Orlando punk rockers Debt Neglector have just released the 3rd single from their upcoming album ‘Dirty Water‘ which drops on November 5. ‘Least I Could Do’ is an ode to Janie, a beloved four legged friend and member of the family.
The song catches you from the beginning with its dramatic melody, yet upbeat and positive rhythm, and the music video gives a bit of joy, and hope, to the subject of losing a dear furry friend.
The soon to be released new album covers a lot of ground, including the division in the US political system, oppression through religion and the more specific water crisis in Flint.
All proceeds from sales of the album will be split evenly between Flint Kids Fund (flintkids.org) and Sylvester Broome Empowerment Village (www.sbev.org).
Every now and then a band will put out an egregious thirty-minute song that could be considered an entire album, one totally epic movement, both, or something else altogether. Half-hour bangers tend to be the ambitious standard fare among the more patient and cerebral black metal and doomy post-rock contingencies—less so among punk bands who display such tight and compact riffage and boots-on-the-ground angst as Galicia, Spain’s Tenue. But the Galician three-piece continue to shatter tropes and expectation and synthesize styles on their blistering new work, “Territorios,” released internationally on March 31st on numerous labels and in various formats.
Calling to mind a vein of late 90s screamo and emo-crust like Circle Takes the Square and City of Caterpillar, Tenue’s sound transitions effortlessly from torturous shrieking clangor to somber and airy interludes that build and swell with supreme dexterity against a lyrical backdrop raging against corruption in Spain, the ongoing viral effects of Eurocentric colonialism and authoritarianism, and, to translate a line of Galician lyrics, the “tireless reproduction of the violence of postmodernity.” Suspenseful arpeggiation concedes to fuzzed-out, tremolo-picked crescendos, and about every six minutes or so listeners will find themselves chewing on a new hook or riff, wondering how they got there.
The great strength of “Territorios” is how gripping and compelling each individual movement is, and how naturally and smoothly each transitions to the next. It’s hard to point out single moments on an album that feels like every second is part of an epic crescendo; the modulation of tension and softness takes the listener to a plane in which time dissolves and recedes back to the timelessness of oppression and human struggles being shrieked behind the knotted veil of such intricate and atmospheric punk rock.
Rarely do rage and patience find such companionship in one another as they do on this album; this is a kind of musical maturity not often seen in screamo, and another reason why Tenue are in a league of their own. You, listener, will feel catharsis, exhaustion, rage, amplification, and augmentation in this album, amidst its blasts and d-beats, its frenetic rising and swelling and exploding guitar work. Tenue have taken the very real and tangible gross materials of punk rock and vaulted them to the stratosphere, where things are no less painful, despite the enormous and sweeping vantage point that few bands have captured in a single cut. Do yourself a favor and make a ritual of carving out half an hour in your day for such an emotionally charged musical experience.
Mass protests have been taking place across Myanmar (formerly known as Burma) since the country’s military seized power in a coup d’état on February 1st, 2021.
The military junta took the reins of power following a general election which Nobel Peace Prize laureate Aung San Suu Kyi and her National League for Democracy (NLD) won by a landslide. The elected leader is under “house arrest” in an unknown location ever since.
Sen. General Min Aung Hlaing, under whom the military intensified the crackdown on the (Muslim) Rohingya ethnic minority in Rakhine State in recent years, declared a one-year-long state of emergency and assumed all state power for this period.
It’s worth noting that Myanmar was a military dictatorship from 1962 until 2011.
The Ongoing Protest Movement
A strong movement of civil disobedience emerged in the first days of February in a vocal opposition to the new regime. The protests over the coup have been the largest since the so-called Saffron Revolution in 2007, when thousands of monks rose up against the previous military rule.
At first, spearheaded by medical workers, nurses and doctors, the movement started to grow with people from all walks of life joining in.
On February 6th, people finally took their protests onto the streets of Yangon and other cities across the South East Asian country. It’s estimated that around 100,000 people participated on this day alone in the protests in Yangon, Myanmar’s biggest city.
The protests were supported by several organizations, including student unions, labour unions, and a wide range of social justice activist groups. Among the social justice groups supporting the protests is the Yangon chapter of the international Food Not Bombs movement.
In 2020, when the COVID-19 pandemic hit Myanmar, the punks organized a huge support network for the people in need. Food Not Bombs also organized protests and mutual-aid campaigns in support of garment factory workers and labour unions as the factories shut down without any compensation to the workers.
Now, the Food Not Bombs activists are on the frontlines of the anti-coup movement, supporting protestors with medical masks, water, food and protection gear. As the protests intensify, the military is tightening their grip even more. Armoured vehicles rolled out onto the streets and the army cut off the state media TV & radios, local phone lines and access to internet.
Water cannons, tear gas, rubber bullets and live rounds were used against the protestors. Reports have shown civilians being dragged out of their houses at night and arrested by the police. More than 500 people, including many children, have been killed by the police & military, according to various reports.
100% Three Fingers in the Air Punk Rock: A Benefit Compilation
A benefit hardcore punk / crust compilation was organized by Bristol, UK’s F.O.T.K. band and Death Pint Records in coordination with Organize and Arise. The aim of the fundraiser is to set up a support network of solidarity with the work of Food Not Bombs Yangon during the now ongoing protests.
The money will be used to further support the protestors and people in need. Food Not Bombs Yangon is also teaming up with other activist organizations like labour and student unions.
This new compilation features tracks by Myanmar’s own The Rebel Riot and 24 other bands across the globe, including unreleased tracks by F.O.T.K (UK)., Nightfeeder (US), and Japanese ‘Burning Spirits’ originators Death Side, alongside tracks by the likes of Doom (UK), Exit-Stance (UK), Forward (Japan), War//Plague (US), Visions of War (Belgium), Cliterati (US), Phane (Canada), Orphanage Named Earth (Poland), Carburetor Dung (Malaysia), Detractors (US), Bratakus (Scotland), Genöme (Sweden), Crutches (Sweden), Zero Again (UK), and many more.
To support the cause, follow the Bandcamp link and donate $10 or more.