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DJ General Strike’s Top 40 Protest Songs of 2024

Happy New Year comrades, this is DJ General Strike, host of the weekly protest music radio show, Protest Tunes on 91.3 KBCS FM in Seattle, WA. I broadcast 2 hours of radical protest music of all genres and eras every Wednesday at 9 PM. 2024 was an active year for protest music, in light of the Presidential election in the US and the General election in the UK. Many great anti-war songs were also released against Israel’s ongoing war/genocide in Gaza. Over the last year I’ve compiled a playlist of over 800 of these protest songs, which you can listen to in its entirety here, and I’ve made 4 shows on my top protest songs of each season, or what I call Molotov Hot Tracks. I narrowed that high volume of songs down to my top 40 protest songs of 2024.  I aired most of these songs on my show last Wednesday, New Year’s Day, which you can listen to an archive of here. I’ve organized these 40 protest songs by genre below for ease of listening (and alphabetically within genre), you can also listen to all 40 on this Spotify Playlist. Without further ado here’s my top 40 Protest Songs of 2024.

Folk

Grammy winning feminist folk-rock singer-songwriter, author and activist. One of the first artists to create her own label in 1990, she is called ‘the mother of the DIY movement’ and has sold over 5.5 million albums on her own Righteous Babe Records. New Bible is an anti-capitalist song, the 2nd single off of her album Unprecedented Sh!t’, Ani’s 23rd release, released July 12th.

Carsie Blanton is a singer-songwriter and guitarist based in New Orleans, US. Blanton says she “writes anthems for a world worth saving.” About this song this single released May 31st, she said it’s “a “f— the democratic party for sitting on its hands during a genocide” kind of a song.”

Petrie is an English folk singer-songwriter and guitarist from Leicester, England. She began performing in 2006, but in 2010 the advent of the Conservative-led coalition government influenced her, as a socialist, feminist, and lesbian, towards an increasing emphasis on political songwriting.  This track is off of her new album Build Something Better, released March 8th.

Welles, is a singer-songwriter and guitarist from Arkansas, US, who was the frontman of the bands Dead Indian, formed in 2012, and Cosmic-American, formed in 2015. In 2024, Welles garnered attention on social media for authoring and performing satirical protest songs, like this viral anti-war-on-Gaza song, which satirizes common justifications for war.

Seth Staton Watkins is a folk singer from St. Louis, US, who is best known for his renditions of traditional Irish rebel tunes. He records and produces all of his music in his home studio. He released “Stand Together”, a rewrite of his 2023 song “It’s Not the Poor Folk”, this November in the wake of Trump’s electoral victory.

Sister Wife Sex Strike is a Seattle-based anarchist folk punk band comprised of Sister Pigeon and Sister Moth. The band’s name is inspired by a real life sex strike that they went on in 2021. They released this anti-Zionist single on July 4th, off of their new album Sister Wife Sex Change, which dropped August 2nd.

Rock and Roll

Frank Turner is an English punk, folk and indie-rock singer-songwriter who began his career as the vocalist of post-hardcore band Million Dead, then embarked upon a primarily acoustic-based solo career following the band’s split in 2005. This anti-authoritarian song off of Turner’s new album Undefeated, is a rewrite of an old unreleased song of his, called Practical Anarchist.

MC5 (Motor City 5) was an American rock band formed in Lincoln Park, Michigan, in 1963. The last two members of the band, Wayne Kramer and Dennis Thompson passed away this year, while they were working on their all-star comeback album Heavy Lifting which features guests like Tom Morello, Slash, Vernon Reid, and more.  The album was released this October, timed to the band’s posthumous induction into the Rock and Roll Hall of Fame.

Primal Scream are a Scottish rock band originally formed in 1982 in Glasgow by Bobby Gillespie and Jim Beattie. Primal Scream had been performing live from 1982 to 1984, but their career did not take off until Gillespie left his position as drummer of The Jesus and Mary Chain. This epic nine minute track compares settler colonialism in Ireland, Scotland and Palestine.

R&B/Pop

This Welsh musician, composer, producer, filmmaker and author performs solo and with  rock band Super Furry Animals, who obtained mainstream success in the 90s, and the electro-pop band Neon Neon. He’s considered a figurehead of the era known as Cool Cymru, a Welsh cultural movement in music and film in the 1990s and 2000s. This anti-government corruption song is off of his newest album Sadness Sets Me Free released last January.

Shaina Taub is a Vermont-raised, Brooklyn-based composer, singer-songwriter and performer. This song is newly written for Taub’s musical about the Women’s Suffrage Movement, “Suffs” upcoming Broadway run. Taub wrote the music, lyrics, and book for the musical and also stars as Alice Paul in “Suffs”.

The 74 year old living legend, had his first Billboard No. 1 hit at the age of 12, and has won 25 Grammys (the most by any solo artist). This is Stevie’s first new song since 2020, and it encourages people to get involved and seize the crucial moment that the U.S. and the world find themselves in right now.

Sunny War is a Blues/Folk/Punk guitarist from Nashville, US. “Walking Contradiction” is the first single from her album Armageddon In A Summer Dress, which drops on 21st of February 2025. Sunny War wrote its songs after moving into her late father’s 100-year-old house in Chattanooga. A big fan of Crass, the influential British anarcho-punk collective, she recruited Crass’ Steve Ignorant to perform on this track.

Reggae/Ska

DJ Pamplona is an independent audio engineer from Rio de Janeiro Brazil, of the group Dub Ataque. He is now based in Florida where he owns his own studio and record label, Pamplona Beats. This anti-war-on-Gaza song features Soom T, a Scottish reggae singer of Indian origin.

Zion I Kings, a family of producers and musicians from three respected roots production houses, finished and released this posthumous track by the late Peetah Morgan in July. Peetah, who passed away on February 25th, was the lead singer of Grammy-winning  contemporary reggae band Morgan Heritage, formed in 1994 by five children of reggae artist Denroy Morgan.

The Undercover Hippy is UK based singer-songwriter Billy Rowan, who spent 7 years DJ’ing and MC’ing on the Drum & Bass circuit, then started The Undercover Hippy as a solo act in 2007 and now plays with a 5 piece band. 100% of proceeds from this track are donated to Palestinian charities: Sanabel Team, The Sameer Project and We Are Not Numbers.

Jazz/Spoken Word

aja monet is a poet, writer, lyricist and activist based in Los Angeles, US. She was the youngest poet to ever hold the title Nuyorican Poets Café Grand Slam Champion at the age of 19 in 2007. This song was inspired by Langston Hughes’ 1938 poem, “For the Kids Who Died.”

Meshell Ndegeocello is a singer-songwriter, poet, and bassist. Her music incorporates a wide variety of influences, including funk, soul, jazz, hip hop, reggae and rock. She’s been nominated for 11 Grammys, and won two. This epic 8 minute track is off of her new album, No More Water: The Gospel of James Baldwin, which pays homage to the eminent writer and activist, James Baldwin.

Hip-Hop

Abe Batshon is a Palestinian American songwriter, artist and entrepreneur born in San Francisco and raised in Hayward, California. This single, released in February about the war in Gaza, also features Lebanese singer Samer and Detroit-based Palestinian-American hip hop artist Sammy Shiblaq.

Arrested Development was formed in Atlanta, US, in 1988 by rapper and producer Speech and turntablist Headliner. They were the first hip hop band to win a Grammy for Best New Artist, in 1993. This track is from their new album Bullets In The Chamber, released in January, which is so full of great protest songs, it was hard to pick just one.

Brother Ali is a blind, albino rapper, community activist, and member of the Rhymesayers Entertainment hip hop collective from Minneapolis, US. In this track Ali, who is Muslim, and anti-zionist Jewish producer unJUST tackle Israel’s assault on the Palestinian people. They released this single in March, off of their collaborative album Love and Service which came out in April.

Eddie Mack is an Arab-American Hip-Hop artist from Detroit, US. Mack engineers and produces and writes all of his own music. His distinct sound combines vintage Hip-Hop tracks with contemporary production methods. This sequel to his October 2023 protest song against Israel’s war on Gaza, The Sound Of War, was released in August.

Harris J, AKA “the Muslim Justin Bieber” is a young British Muslim artist whose debut album, Salam, was released in 2015. This song features rapper Lowkey, an Iraqi-British rapper and activist from London.  These two London-based Muslim artists collaborated on this anti-war track against Israel’s war/genocide in Gaza.

Kimmortal is a Queer Filipina emcee and singer-songwriter based in Vancouver, BC. Their debut album Sincerity was entirely crowd funded by her community. In this follow up to Kimmortal’s November 23’ single against Israel’s war on Gaza, Stop Business As Usual, they feature Toronto R&B/Hip-Hop artist Phoenix Pagliacci of TRPP and  transgender American-Peruvian rapper Bobby Sanchez.

The Seattle star rapper released this follow-up to his viral Spring protest single on September 20th, and performed it live for the first time in Seattle the next day at the Palestine Will Live Forever benefit concert. The track features Palestinian-American artists Anees and Amer Zahr, Gaza-born rapper MC Abdul, and the LA Palestinian Kids Choir. Just like the first song, Macklemore is donating the proceeds from “Hind’s Hall 2” to UNRWA.

Considered one of the pioneers of female rap, MC Lyte first gained fame in the late 1980s, becoming the first female rapper to release a full solo album in 1988. She’s back after ten years with a brand new album, called ‘1 of 1’. In this song MC Lyte, Stevie Wonder, and Common address systemic injustice and the pervasive impact of racism on African Americans.

Rapsody began her career at North Carolina State University, where she joined hip hop collective H2O and its spinoff group Kooley High, despite not having rapped before. She launched her solo career in 2008. This song off her new album Please Don’t Cry is about the police murder of Breonna Taylor, and samples Bob Marley’s “I Shot the Sheriff”.

Metal/Hardcore

Formed in LA in 1990 and fronted by rapper Ice T. who first established himself as a rapper then co-founded the group with lead guitarist Ernie C out of their shared interest in heavy metal music. Body Count have been credited for paving the way for the rise of rap metal and nu metal, even though Ice-T does not rap in most Body Count songs. This track critiques the American two party system, comparing the Democrats and Republicans to warring gangs.

FEVER 333 is a political rap-core trio formed in Inglewood, US, in 2017 by members of Letlive,  Chariot and Night Verses. Originally named The Fever, 333 represents the band’s three core principles of community, charity and change. This anti-police brutality single, released in August, is off of their new album ‘Darker White’, released on October 4th.

English rapper and songwriter of Indian origin. Hyphen had an usual start in music – he  was working in finance and feeling depressed and lacking purpose, and started making music to help him deal with depression, which gave him a new sense of purpose. He released this immigrant rights, anti-1% single this October.

Ren is a Welsh songwriter, musician, rapper, producer, director and disability rights activist, he has had chronic Lyme disease for over 10 years. He was a member of the indie hip-hop band Trick The Fox and the British busking band The Big Push. He released this anti-capitalist single on October 18th.

Serj Tankian is an Armenian-American musician and activist, best known as the lead vocalist, primary lyricist, keyboardist, and occasional rhythm guitarist of the heavy metal band System of a Down, formed in 1994. Tankian says he wrote this song during the early days of System of a Down. It’s about the Armenian genocide that took place during WWI, and how it still impacts his family and the broader Armenian community.

Tom Morello, is a guitarist, singer-songwriter, and political activist, best known for his tenure with Rage Against the Machine and Audioslave. This new solo single, off his upcoming solo rock album, Morello calls the song “a salute to the transformative power of music”. It features a guest guitar solo by his 13-year-old son, Roman Morello.

Punk

Destroy Boys are a teen punk band from Sacramento, US. Their name was taken from words that singer Violet Mayugba wrote on her chalkboard at home during a period of relationship troubles. This feminist anti-assault/harassment anthem from their new album, Funeral Soundtrack No. 4 features fellow feminist punks Mannequin Pussy, from Philadelphia, and Scowl from Santa Cruz, California.

Dropkick Murphys are Celtic punk band from Massachusetts, US. About this song, frontman Ken Casey says, “For nearly a decade, the division between red and blue, right and left, has grown deeper, darker and uglier…Nobody enjoys this more than the billionaires, who are making record profits off the blood, sweat, and tears of the working class… They love it when we fight amongst ourselves, because their biggest fear is us joining together to come after them…THE REAL ENEMY.”

Punk rock band from Santa Cruz, US, formed in 1986. Known for their energetic sound and thought-provoking lyrics, the band briefly disbanded before reuniting in 2012. They released this protest single as a call to action ahead of the U.S. election on October 22nd.

Lady Parts is a band created for the British sitcom, We Are Lady Parts, created, written, and directed by Nida Manzoor, who alongside her siblings, also writes and supervises the music for the show. The series follows a British punk rock band named Lady Parts, which consists entirely of Muslim women. This track is off the show’s soundtrack, We Are Lady Parts (Music From The Original Series – Seasons 1 & 2) released May 31st.

Lambrini Girls are a queer feminist three-piece punk band from Brighton, UK, known for their energetic, emotive lyrics and political commentary. About this single released in February the band said  “’Gods Country’ is our long, overdue call-out of the government and rise of the far right… We have the audacity to call our country ‘Great’. So we ask you, ‘Are you sure?”

This 7-member Irish Folk Punk Band from Germany, started out as a duo, playing in small barns and pubs as “The O’Reillys,” and a little later mutual friends joined them as the “Paddyhats” and turned the duo into a full band. This anti-fascist song is “directed against political and social currents that endanger democracy – and calls on people to speak up, rise up and fight together for freedom and justice.”

Pop punk band with grunge influences founded in Baltimore, US in 2019, after the three members met at Johns Hopkins University. Pinkshift has used their platform to advocate for racial diversity, Palestine, and gender inclusivity. This anti-Trump song began its life as an “anti-fascist poem” written by vocalist Ashrita Kumar.

EP Album Review: Over The Earth, Under by Gailla

If I had to say a single thing about Australian folk musician Gailla’s debut EP, Over The Earth, Under, it’s that it shows she has a clear understanding of what makes the genre special. With gorgeous musical arrangement, poignant and sweet lyrics, and a concept that ties everything together, Gailla’s introduction to the recording music scene is something to be paying attention to. The keyword here is ambition, as Gailla not only effectively gets her point across, in just over 17 minutes, but also lets us know she is an artist with much more to say.

Over The Earth, Under could simply be described as a protest EP, one centered around the current climate crisis, but Gailla and her band decided to take the concept even further. The first track of the project, midden, is a quick thirty-second invitation to the universe she is setting up, with nature sounds that eventually get overshadowed by  protesters chanting: “We will not stop, we will not rest.” This mirrors the final track of the EP, pippi, another interlude where nature sounds seem to be the focus, as the vague presence of people can hardly be heard. These two tracks alone already give the EP a conceptual feel, as the longer and lyrically focused songs are contextualized within them. In a way, with this structure, it almost seems as if Gailla is attempting to capture the essence of a real protest, with a clear focus, a striking beginning, and a somewhat fleeting conclusion.

Adding to this idea, the EP’s middle part also feels like the stream of consciousness someone would have in a real-life protest. We know the cause is just, we know that the fight is bigger than ourselves, but we can’t help but think of how this affects us, the people we love, loathe the people that brought it to be, have doubts, hopes, and more. Take, for example, the song Shape of Change, where Gailla sings about people whose “shape of change” necessitates that folks like her are poor, estranged, hurt, or even dead. Considering the context of the EP and the explicit mention of these people’s desire for other countries’ oil, we can easily imagine which power structures the song is aimed at.

I could go further with this concept, like with the songs 536 and Running on our own, both of which show Gailla embracing different feelings around the climate crisis, like doubt, collective strength, hope, etc. However, I would like to bring attention to the songs Run to and its partner Run to (the water), as these tracks show Gailla’s chops as a folk musician. On the first one, Gailla ponders where she’ll run to if the crisis reaches critical levels and, almost as importantly, if the person she loves would come along. With sharp writing, and a pinch of humor though overall a gloomy perspective, the song ends with unanswered questions about what this future would hold for them. In its partner song, Run to (the water), the nature imagery becomes vivid, as this running away with someone turns into a poetic and hypnotic metaphor about embracing nature. “We can just go anywhere she takes us/ Over the Earth, under dark blue mud”. Like the great folk musicians that came before her, Gailla amps her fight for nature by almost becoming one with it, making us connect more fiercely with every single one of her words.

In conclusion, Over The Earth, Under is a fantastic, short, and to-the-point, EP about the current climate crisis and the way it affects us. It shows that Gailla and her band deeply understand the genre and that they will use this talent and knowledge for a just cause moving forward.

As for us, we can only wait to see what she’ll do next.

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EP Album Review: I Ain’t So Blue by Emmy Ryan

I Ain’t So Blue is Australian folk musician Emmy Ryan’s debut EP, and it’s an incredible showcase of her inner world, which is inevitably influenced by the world outside her. Comprised of seven songs and with a runtime just shy of thirty minutes, the EP is delightful, straightforward, topically relevant to the world at large, and, above all, honest. And it’s precisely this, Emmy’s honesty as a songwriter, that allows I Ain’t So Blue to feel like a unique display of talent and a promising sign for the music she will compose in the future.

As it is only fitting to start from the beginning, the EP opens with two tracks that effectively introduce us to Emmy’s sensibilities: Solo, So Low and A Place to Call Home. On the first song, we’re shown the meditative side of Emmy, as she is reminded of a past relationship, prompting her to reflect on the loneliness she is currently feeling. On the second one, she brings these meditative feelings to the world outside her mind, as the track is focused on the rise of interest rates on land, and how folks like her struggle to find a place to call home in the face of landlords’ monetary desires.

These two songs’ core elements can be found in many of the tracks on I Ain’t So Blue, as Emmy is capable of drawing us into her mind and the thoughts that inhabit it; but she can also get us to rally behind a just cause through the same process. The songs In My Dreams and How Many are great examples of this, as one is about navigating the insecurities around love and attraction, and the other is effectively a protest song that, thanks to the cover image used in the single version, we know is about the ongoing conflict in Palestine.

This is not to say that Emmy has a template when approaching music, rather, pointing this out shows how the fundamentals of the EP make it a cohesive and direct endeavor. Nowhere is this clearer than in the title track, I Ain’t So Blue, which is a fascinating song to choose to represent the project. The piece shows us a series of vignettes of Emmy’s world, intertwined with the chorus about how she’d tell the world she ain’t so lonely, that she ain’t so blue, but only if she’d convince herself that’s true. Considering that phrase is the first thing we see when opening the EP, there’s a sense that in the process of singing us these songs, with all the intimate feelings and worries attached to them, Emmy has in a way matured to tell us that, really, she ain’t so blue.

As for room for improvement, there is some space in the current folk music landscape that Emmy could use as inspiration for her next project. For starters, I Ain’t So Blue’s musical palette is perfectly suitable for the songs featured on it, but other folk musicians, take Mount Eerie as an example, have explored a diverse array of sounds that could also suit Emmy’s thematic ambitions in a more dynamic way. In terms of songwriting, Emmy’s intimate style could lean more into the vivid imagery already present in songs like Rainbow Trout, with artists such as Adrianne Lenker and Kara Jackson as possible guidance for this direction.

This is to say that Emmy’s future looks promising, as she is no doubt a talented and sensitive person who will continue to look inside and outside her world for inspiration. Hopefully, we get to hear more from her sooner rather than later.