Tag Archives: electronic

A Protest Music Interview: Mat Ward (Exclusive 3-Track Premiere)

According to some, electronic music used to be political but now it has ‘lost its edge‘. Mat Ward is fully aware of this and now does his utmost best to make his music sit just right, dangling the feet over the edge with the headphones blasting.

His latest album is self described as ‘a chill trap album about surveillance’ and it features titles such as ‘The Value of Metadata’, ‘Undersea Cable’ and ‘Holed Up In The Ecuadorian Embassy’.

The album subtly flows on, at one moment you almost forget yourself until you realise you have been swept away by the music and it has become an echoing, cool soundtrack in your brain. A bit like surveillance. You might know it is there, but it does more than you think while you loose your mind to other things.

Mat’s new album, due out in January, is a new concept and his current 9-5 profession: the media. For Mat is a journalist by day and a trap music maker by night. We have been listening to the unreleased album and it is stellar. It opens with much more of a bang in comparison to the more chill, previous album. Which fits well, for the media screams much louder than surveillance. Both concepts are large and complicated but Mat gives them structure and builds sonic landscapes that easily sweep you away.

We contacted Mat and asked him a few questions about his concept music. In addition we have a special 3-song preview off the upcoming album which Mat made exclusively for the Shouts project. Check out the new music below as well as the interview with Mat.

Photo from Mat Ward’s Bandcamp page

Has your music always been political?

“Yes, my music was political from the start, most probably because my two obsessions are music and politics.

I started making music at first for my favourite rapper, Provocalz, who I met here in Sydney when I interviewed him for my book Real Talk: Aboriginal Rappers Talk About Their Music and Country. That interview ended with us both being questioned by police.

I felt Provocalz was such a great poet that he should reach a far wider audience. But his music was not on any of the big music platforms because he always rapped over unlicensed music, as many underground rappers do. So I started making original music for him just in the hope that he could upload it onto the big platforms – Spotify, Apple Music, Amazon and the rest – to reach the audience I felt he deserved. I made about 40 songs in his style – dark, emotional, piano-driven hip-hop – but after he’d laid down vocals on four of them, he got pissed off with the whole rap scene and gave up rapping. That was in 2016, but the four-track EP came out only this year. It’s my favourite thing I’ve done, music-wise.”

Why did you choose surveillance as the concept for ‘Five Eyes’? Why is it an issue you care about?

“Well, the funny thing about that album is it was the best of all the leftover songs that I’d done for Provocalz. I didn’t want anyone else to rap on them as I’d made them for him, so it’s just an instrumental album, but it needed a theme. I always prefer music with a message, even if it’s only in the song titles. Provocalz had actually used one of the songs for “Behind Enemy Lines” on the EP, in which he raps about Aboriginal kids being abused in jail. I really liked the intricate bassline I’d come up with on that one, so I thought it stood up as an interesting instrumental on its own, without any rapping.

On the Five Eyes album, that song became “Holed Up In The Ecuadorian Embassy“, to highlight another Australian injustice, that of Australian citizen Julian Assange being abandoned by his government and incarcerated. That’s the link between the EP and the album. I’d read a lot of books both by Assange and about Assange, a lot of which touch on surveillance, so a lot of the rest of the song titles came from the information in those books.”

Can you tell us a bit about your upcoming album and the new concept?

“Yep, I’m actually a journalist – that’s my day job. I started a music fanzine in my teens, did my school work experience on my local paper, earned a postgraduate in journalism, became a reporter and features writer on national newspapers, then became a subeditor and I’m now an online editor.

I think everyone should think critically about the job they do – especially journalists, who are supposed to be critical thinkers. Anyone who looks at journalism critically can see there’s a lot to be criticised. If you’re interested in seeking out the truth, as all journalists should be, you’ll consume the news from as many different sources as possible and you’ll quickly see there’s a huge difference in the way the news is reported by the corporate media and non-corporate media. (If any readers are not familiar with those terms, by corporate media I mean mass media or mainstream media run by corporations, and by non-corporate media I mean not-for-profit media, usually run by political activists.) All news is biased. If you’re only reading the corporate media – or only reading the non-corporate media – you’re missing half the story.

It’s for this reason that, 10 years ago, I started doing voluntary work for the non-corporate media. This kind of pro bono work is common in other professions, but unknown in journalism and even seen as heresy. For the past few years I’ve been writing a monthly political music column for the non-corporate media that always gets thousands of views and has been shared by the likes of Public Enemy’s Chuck D, Rage Against The Machine’s Tom Morello, Ministry’s Al Jourgensen and drag star Ru Paul. I think that’s how you found me. There’s a huge hunger out there for music with a message, as you’ve no doubt seen with this great blog of yours.

So, in an age when the president of the United States dismisses any news report he dislikes as “fake news”, this new album of mine, Filter Bubble, takes a look at the criticisms that can legitimately be levelled at the corporate media. Although nowhere near as sensational as Donald Trump’s tweets, these quiet truths are often just as disturbing.

Below, you can stream and download a three-track sampler of the album for free, which I put together for this blog. You can click through to Soundcloud for more details on what each song means. Stylistically, this album’s a cross between future bass and jungle – call it “future jungle” or “future drum n bass” – which I don’t think has been done before.

If you follow my artist page on Spotify, you’ll be notified when the full album’s released on January 24, 2020. Thank you.”

Shouts Exclusive Listen

Check out ‘Five Eyes‘ out on Bandcamp as well as Mat’s social media.

Free West Papua: 5 Songs Supporting The People

For many of us, West Papua is at the other side of the world, isolated and unknown. For others, the place is a well known human rights violation pit. Throughout the recent history of this occupied piece of land the people there have seen around half a million of their fellow natives be killed.

The fight is ongoing and the West Papua people ‘will not rest‘ until they are granted a referendum from Indonesia.

The occupied territory has long been put into song to support the people. Here are five songs titled ‘Free West Papua’.

TAKE ACTION

Cover photo disclaimer: Attribution-ShareAlike 2.0 Generic (CC BY-SA 2.0). Link to original photo here.

Yasmin Kadi (interview)

Originally from Sierra Leone, Yasmin Kadi brings to the world fun loving beats with a layer of messages that resonate the importance of always being your true self. Having had to flee her home land at a young age Yasmin learned that the world can be a cruel place. She never gave up though and fought to do what she loved which was making music and helping others. I contacted Yasmin who was kind enough to tell me more about her upcoming album, her activism and some Sierra Leone music recommendations.

 

For those not familiar with your work, who is Yasmin Kadi?

I’m an Afrobeats/pop singer-song writer chosen by BBC Introducing as some of Londons best new music. And I’m originally from Sierra Leone, West Africa.

How did you get into making music?

I’d always written songs from a very early ago and even though I didn’t produce beats then, I constantly wrote top lines and melodies.

How much music was around your youth? Did you grow up with a strong presence of music around you?

My dad was a huge music lover, and always played the likes of Bob Marley, Dolly Parton, Kenny Rogers etc. He used to play a whole mixture of generations and in every genre of music. Good music was good music lol.

“If musicians are looking to make positive change in the world through their music, I would say stay true to your own sound and who you are. Do not try and sound like the current and biggest selling music if that is not you. Diversity and difference encourages people, especially the young generation. It encourages them to be themselves and be OK with being themselves and feel they are good enough.”

In previous interviews you have spoken about having to flee your home country of Sierra Leone with your family when you were young. Do you direct those events and the events since then into your music or do you rather use the music as an escape from that? Or a mix of both?

It’s a mixture of both. As artists and writers, some of our work is biographical and some fictional. Mine is a mixture of both. Depending on what I’m feeling and issues that I feel responsible to highlight in my work. It also depends on the production and how I’m feeling in the studio or where ever I’m writing.

How much of your music and lyrics is direct activism? Do you prefer to partake in socially conscious activities outside the music?

Music is subjective, so I leave it to the audience to decide how they perceive my work. Because each listener has a different life experience to the next, every individual’s uptake or interpretation will be different to the next.

Out of my music, I work with a few charities that help some of the issues we face today like the refugee crisis and the mudslide and flood victims affected in Sierra Leone. So I’ve work with ‘Help Refugees UK’, ‘Women for Refugee Women’ and ‘Street Child’. I think my time is better spent doing something and helping organizations who are actually doing productive work, helping people and making good, positive changes, rather than ones who just shout and point fingers without doing anything.

Love You For Life

What do you hope to achieve with your music?

If I had a choice on how my work is perceived, I’d say it’s to give hope and highlight issues the underdogs in every walk of life faces. Highlight the issues in a fun loving criminal way.

What advice do you have for young musicians looking to change the world?

It depends oh how they are looking to change the world? Is it for the better or worse, to spread love or hate, to divide or unite people? If musicians are looking to make positive change in the world through their music, I would say stay true to your own sound and who you are. Do not try and sound like the current and biggest selling music if that is not you. Diversity and difference encourages people, especially the young generation. It encourages them to be themselves and be OK with being themselves and feel they are good enough. It also highlights that they don’t have to be like the boys and girls on TV – the unrealistic picture perfect images we get bombarded with daily.

What are some of your favorite socially conscious musicians out there, active or not?

I’m a fan of Billy Bragg. Google him. He’s great! I also like Alicia Keys. Apart from the fact that she is a great writer and vocalist, she is advocating and putting her money where her mouth is and showing that we don’t always have to cover our face in make up! Or war paint as I call it sometimes ha ha. That is a HUGE message and she is doing it by being a living example and not wearing makeup.

What should someone who knows nothing about the Sierra Leone music scene check out?

Sierra Leone music is a lot of fun. It’s a shame a lot of the artists don’t have the platform to be heard. I was very lucky and never gave up. If people want to hear more SL music, they should check out the likes of ‘Emmerson’. He is a Sierra Leonean artist that mainly sings in Creo/Patwa (our native language) but he is very socially conscious and not afraid to call out very high profile members of the SL community, who he feels are doing injustice to the people and the country as a whole. Just google Sierra Leone musicians, you might be pleasantly surprised.

“What a lot of people don’t realize is a lot of artist don’t have control on the work they put out. For me, I own all the rights to my work, I fund it with help from people who support and buy my music, so I can put out what ever I think represents me as an artist.”

Looking at the state of the world today, do you feel like musicians are using their voices to the maximum or do you feel there is a lack of awareness among musicians?

I honestly don’t think musicians are lacking in awareness on issues that we all face in the world today. What a lot of people don’t realize is a lot of artist don’t have control on the work they put out. Especially those signed to labels. Obviously some major artists have a lot of creative control but a lot more don’t. Its simply a business to a lot of the labels and they have to cover costs, overheads and big wages, so generally they have to put out what they think is going to sell the most. For me, I own all the rights to my work, I fund it with help from people who support and buy my music, so I can put out what ever I think represents me as an artist.

What is on the horizon for you? When can we expect a new album?

We can expect an album in the next few months and it is going to a lot of fun. I’m a bit of a workaholic and have work extremely hard on it, with a lot of passion and love and I’ve worked with some of the best producers who have produced for the likes of Stormzy, Rihanna, Emile Sande, Arian Grande, Wretch 32 etc. So I’m super excited and proud that I stayed true to my self and made the type of music that I wanted to make!

Thank you for participating and for the music you make! Anything else you would like to shout from the rooftops?

Thank you very much and feel free to stay tune on my work, life and the new album via my socials below. Lots of love and God bless.

 

You can check out Yasmin’s social media below:

http://www.yasminkadi.com
https://soundcloud.com/yasminkadimusic
https://www.youtube.com/user/yasminkadi
Instagram: @yasminkadimusic
Twitter: @yasminkadimusic