Tag Archives: 2018

A Protest Music Interview: Raye Zaragoza

Cover photo by Terry Bruce Herring

Since releasing her debut album ‘Fight For You’ (2017) Raye Zaragoza has been titled a protest singer, and she is fine with that. Injustice and inequality inspire her to write songs that can power protesters in their fights for nature and fellow people. But Raye is also more than just a protest singer as she explains in the interview below. She tackles anything that inspires her with an enormously soothing voice and vulnerable honesty. Raye was kind enough to take time while on tour to answer a few questions about her music and activism.

First off, for those not familiar with your work, who is Raye Zaragoza?

“Hi everyone! I’m an LA-based, New York City-born singer-songwriter. My latest album Fight For You is a collection of songs of social justice and finding your voice. I’m very passionate about writing about topics that are not talked about in mainstream music such as politics and indigenous rights.”

How and when did you get into making music?

“I started writing songs in my late teenage years, but I’ve been singing and playing guitar since I was 12. In middle school, I had a little band with my friends and we played Avril Lavigne and Vanessa Carlton songs at local restaurants in Hell’s Kitchen, New York (where I lived in my pre-teen years). I grew up doing musical theater, and always knew I wanted to be a performer, but it wasn’t until my late teenage years that I realized being a singer-songwriter is what I always wanted to be doing.”

When did you realise you could use your music to spread messages of protest or activism?

“Although I had written some social justice songs before this, I really started writing songs with an activist message during the Standing Rock movement. During that time I realized how much a song can comfort and inspire people who are fighting injustice. Speaking up can be a vulnerable and scary thing, and music can truly make you feel stronger and not alone. Many of my songs from Fight For You were written about Standing Rock and my journey there.”

How do you feel people are receiving your political music these days?

“With the exception of the expected occasional backlash, the response has been overwhelmingly positive. It’s really been amazing to hear stories about how the songs have comforted people in tough times.”

How important is it for you to send out a specific message in your music? Are all your songs tackling a political subject?

“No — not all of my songs are tackling a political message. I write songs about all kinds of subjects — like nature, love, heartbreak, New York City, California, and anything else that inspires me! I’ve definitely been labeled as a protest songwriter after this album, and although I don’t have a problem with that, it’s definitely not all I do. I like to write songs with light-hearted messages too!”

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Photo by Ursula Vari

Do you find it hard to balance between being political and poetic in your lyrics?

“I think that’s exactly my favorite part about it — when the poetry meets the politics. When a verse or a line can help make sense of the madness around us. I feel like social justice music is really what keeps the movement moving and the activists inspired — so for me, even if it’s a challenge at times, finding the balance is the most rewarding part.”

How do you see the current music scene, is there an abundance of socially conscious music today or a lack of people using their voice and talent for good?

“I think there are definitely more and more artists speaking up through their music. I think regardless of whether an artist writes social justice songs or not, it’s very important to be vocal on their platforms. People look to artists for guidance and inspiration — so it’s important we share a positive message.”

What are some of your inspirations or favourite protest musicians out there, active or not?

“I love Joan Baez, Joni Mitchell and Bob Dylan. I also love my friends Calina Lawrence and Nahko Bear who are doing so much as activists and artists currently.”

Outside the music, do you partake in any other activism?

“Absolutely. Whenever I’m not on the road, I am very involved in my indigenous community in LA. Last year, I participated in the Run4Salmon, and March to Oak Flat — two indigenous rights causes very in need of support (everyone should look them up!). This year, I hope to return to both and continue to contribute to the protection of indigenous sites around the country.”

Photo 2 by Ursula Vari
Photo by Ursula Vari

What is on the horizon for you?

“I am currently working on my next album that will be released in 2019. I am also touring around the US, Canada, and Europe for the rest of 2018!”

Thank you very much for participating and for the music you make. Anything else you’d like to shout from the rooftops?

“Thank you for having me! if you’re hearing of me for the first time, I hope to meet you at a live show soon!!!”

You can catch Raye currently on tour. Check out her webpage for further details.

A Protest Music Interview: WOXOW

A debut album featuring guests such as Ken Boothe, Akil from Jurassic 5, BluRum13 and others is no small feat. But that is exactly what Italian producer Woxow has just done. But Woxow does not only have some cool networking skills because Alcazar is also an absolutely banging album. Not only are the old school beats and smooth melodies super fresh but Woxow also set the production up with socially conscious themes which the guest lyricists followed.

Parallel to dropping his debut album, which includes a beautiful 7 inch of the track Chaos, Woxow has also founded a new record label called Little Beat More and apparently the world can except some more dope stuff coming out of there soon. I talked to Woxow and he explained to me how his ‘concept mini album’ is his input into a mainstream industry that disappoints him and how the music is a tool that can possibly unite people and spread some good messages.

“Yes, I wrote a concept for each song with a sort of a guideline, full of ideas, quotes and videos. I wanted the singers to talk about what you hear on the album. I’m a bit disappointed about the mainstream so I decided to do music for giving a little contribution, to spread good values. I’m actually a bit surprised how most people live this life. In the last years I’m trying to develop a sort of consciousness that makes me being a 99% vegan, stop buying the shit I don’t need, trying to be an ethical consumer, go for public transportation and bike instead of cars, do not waste, try to avoid plastic, recycling, etc…

And I have to be honest, what makes me crazy are not the people that ignore all these issues because they don’t know about it, or they don’t have time to dig it or because they’re trapped into the life of work, work, work. What makes me really crazy are the thousands of people out there who know the story, but then they don’t have enough will to be on this side or they don’t believe their little contribution can make a difference, or they’re just lazy. C’mon people, believe in it, we can do it.”

 

For a debut album, Alcazar boasts an incredible amount of maturity, depth and as previously mentioned guest features. I could only but imagine that perhaps Woxow has been lingering in the music industry for a while.

“Yes, I’ve been working in music for several years as promoter, tour manager, dj, etc. I’ve organised a reggae festival in my home town for 5 years until 2009 with names like Alton Ellis, Derrick Morgan, Mad Professor, David Rodigan, Dub Pistols and more. Then I joined The Sweet Life Society – that experience gave me a lot! I was mostly in charge of booking and tour logistics. We released an album with Warner in Italy and we toured all around Europe and USA. We were so lucky to hit some of the best European festivals including Glastonbury. I suggest you dig their new album Antique Beats, serious stuff. In that period I started putting my hands on Ableton and I’m so happy to have co-produced, with their help, 2 tracks, on that album.”

 

As mentioned above, Woxow got some serious names to drop political rhymes onto his debut production. But how did he get all these brilliant talents to collaborate on his debut album?

“I’ve done some research, mainly to find rappers that could fit with the project and I simply contacted them and proposed the collab. With BluRum 13 we already did something with The Sweet Life Society and Hannah Williams is a long time friend, I organised her very first gig in Italy at Jazz Refound Festival in 2010.

Regarding Ken Boothe, I had the pleasure of organising his gig in Marseille in April. After having spent 2 days we listened to the track, I proposed to him to do the feat and he said yes. To have Ken Boothe on my debut album is a real honor, even more if I think that he usually does not do lots of featuring (he told me it was his very first one on a hip hop beat with another rapper). Furthermore it represents a strong connection between the two music I love the most, hip hop and reggae.”

 

Woxow’s music has always been fuelled by protest. His love for hip hop and reggae has drawn him towards socially conscious music and he specifically gives a shout out to Massive Attack for mostly attributing to him turning to make protest music: “Their concert is not a concert, it’s a life experience full of sociological meaning.”

woxow official photo 2

 

Italy’s often turbulent political landscape has for decades been fuel for fiery protest music but before delving into some recommendations of Italian protest music, old and new, I asked Woxow about the current state of affairs in his home country, seeing how a new government was recently formed.

“It’s not actually that they [citizens] voted for the new government, they voted for 2 political parties (very different from each other) that then decided, against any expectation, to join together to create the new government. So basically all Italians are now completely shocked about it. I’m not really into that kind of politics, I think the power is somewhere else. I follow this kind of mainstream politics as I would follow TV series. And I don’t watch TV series.

There’s an Italian scene related to protest music, but I think it was much more serious a few decades ago, especially in the 70’s. We got lots of songwriters that were really protesting with their music (like for example Fabrizio de André). One I really and suggest you check out is Rino Gaetano. In fact he died at the age of 30, they said it was suicide but lots of voices say that he was killed and I believe so.

Then in the 90’s we had an awesome hip hop act which made the history down here, I’m talking about Sangue Misto (translation: mixed blood). They made just one album but it’s still recognised as the master piece of Italian hip hop. And the lyrics… ooooh, straight to the point: smoking and protesting against society. Other bands I have to mention are Casino Royale and 99 Posse.”

 

Through his newly founded label Woxow will be producing two newcomer artists soon and he informs us to stay tuned about that, which we will certainly do. Woxow states on his webpage that he’s been obsessed with music for quite some time so clearly it was thrilling to get him to name drop some acts he is currently listening to and to no surprise it was a long, tight list.

“I’m really into the new Kiefer out on Stones Throw. Then Mononome really excites me, Moderator, Emapea, the new Deca. These guys are my top beatmakers at the moment, you find some of them on the recent minimix I’ve done for The Find Mag.

I’m also into lots of solo piano by Nils Frahm (Screws is absolutely my fav), Akira Kosemura, chilly Gonzales, Lambert, Bremer/McCoy. Then I respect and follow the new London Jazz scene by all those guys around Moses Boyd, Shabaka Hutchings, Nubya Garcia, Ezra Collective, Yussef and Kamaal… they’re amazing.”

 

Finally, as to everyone we interview here at Shouts, we offer Woxow to shout something of importance from the rooftops:

“Yes, a quote I like: “Changes and progress very rarely are gifts from above. They come out of struggles from below.” Thanks, peace.”

A Protest music Interview: Stabbitha and the Knifey Wifeys

Cars, tractors and other vehicles are important to the writing process for Adelaide’s feminist, punk rock quartet Stabbitha and the Knifey Wifeys as bassist and vocalist Eb tells me via email. Words apparently come storming to her while driving and even the band’s unique name came to her while driving a tractor (a Simpsons episode reference where Chief Wiggum calls Marge both ‘Stabbitha’ and ‘The Knifey Wifey’).

SATKW just released their first full length album, following the brilliant 2016 effort, Cats Against Cat Calls. Eb told me about the approach they took to the creative process on ‘Worriers’ and the differences to the previous album.

“I guess the main difference in the process of making ‘Worriers’ is when we booked in the recording we only had a couple of songs fully written. So it was a different process in that we were more, almost forced, to write songs rather than have a few up our sleeves that Eb had already written like on ‘Cats Against Cat Calls’. We also had a lot better idea of what we wanted the finished record to sound like and were able to communicate that a bit better to Uptoe (Alex Upton – the Hard Aches).

As far as the creative process goes, there were a lot of lyrics written while driving around in my car, a lot of music written on my couch while being harassed by 2 needy dogs and couple written in our actual rehearsal space. Sass and I (Eb) also consulted each other a fair bit more regarding the lyrics on the album as well and how they were going to fit into the actual songs. I have a tendency to write way too many lyrics for short songs haha.”

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‘WORRIERS’, is out now.

SATKW have a lot to say. Which is understandable and much appreciated here at Shouts. While they cover a vast political ground on ‘Worriers’ Eb explained there was the personal stuff that was the toughest to put out.

“There’s a whole lot of basically saying ‘we’ve had enough of your shit’. Whether that be sexism, racism, domestic violence, bigotry or double standards in general. The song ‘Worriers’ is the one that was the hardest to put out there though as I wrote it about how coming out to your parents is fucking terrifying!”

 

 

As Eb describes there seems to be quite a decent amount of bands working in Adelaide these days that use their voice responsibly. We at Shouts can agree that there is no lack of protest music coming out of Australia these days as we have recently interviewed two artists out of neighbouring Melbourne (Formidable Vegetable Sound System and Pataphysics). I asked Eb what they wanted to achieve with their music and besides the chance to tour internationally she told me how they want to inspire girls to use their voices.

“…we want help young people, particularly young women, queer/trans/nb kids see that their voices and experiences are important. We want to hear what you’ve got to say and hope our art inspires you to put yours out there too.”

 

I also asked the band if they had some recommendations and favourites when it comes to protest music. They of course answered the call by name dropping legends like Anti Flag and Bad Religion but also gave a shout out to some fierce, bands that, just like SATKW, scream their lungs out for the voiceless of this world. These include Cable Ties, Against Me, Outright,  Gouge Away, Dream Nails and Divide and Dissolve.

 

When asked what is on the horizon for Stabbitha and the Knifey Wifeys, besides writing music and attending to extra curricular activism Eb told me that they spend a good amount of time to “convince our bosses to give us time off work so we can tour interstate more!”

Let’s just hope exactly that happens. Sponsor the band, let’s spread this protest music and check out their album ‘Worriers’ below.