Tag Archives: spirituality

Transcending Politics: Interview With Magna Zero And Exclusive Premiere

Lifelong friendships, a longing to inspire a kind of oneness among all creatures and some good ‘ol basement jamming is some of what makes up Magna Zero. Three friends who, after some time apart, got back together to once again make music.

This time their jamming together has resulted in a debut album as Magna Zero. It means The Great Nothing, and it is also the title of the album. The band explained to me, that what they experience when they play together is ” a melting away of the ego into a state of oneness with all things in the universe”, hence the Latin derived name and album title.

Through groovy bass lines, some epic guitar solos and lyrics that convey the strange experience of living in today’s turbulent world, Magna Zero tries to unite the people of the world through themes of mortality, grief, purpose, selflessness, connection, and compassion.

I had the pleasure of interviewing the band briefly about their music and specifically about the single, Endure, which Shouts is thrilled to premiere for you all.

Exclusive Premiere: Endure by Magna Zero


Halldór: First of all, for those not familiar with Magna Zero, who are you and what’s the story behind its creation?

Chris: Magna Zero is simply 3 long-time friends getting together to jam. For me it’s a reprieve. No egos. Just getting to play my guitar freely and exploring new sounds. 

Jason: We decided to form this band shortly before the COVID-19 pandemic lockdown first started, and then the studio where we rehearse in Los Angeles basically became a ghost town. We were able to continue playing there, so we found ourselves in this incredibly unique situation where we had this amazing, creative space pretty much to ourselves for about a year. And that particular year happened to be one of the most monumental spaces of time in recent human history, a time of collective introspection through the quarantine we all found ourselves in, and also a time that served as a catalyst for social change. Both of these aspects fueled our band’s creative process, and we just exploded with new music every time we got together, which was quite often. Playing music together was really the only in-person interaction we had with other people besides our time with our families, so the studio was a gift not only for our artistic expression, but also for our psyches.  

Dave: We’re a true collaborative based on the bonds of brotherhood and the bonds of the known and unknown universe. The music is inspired by that core. From this the music shapes itself into what it has become—songs that speak to the soul of our Moral Universe.

Halldór: You are about to release your debut album. Can you tell us a bit about the creative process behind this album, and specifically the song Endure?

Chris: Most of the tracks came out of free jams. We were smart enough to record most of the jams on Dave’s cell phone. I think we got close to 100 of these live jams before we then took turns picking out a favorite track to turn into a song. I believe Endure started with a baseline from Jason. I just tried to play around with it and add some color. I wanted to be as spare as possible to let the bass and drums groove. There’s this tension with trying to hold on to the sparseness until it kind of explodes in the guitar solo.

Dave: The album spans from death giving birth to life. Giving up oneself to find the ‘self’. Death is the center of life. Black holes give life to all galaxies known. It’s an entire journey of ultimate, unashamed, bare- bones nothingness equivocating to everything living in the entire Universe. The ultimate album of self-preservation and self-love. 

Jason: What Dave’s describing reminds me of the age-old saying, “Die before you die, so that you can truly live”. Our album is titled, The Great Nothing. The phrase is literally our band name translated from Latin into English. It’s the closest expression in words for what we experience when we play music together, a melting away of the ego into a state of oneness with all things in the universe. The path to this for the band is to become nothing, and paradoxically, experience a sense of unity with everything. The song Endure is a message of love prevailing over strife. Even when we experience the darkest moments imaginable, it is love that ultimately lifts us back to our natural state of harmony with each other and with the earth. Since the pandemic, we’ve been seeing a shift in consciousness that is heart-based and that is bringing people together on a scale that was unimaginable just a few years ago. Now more than ever before, strangers from the other side of the world are supporting each other and standing together for compassion, kindness, and justice. Throughout the massive challenges we’re seeing and experiencing in modern times, it’s love that brings us together for positive change forward into a future of hope.

Halldór: Do you all have a background in writing political music? Do you consider your music political or rather more spiritual?

Chris: I’m not a fan of politics, as I feel it creates unnecessary division. I don’t want to be a ‘political’ band. As cheesy or cliché as it is, I feel like we need to focus more on peace and love. And I hope our music conveys that.

Jason: I’d describe playing music together as a spiritual experience shared between us and with our audience. For me, this transcends politics. It’s like a glimpse into something much bigger than any single one of us, while connecting us all. Music is a peak experience. Like painting, mountain climbing, meditating, or a thousand other things, it brings us closer to something deeper yet familiar, as the material world falls away and we feel at one with each other and the universe. When we are playing music together, the space between all things and the time that separates them collapses, and we are completely present to the ever flowing moment of the now. Echoing what Dave said earlier, it’s as if we are tapping into something void of form, a Great Nothing that connects us back to everything, much like a singularity links the nothingness of a black hole to the creation of something words simply cannot express.  

Dave: Our music is the continuous evolution of earth and all that inhabits it, to lose themselves in order to find themselves, to become the NOTHING that shapes this planet into something positive.

Halldór: What do you hope to achieve with your music?

Dave: I hope to inspire all things, for people to hear the sound we make to be inspired, to be moved, to be changed, to be humbled, as this is what the music does to me and my rough edges.

Jason: As word spreads about our songs and visuals, we feel a tremendous sense of fulfillment because we believe that the work we do adds to the momentum of positivity, peace, and love in the world today. 

Halldór: Do you feel resistance or lack of interest from people when they understand your lyrics or that you make critical music? Do you feel like a lot of artists specifically use their music for change or to send out positive, constructive messages?

Jason: Our music resonates with people who share in the values of kindness, compassion, and unity. There are so many great bands and artists out there doing similar work. While some of them are household names, many are independent, lesser-known folks who are incredibly talented. It’s inspiring to hear music that not only moves you, but also is a catalyst for positive change in the world. As a musical artist, why wouldn’t you want to do that?

Magna Zero (L-R) David, Jason, Chris

Halldór: Life in your country, the US, does seem turbulent, as in most places. What are some of the things that affect you or drive you to pen down some lyrics or come up with a tune?

Jason: When we look at what’s happening in the world today, all the cruelty and suffering we’re inflicting on each other and all of the damage we’re doing to our planet, it’s easy to get down and feel like the problems we face are insurmountable, like nothing we do in our individual lives really makes a difference. But it does. What we’re seeing in our local community is an overwhelming response to call out and end bigotry and hatred. There’s a rallying cry against the destruction of our planet, and a willingness on the part of the individual to take personal responsibility for the actions made in daily life. It’s a choice to live with optimism, hope, and positivity towards ourselves and others. Creating this music with Dave and Chris helps anchor me in staying true to that choice.

Chris: If anything, I hope The Great Nothing shows that life is good.

Halldór: Can you recommend other likeminded bands or musicians from your scene or any artists that inspire you?

Jason: My short list these days includes Bob Marley, Rage Against The Machine, Pink Floyd, Pearl Jam, and Black Sabbath…these artists move me with their groove and especially with their lyrics.

Chris: Influences are tricky. There’s just too many. Bands that just make me feel good when I listen to them and especially see them live. Guitarists that play with soul and express themselves through their playing.

Dave: I’m inspired by so many, where to start? The pages continue to be written on my inspiration…from my childhood: The Beatles, Jimi Hendrix Experience, Zeppelin, The Eagles. My teenage years: Metallica, Sabbath, Rush!!, Iron Maiden, The Police, Boston, Dr. Know, Subhumans, Bad Brains, Dead Kennedys, Excel, D.R.I. My 20’s: Alice In Chains, NIN, Soundgarden, Fugazi, Radiohead, Ani DiFranco, Elliot Smith, Gang Starr, Nas, A Tribe Called Quest, WuTang, Beck. Now: Jungle, Unknown Mortal Orchestra, Tame Impala, St. Vincent, My Morning Jacket, Father John Misty, Angel Obel.

Halldór: Outside of the music, do you partake in any projects or activism of any kind? Anything you’d like to share with the Shouts audience?

Jason: I’d like to share that as a public schoolteacher, I’m inspired by the thousands of kids I’ve worked with over the years, who despite differences in color, creed, gender identity, or politics, choose to accept each other for who they are and be friends. From my experience, I have a strong sense that our young brothers and sisters growing up today have a sense of moral responsibility to ensure there is a planet for their grandchildren to live in. Every day I see reminders from our youth of the goodness that is within the human spirit. Based on what I’m seeing in kids today, I believe we have strong reason to be hopeful that together, people from all over the world can continue to partner for a better future. 


Native Eyez | Intikana, Social Justice Activist, By Mike Fiorito

This article is written by Mike Fiorito and originally published on the Star Revue webpage. Check out more of Mike’s writings via his webpage.


I met the rapper Intikana through a series of mutual connections; some from a New York based Taíno community and some from musicians we both know. Born and raised in the Bronx, Intikana went to P.S. 76, M.S. 135, then to Dewitt Clinton High School.

As a professional recording artist, Intikana has collaborated with legends such as Dead Prez, Keith Murray, Murda Mook, Chris Rivers, Abiodun Oyewole (The Last Poets), Vaughn Benjamin aka Akae Beka (Midnite), Dinco D (Leaders of The New School), and Vordul Mega (Cannibal Ox). His EP “Native Eyez” was nominated for three Native American Music Awards (“Best Music Video”, “Best Rap Recording” & “Best Historical / Linguistic Recording”).

I had the fortune to speak to Intikana on a Saturday in mid-June.

“You have a long family history in the Bronx?”

“My grandparents moved from Puerto Rico to The Bronx in the 1950s. My Mom was born and raised in The Bronx. My dad was born in Queens but raised in The Bronx,” said Intikana. His voice was gentle. A born lyricist, you could hear the wisdom in his words.

“I know you are of Puerto Rican descent. Have you ever been to PR?”

“When I was a kid, I spent summers in Puerto Rico. Borikén is actually the original Taíno name of Puerto Rico. When translated, Puerto Rico means ‘rich port’ which is how the colonizers viewed our island. A port that was rich in gold, natural herbs, and spices.”

The Taíno were the first Indigenous people to encounter Columbus. The Europeans have had a long history of committing atrocities on the island. Intikana often writes about the island’s history of social injustice. He also acknowledges the experience of social injustice on other Caribbean islands and extends this awareness to social injustice found around the globe.

“What town or city did you stay in on the island?”

“I spent my early childhood summers in Cabo Rojo which is a small town on the west side of Borikén. When I was there, I stayed with my grandparents. Their home was right next to the hills or what we called los montes. My early experiences there taught me a lot about the importance of the natural world.”

“What was it like growing up in the Bronx?”

“It made me who I am. I will always love my city. Someone once told me where you’re from feeds you. Growing up in the Bronx fed me. It taught me survival. Taught me about life.”

“What was the neighborhood like?”

“We lived in the northeast section of the Bronx. Between the 5 train on Gun Hill Road and the 2 train on Burke Avenue. My mom and I resided in the basement of my grandmother’s house. It was a very family-oriented neighborhood. There were many Caribbean people, Haitians, Dominicans, Jamaicans, Puerto Ricans, many of whom owned homes. Our neighborhood bordered the Eastchester projects.”

“When you say, the neighborhood taught you how to survive, what do you mean?”

“It taught me how to be strong in challenging situations. I experienced a lot in The Bronx. When I was a kid, my father was in prison. I was thirteen when he came home. On the weekends, I used to stay with him in the Mill Brook Projects in the South Bronx. One day, we went to the park with my family. While there, a little boy had hit my sister in the face and made her cry. My dad was upset and confronted the boy’s father. The guy said something threatening to take things to another level. In response, my father punched him. The guy dropped to the floor and we walked away. When leaving the park, the guy got up and pulled out a gun. Then he started running at us claiming to be a cop. He pointed the gun at my dad, my uncle, and then aimed it at my face. Suddenly, the officer emptied the entire gun, shooting multiple bullets. Luckily, I was only grazed on my arm. It wasn’t a direct shot. However, the man shot my dad. One bullet struck my father in the leg which thankfully went in and out. The guy with the gun turned out to be an off-duty corrections officer. He was sentenced to a year in jail for reckless endangerment. Not a year for shooting my dad but rather a year for endangering the lives of everyone else in the park.”

“I can only imagine how traumatizing that was.”

“That’s why I say The Bronx taught me about survival. I’ve known friends who were murdered and have witnessed a great deal of senseless violence. Every year in my middle school, we used to paint new murals dedicated to students who got killed. There was one friend of mine who I went to class with. One day, he was late to school and, unfortunately, never made it. He and his entire family were murdered early in the morning. I remember showing up to the wake. There were about eight closed caskets.”

“Did these experiences inspire your interest in rap?”

“Definitely. But let me take a step back. I was close to my grandfather. He was a deep-thinking man. He taught me how to play chess and reflect on my approach to everything. He got extremely sick from diabetes when I was twelve. When I went to see him in the hospital, he didn’t recognize me at first. Slowly, he began to remember who I was, but the nurses forced me to leave the room. This was an immensely powerful experience for me. My reaction to the emotion was to start writing about it. Also, when I was going to high school, rapping was a way for me to verbally defend myself. At first rapping was a way for me to find my voice, but then it grew into something that helped me to discover myself. Music also kept me focused. Eventually, I started to get more into poetry. I also learned more about theater and film. I wrote a play called Penumbra, which included music, poetry, and monologues. Penumbra also had dancers and live musicians. I toured the play around the country in places such as Alaska, California, Chicago, New York, Utah, Colorado, and as far as Ecuador. My friend Bamboo MC helped me find the title Penumbra. Penumbra means a shadow of a shadow.”

“Who were your inspirations? What kind of music do you listen to?”

“When I was younger, I was engrossed in Hip Hop: Nas, Tupac, Biggie, Jay-Z, Busta Rhymes and many others. I did my homework. I studied all the artists. Then I checked out older albums. At seventeen, I interned at BMG, the record label. There I helped with promotions for “The Neptunes present… Clones” album by Pharrell and Chad Hugo. I spent a whole day with both managing the line for autographs at their in-store event. For a young kid, these moments were life-changing. This would all prove to have a positive impact on my networking and collaborations.

I also spent time at the Apollo Theater. That’s where I got to meet Sway. I broadened my interests, studying jazz, blues, soul, roots reggae, and bomba, which is a form of Afro- Borikén music. I was so hungry and kept growing and learning. There was an artist named Vaughn Benjamin who founded a group called Midnite and later changed his name to Akae Beka. He was a significant inspiration for me. His intelligence, style, and overall mission was powerful to me. We collaborated on a song called “Meditation” which features Stic of the legendary Hip-Hop group Dead Prez as well as Aza Lineage from Kingston, Jamaica. Only months after releasing the song, he sadly transitioned (died) in 2019.

Through music, I’ve been able to travel and see the world. Which is such a huge blessing. In South America, for example, I participated in important Indigenous ceremonies. It was during this time that I received my spiritual name, Intikana.”

“Can you tell me about your songs that involve your Taíno origins?”

“I wrote a song called ‘Native Eyez’ which is also the title track for a project I did in 2013. It was created to raise awareness of native culture and its connection to the street. How the arriving conquerors replaced the nature world, the jungle, and the forest, with the concrete jungle. I then did music videos for this project. The mission was to showcase and highlight our global interconnectedness as Indigenous peoples. Not just for Taínos but for Indigenous people everywhere. I also did a music video with an artist from Australia named Provocalz. The song is called ‘Survivors’ and is part of a native music project called ‘Only Built for Koori Linx.’ The song speaks about how much Indigenous people had to endure simply to survive. My interests in social justice have inspired me to keep learning, to remain a student.”

“What other Indigenous songs have you written?”

“I also wrote a song called ‘Crouching Gallo Hidden Coqui’ which was produced by Xen Medina. It has a very direct, strong tone.”

Gallo means rooster in Spanish, symbolizing masculinity in many Caribbean/Latin American cultures. The coqui symbol is particularly important to Taíno people. It is a singing tree frog native to Borikén. Both roosters and frogs appear in Taino stories throughout the Caribbean and are recognized as major symbols in Borikén culture.

“In addition, I recorded a song called ‘El Pueblo Esta Muerto’ which is on my album ‘Sovereignty.’ I originally wrote and recorded the song for News Beat Podcast which is produced by Manny Faces. In this song, I talk about the history of Borikén and about the island post-earthquake. I wrote another song called ‘Culture Shock’ featuring M1 of Dead Prez. It was filmed in Africa, Cuba, Guatemala, Borikén & The Bronx. These songs are very revolutionary in nature. They’re concerned with oppression and with the suppression of the original cultures of our people.”

“What has your Taíno culture taught you about your perspective of the world?”

“My culture motivates me when there’s no motivation. I remember why I’m doing the work. It’s not for some artificial purpose. I have a bigger mission. My work inspires me to learn about history. For instance, when I read Columbus’s journal, it made me want to cry. Columbus wrote in his letters that the Indigenous people were gullible and naive. In his letters to Spain, he wrote that the Taíno were easily able to memorize prayers and could easily be conquered. And, because of the Taínos’ generous nature, the Spaniards were able to colonize the island fast. It hurt me to read this. The impact of colonization still affects Borikén today. Since the time of the Spaniards, foreign anthropologists have selectively filtered what we know about our own history. We are conditioned to see ourselves through the eyes of people who hate us.”

“What are your future plans?”

“I am working on a book. The working title is Native Eyez: Lyrics & Curriculum. This will be the first in a series of books. This book will serve as a resource for educational institutions, professors, teachers, students, and families. My intention is to raise awareness and understanding of native history within the Afro-Indigenous diaspora. The idea is to have it exist as a teaching guide that can be used in the classroom. I hope it will inspire people to think deeply and explore issues concerning injustice, struggle, and movements of resistance. I pray it can assist in liberating minds and help those interested in reclaiming their own identity. This book is a culmination of many years of hard work, research, study and learning. I am hoping to sign with a major publisher who values and respects the vision. I have a few in mind. If not, I’m willing to self-publish. Either way, I intend on leaving my mark in this world. I believe that this book will exist long after I am gone.”

“Are you working on a music project?”

“Not at the moment. I have a lot of music that I’ve recorded and would like to release a new project soon. However, I’m in the process of reinventing my own soundscape. So, I’m remaining patient with this next release. No name as of yet. Nonetheless, I will more than likely release a few new singles as well as music videos to keep feeding my audience.”

“It’s exciting to imagine what kinds of projects you’ll be working on twenty years from now.”

“My goal is to keep moving forward, to speak up for oppressed people everywhere. Every day, my vision gets bigger. And I’m grateful for that.”

Contact info:
Intikana: http://www.intikana.net
Mike Fiorito: http://www.fallingfromtrees.info

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