platforms because he always rapped over unlicensed music, as many underground rappers do. So I started making original music for him just in the hope that he could upload it onto the big platforms – Spotify, Apple Music, Amazon and the rest – to reach the audience I felt he deserved. I made about 40 songs in his style – dark, emotional, piano-driven hip-hop – but after he’d laid down vocals on four of them, he got pissed off with the whole rap scene and gave up rapping. That was in 2016, but the four-track EP came out only this year. It’s my favourite thing I’ve done, music-wise.”

Why did you choose surveillance as the concept for ‘Five Eyes’? Why is it an issue you care about?

“Well, the funny thing about that album is it was the best of all the leftover songs that I’d done for Provocalz. I didn’t want anyone else to rap on them as I’d made them for him, so it’s just an instrumental album, but it needed a theme. I always prefer music with a message, even if it’s only in the song titles. Provocalz had actually used one of the songs for “Behind Enemy Lines” on the EP, in which he raps about Aboriginal kids being abused in jail. I really liked the intricate bassline I’d come up with on that one, so I thought it stood up as an interesting instrumental on its own, without any rapping.

On the Five Eyes album, that song became “Holed Up In The Ecuadorian Embassy“, to highlight another Australian injustice, that of Australian citizen Julian Assange being abandoned by his government and incarcerated. That’s the link between the EP and the album. I’d read a lot of books both by Assange and about Assange, a lot of which touch on surveillance, so a lot of the rest of the song titles came from the information in those books.”

Can you tell us a bit about your upcoming album and the new concept?

“Yep, I’m actually a journalist – that’s my day job. I started a music fanzine in my teens, did my school work experience on my local paper, earned a postgraduate in journalism, became a reporter and features writer on national newspapers, then became a subeditor and I’m now an online editor.

I think everyone should think critically about the job they do – especially journalists, who are supposed to be critical thinkers. Anyone who looks at journalism critically can see there’s a lot to be criticised. If you’re interested in seeking out the truth, as all journalists should be, you’ll consume the news from as many different sources as possible and you’ll quickly see there’s a huge difference in the way the news is reported by the corporate media and non-corporate media. (If any readers are not familiar with those terms, by corporate media I mean mass media or mainstream media run by corporations, and by non-corporate media I mean not-for-profit media, usually run by political activists.) All news is biased. If you’re only reading the corporate media – or only reading the non-corporate media – you’re missing half the story.

It’s for this reason that, 10 years ago, I started doing voluntary work for the non-corporate media. This kind of pro bono work is common in other professions, but unknown in journalism and even seen as heresy. For the past few years I’ve been writing a monthly political music column for the non-corporate media that always gets thousands of views and has been shared by the likes of Public Enemy’s Chuck D, Rage Against The Machine’s Tom Morello, Ministry’s Al Jourgensen and drag star Ru Paul. I think that’s how you found me. There’s a huge hunger out there for music with a message, as you’ve no doubt seen with this great blog of yours.

So, in an age when the president of the United States dismisses any news report he dislikes as “fake news”, this new album of mine, Filter Bubble, takes a look at the criticisms that can legitimately be levelled at the corporate media. Although nowhere near as sensational as Donald Trump’s tweets, these quiet truths are often just as disturbing.

Below, you can stream and download a three-track sampler of the album for free, which I put together for this blog. You can click through to Soundcloud for more details on what each song means. Stylistically, this album’s a cross between future bass and jungle – call it “future jungle” or “future drum n bass” – which I don’t think has been done before.

If you follow my artist page on Spotify, you’ll be notified when the full album’s released on January 24, 2020. Thank you.”

Shouts Exclusive Listen

Check out ‘Five Eyes‘ out on Bandcamp as well as Mat’s social media.