So far, 2019 has delivered some great protest albums. In order to filter through the music a bit here’s a short list of some brilliant feminist, riot grrrl, powerful albums that dropped just in time for some summer fun and protest!
Post Modern Siren by Peach Club
“Never thought of my feelings
Only ever of your own
You know it’s not quite appealing
Living in your own little world
Pain was all you had to offer
Your sad little life I had to suffer
You made me yours and I don’t want that
I just want my fucking life back
So don’t tell me what to do
‘Cause I don’t belong to you
And you don’t have my trust
And you don’t have my love
I’m not your girl
I’m not your world
I’m not your anything
I am a person
I’ve got more worth than you
I just want to forget every fucking word you said”
– from Not Ur Girl
she/her/they/them by Evan Greer
For her first album in a decade Evan Greer teams up with veteran protest musician as producer and comes out guns a blazing although in a very, soft, acoustic caring kind of way. A beautiful album you shouldn’t miss.
How Am I Not Myself? by French Vanilla
A fantastic sophomore album from the funky band. They are on their way to create their own sound which is as welcomed as it is hard. Keep your eyes on this band.
Cut & Stitch by Petrol Girls
“The majority of the lyrics were written in the studio. I was having a difficult time, unsure about where to live after we finished the record, and burnt out from a tough year of personal and legal challenges. Something that I’ve reluctantly allowed feminism to teach me is that we have to tend to our own wounds, and that sometimes being vulnerable is just as radical as being angry – it certainly scares me a lot more. Rage on its own isn’t sustainable. We hope this is a more honest and human record. “
– from the introduction ben Ren Aldridge on the band’s Bandcamp page.
Swearing Is Caring by Misbehavin’ Maidens
“Nerd folk comedy band comprised of four women from the Washington, DC / Baltimore area with a love of sex-positive music, parodies, drinking & fandom references for 18+ geeks. 3rd album, “Swearing is Caring,” now available!”
It might sound tricky to be a band in one of the most musically active cities in the US but socially conscious dance-y punk group Pleasure Venom seem to be enjoying the ride.
I caught up with singer Audrey Campbell and asked her a few questions about the band, the music and how 360°music videos are the future.
First off, for those not already familiar with your music, who are Pleasure Venom?
I like to call Pleasure Venom a 5 piece experimental punk project based in Austin, TX. I’m Audrey Campbell, I sing and write the lyrics. Current lineup has Fern Rojas on bass. Thomas Valles on Drums. Brendan Morris and Scott Riegel both on guitar. A collaboration, collective and solo project focused on myself collaborating with other musicians. It’s all about the collaboration and we play with a revolving door even though I wish every lineup will last forever. PV is like a train that just keeps on jugging. The collaboration with this lineup is just so great. I get really excited to play and write with them for sure.
How is it to be a working band in as a vibrant of a music community as Austin, Texas, (sometimes referred to as the Live Music Capital of The World)?
Everyone you meet is basically in a band or has played music before so that’s probably different than most cities. There’s so many great bands making very interesting music that it really pushes and inspires us to work as hard as they do or harder. It can be competitive but we stand out and not just because “oh we have a black front woman” but because I can’t think of a band in town that sounds like us.
Sometimes it feels we are too loud for the garage rock scene then too dance-y for the heavier noise punk rock hardcore scene so I’ve felt a bit isolated in the past. It just became really important to stick to my vision of the band because I felt some woman or little black girl, I don’t know, somewhere would be into it. Now I’m here talking with you, a music blog in Iceland. Like this is really wild for me and the band.
How do you feel musicians and artists are using their voices responsibly today?
I think it’s really important to be honest. So if politics is generally not an interest of yours it’ll feel contrived if you force it trying to be a “woke” person. Just be honest. I really try not to overthink when I write. I have my notebooks on notebooks of poems and lyrics but I also try to just be avail to what kind of a day I’m having, or news, events etc.
The music industry doesn’t seem to want to address much. All the popular artist particularly in popular music feel like they are just rich kids that are disconnected. I question why half of them got a deal because it seems so bad. The who you know thing just irks me because that’s probably the only excuse for it not talent. If you’re rich and talented dope but it doesn’t feel that way per the radio.
I basically just don’t listen to alot of it. There’s really good pop and hip hop and rock music, etc you just have to hunt for it unfortunately. None of its dead. But yes, I wish there were more artist that are more vocal because I do feel it’s a responsibility. We are late for another Beyonce “Formation” global moment I think. For me it’s like word vomit, like I can’t help myself but that just me. I can only speak for myself.
Has your music been political since day one?
Definitely not. I just write about my experience. That’s all I can do. It’s been interesting venturing into music videos because I don’t think anyone thought we were doing anything political until there were visuals. Music videos like “Seize” or “Deth” are undeniably our takes on black or poc, queer lives and how there’s definitely room for progress.
It’s unfortunate we have the alt right and white supremacists in the US up to the white house that feel the killing of black life, queer life, female reproductive rights etc is a non issue. It’s really important for me to say it is thru the music. Or someway thru my filmmaking address the things I find hard to say or problematic. Sometimes it doesn’t even have to be as direct as even saying it like you as a person living your life the way you do as you see fit can be a form of protest. That’s incredibly inspiring to me.
How do you feel people are receiving your more political music these days?
So far it’s fine. No death threats yet! I don’t scare easily though. Overall I think because the songs are dancey, hopefully there’s a more even if it’s a tough issue we are addressing, hopefully there’s a “let’s dance about it” vibe. Or so I hope. Our shows have been these mosh-y lovefest lately where folks aren’t afraid to dance which is great. It’s pretty cathartic especially when the news on TV or the internet can be so bleak and divisive. It’s the reason I need to do this. To exercise these feelings so when I look out into a crowd doing the same, it’s great!
What do you hope to achieve with your music?
To keep experimenting. To be honest even if it scares me. That’s really important to me. Folks, myself included, can smell bullshit a mile away.
Do you follow other conscious bands or musicians active today? Any protest musicians out there you want to shout out to?
Blxptn is an ATX based band and are really great and very vocal about issues I care about or feel like aren’t spoken about enough. Overall I just listen to music I like not like oh this is politically conscious so I like it or vice versa. I honestly am into a lot of classical but from punk to hip hop it’s literally about the way it moves me.
The music video for These Days, off of the last EP, is brilliant. Can you tell us a bit about it?
Thank you!! Well I directed this one (as well as “Seize” and current single Deth””) and got the opportunity to shoot in 360 as well. When I wrote the song I was coming out of some really dark shit but I was also falling in love and I think I kinda wanted to translate that into visuals. I really like how multilayered the song is so I wanted to kind of play that up. The traditional cut I really wanted to focus on the visuals. We towed a car to the outskirts of Leander which is quite a bit out of Austin. It was May last year and so hot even at night and I’m dancing on this car and trying to look calm in the heaviest fur coat and the band in suits. It was an experience for sure. Plus having to hop off the car to direct. It was grueling and we shot into my birthday til 4 am.
For the 360 shoot, I really wanted to focus on the band and loved the idea of being able to watch whichever member you like the most, however long you wanted to. You can look up at the sky or look at the ground that’s covered with a bed of roses. It’s up to you. 360 is definitely the future of music videos. It’s incredibly immersive as experiencing music should be. It’s the natural next step as far music and film.
You’re new EP dropped on the 24th of November 2018. Can you tell us a bit about the creative process this time around? What has changed since the last EP?
The revolving door. We have new members on this EP. It’s the first time writing and going in the studio with Scott Medmier, Fern Rojas and Brendan Morris. They are all so talented. Fern has a background in classical music and can play the cello so that’s featured on this EP. Scott plays some piano. There was a time when that kind of stuff scared me but I’ve been leaning into like if it makes me nervous it’s probably right or at least interesting or new.
We are just way more open now I think. I’m not as afraid to take more chances. Thomas Valles, drummer, is the only other original member and it’s been like 4 or 5 years playing with him and I’m just blown away by how good he’s gotten over the years from when we first played together. So overall being the OGs of the band, we feel tighter and more practiced than ever and the new members are so inspiring, great songwriters too that I really want to bring them quality interesting lyrics and vocals to match the music they bring.
A song like “Untitled” I’m really pushing my vocals and I had to learn how to sing that chorus line: “Lying to your face” that way. So it’s learning and just a true collaboration. We are writing more this month so hopefully a new EP isn’t too far away because it’s just so fun to write with this lineup. I love you dudes!!!
What are some of the issues you confront on the new album?
Can only speak for myself. Probably the most devastating thing I kind of came out and survived a hell of a year that I wasn’t sure how things were going to end up or if I was going to be ok. It’s a quasi celebration or middle finger in the air to all the bs that may have tried to get me or us down. I just really wanted this record to sound like it was going to explode if that makes sense. I think we all wanted it to.
It’s easily the biggest and loudest we’ve ever sounded. My “give a shit” meter is at its lowest ever I think. I jus wanted to own what I’ve learned the years of playing live and recording so this is where we are at now. I’m ok…I think.
What about activities outside the music? Do you partake in any activism in your free time?
Music takes up pretty much all my time outside of the day job. But for that reason, I try to stay active by doing benefits or turning shows into benefits. We did one recently and it was really great. At the moment I try to focus locally and make sure whatever benefit or non profit I work with proceeds are going directly to folks that need it. Not like being sat on or a percentage of bs. That’s like really important to me.
I’m also in a Stereolab cover band called The Groop that’s awesome and challenging in its own right because it couldn’t be more polar opposite of what I do in Pleasure Venom. From pushing my vocals literally against the wall to trying to sing soft and low and channel my best french girl. It’s honestly so much fun to be honest. But it’s a really left brain/ right brain thing being in both of these projects.
We all have other projects as well. Our bassist Fern is in a band called Sheverb. Thomas Valles also plays in Caleb De Casper. Scott Riegal has a new band called Friday Boys and Brendan new project is Boom Gang. So we all are pretty busy music wise between Pleasure Venom and our various projects.
What else is on the horizon for the band?
Tour, tour, tour and I can’t wait. There’s some fun announcements happening that I’m not even allowed to talk about but want to very badly so I’m jus going to skip to next question. We also want to write a new EP soon as well. I’ll be directing another music video in March. So more singles from new EP to come soon.
Thank you very much for participating and for the music! Anything else you’d like to shout from the rooftops?
Hmm at the moment we are looking for a label or vinyl pressing company that may be interested in helping us reissue the latest Pleasure Venom EP to vinyl. The album art by Dawn Okoro alone just screams this should be made into vinyl.
Can’t wait to get on the road and if you’d like to follow, subscribe we are Pleasure Venom on all platforms(YouTube, Twitter, Instagram, Facebook, etc) Merch and album sales help us to tour at pleasurevenom.bandcamp.com
Thanks so much for chatting with me Shouts! -Audrey Campbell
Cars, tractors and other vehicles are important to the writing process for Adelaide’s feminist, punk rock quartet Stabbitha and the Knifey Wifeys as bassist and vocalist Eb tells me via email. Words apparently come storming to her while driving and even the band’s unique name came to her while driving a tractor (a Simpsons episode reference where Chief Wiggum calls Marge both ‘Stabbitha’ and ‘The Knifey Wifey’).
SATKW just released their first full length album, following the brilliant 2016 effort, Cats Against Cat Calls. Eb told me about the approach they took to the creative process on ‘Worriers’ and the differences to the previous album.
“I guess the main difference in the process of making ‘Worriers’ is when we booked in the recording we only had a couple of songs fully written. So it was a different process in that we were more, almost forced, to write songs rather than have a few up our sleeves that Eb had already written like on ‘Cats Against Cat Calls’. We also had a lot better idea of what we wanted the finished record to sound like and were able to communicate that a bit better to Uptoe (Alex Upton – the Hard Aches).
As far as the creative process goes, there were a lot of lyrics written while driving around in my car, a lot of music written on my couch while being harassed by 2 needy dogs and couple written in our actual rehearsal space. Sass and I (Eb) also consulted each other a fair bit more regarding the lyrics on the album as well and how they were going to fit into the actual songs. I have a tendency to write way too many lyrics for short songs haha.”
SATKW have a lot to say. Which is understandable and much appreciated here at Shouts. While they cover a vast political ground on ‘Worriers’ Eb explained there was the personal stuff that was the toughest to put out.
“There’s a whole lot of basically saying ‘we’ve had enough of your shit’. Whether that be sexism, racism, domestic violence, bigotry or double standards in general. The song ‘Worriers’ is the one that was the hardest to put out there though as I wrote it about how coming out to your parents is fucking terrifying!”
As Eb describes there seems to be quite a decent amount of bands working in Adelaide these days that use their voice responsibly. We at Shouts can agree that there is no lack of protest music coming out of Australia these days as we have recently interviewed two artists out of neighbouring Melbourne (Formidable Vegetable Sound System and Pataphysics). I asked Eb what they wanted to achieve with their music and besides the chance to tour internationally she told me how they want to inspire girls to use their voices.
“…we want help young people, particularly young women, queer/trans/nb kids see that their voices and experiences are important. We want to hear what you’ve got to say and hope our art inspires you to put yours out there too.”
When asked what is on the horizon for Stabbitha and the Knifey Wifeys, besides writing music and attending to extra curricular activism Eb told me that they spend a good amount of time to “convince our bosses to give us time off work so we can tour interstate more!”
Let’s just hope exactly that happens. Sponsor the band, let’s spread this protest music and check out their album ‘Worriers’ below.