Tag Archives: women’s rights

DJ Generals Strike’s top 40 protest songs of spring 2024

I’m DJ General Strike, host of the weekly protest music radio show, Protest Tunes on 91.3 KBCS FM in Seattle, WA. I broadcast 2 hours of radical protest music of all genres and eras every Wednesday at 9 PM. Every quarter, I put together a radio show and playlist of my favorite new protest songs released that season, which I call “molotov hot tracks.” This Spring, saw the release of many great protest songs, most notably songs about the recent British parliamentary election and the upcoming US presidential election, songs against Israel’s ongoing war/genocide in Gaza, and songs of LGBTIA Pride.  I aired most of these songs on my show this Wednesday (July 10th 2024), which you can listen to the archive of here. I’ve organized these 40 protest songs by genre below (and alphabetically within genre). You can also listen to all 40 songs on this Spotify Playlist. I hope you all are inspired by these molotov hot tracks!


Folk

Adeem the Artist – White Mule, Black Man

Adeem the Artist, AKA Adeem Maria, a nonbinary pansexual poet, singer-songwriter, storyteller, and blue-collar artist. A seventh-generation Carolinian, they now reside in the hills of East Tennessee. They started their music career performing on cruise ships. This track about the history of racism in Knoxville, TN  is off Adeem’s new album Anniversary, released May 3rd.

Apes of the State – Forensic Files feat. Local News Legend

Apes of the State is an independent Lancaster, PA based folk punk band. As a band, they are driven by DIY ethics with a goal of helping as many people as possible with their music. The members are also heavily involved in activism for people recovering from substance use disorder and promoting harm reduction. This single released May 3rd, features fellow feminist folk punk duo Local News Legend, also from central Pennsylvania.

Carsie Blanton – The Democrats

Carsie Blanton is a singer-songwriter and guitarist based in New Orleans. Blanton says she “writes anthems for a world worth saving.” About this single released May 31st, she said it’s a “f— the democratic party for sitting on its hands during a genocide” kind of a song.

Troy Cassar-Daley – Windradyne

Troy Cassar-Daley is an Aboriginal Australian country music songwriter and entertainer. His mother is from the Gumbaynggirr and Bundjalung people. Cassar-Daley has released thirteen studio albums, two live albums and five compilation albums over 30 years. Windradyne tells the tale of the Indigenous warrior and resistance leader of the Wiradjuri nation from the 1800s.

Ani DiFranco – New Bible

Grammy winning feminist folk-rock singer-songwriter, author and activist. One of the first artists to create her own label in 1990, she is called ‘the mother of the DIY movement’ and has sold over 5.5 million albums on her own Righteous Babe Records. New Bible is an anti-capitalist song, the 2nd single off her upcoming album Unprecedented Sh!t’, Ani’s 23rd release, just released July 12th.

John Moreland – The Future Is Coming Fast

Moreland is a Singer-songwriter from Tulsa, Oklahoma. This is the opening track off his new album, Visitor, which Moreland recorded at his home in Bixby, Oklahoma, in only ten days, playing nearly every instrument himself, as well as engineering and mixing the album. On “The Future Is Coming Fast”, Moreland laments the “perpetually logged-on life in a time of catastrophe.”

David Rovics – This Is Genocide

Rovics is a Portland, OR based activist singer-songwriter, and anti-Zionist Jew from New York. In order to spread the political messages in his songs Rovics has made all of his recorded music freely available as downloadable mp3 files and all his sheet music and lyrics are available for download too at davidrovics.com. This song against Israel’s war on Gaza is off Rovics new album Bearing Witness, released May 1st.

Aaron Lee Tasjan – I Love America Better Than You

Aaron Lee Tasjan is a Nashville-based singer-songwriter, guitarist, and record producer, formerly of the bands Semi Precious Weapons and BP Fallon & The Bandits. About this song, Tasjan said “As a queer person living in the southern United States in 2024, I am examining my country’s complexities, contradictions and hard truths in a way that’s conversational.”

Frank Turner – The Leaders

Frank Turner is an English punk and folk singer-songwriter who began his career as the vocalist of post-hardcore band Million Dead, then embarked upon a primarily acoustic-based solo career following the band’s split in 2005. This anti-authoritarian song off Turner’s new album Undefeated, is a rewrite of an old unreleased song of his called Practical Anarchist.

Rock

Joe & The Shit boys – LEGALIZE EVERYTHING

Joe & The Shit boys are a queer vegan indie-rock band “with hardcore vibes”, from the Faroe Islands, (the archipelago between Iceland and Norway). The band formed with the intention of calling out bad behavior in their conservative local music scene, which they describe as “filled with boneless homophobes and meat-eating misogynists.” In this short song they challenge the prohibition of all recreational drugs.

Ferocious Dog – Kleptocracy

Ferocious Dog are an English folk-punk band from Warsop, Nottinghamshire, England. Their fans are affectionately referred to as ‘Hell Hounds’. This song against corrupt politicians in Britain written on the occasion of the British parliamentary elections is the title track off their new album released May 17th.

Melody Angel – Say Her Name

Melody Angel (which is her real name) is a Chicago based blues-rock guitarist and multi-instrumentalist, songwriter, vocalist, arranger, and producer. She’s also a cousin of Chicago blues icon, Otis Rush. This song off her self titled 3rd album released June 7th, raises awareness for Black women victims of police brutality.

Scarlet Rebels – Divide and Conquer

Scarlet Rebels are a five-piece melodic rock band from Llanelli, South Wales, formed in 2018. They’re known for their efforts to raise money and collect donations for local food banks and charities. This protest song against Britain’s ruling Conservative Party is from their upcoming album, “Where The Colours Meet” due out August 16th.

R&B/Pop

Emma Donovan – Change is Coming

Emma Donovan is an Aboriginal Australian singer and songwriter formerly of bands the Stiff Gins and the Putbacks. She is a member of the renowned Australian musical Donovan family. She started her singing career at age seven with her uncle’s band, Australian Aboriginal country group the Donovans. This hopeful political song is off her new solo album Til My Song Is Done released April 19th.

The Secret Sisters – If the World Was a House

The Secret Sisters are a singing and songwriting duo consisting of vocalists Laura Rogers and Lydia Rogers, who are sisters from Muscle Shoals, Alabama. About this song, they said “it is wrestling with a longing for everyone to take better care of each other, and to recognize that every person you share the planet with matters just as much as you do.”

Reggae/Ska

Buju Banton – Slogan

Buju Banton is a Jamaican dancehall, ragga, and reggae singer, from Kingston, Jamaica. Buju is a nickname given to him by his mother as a child. Banton is a Jamaican word that refers to someone who is a respected storyteller, which he adopted in tribute to deejay Burro Banton, who’s style of rough vocals and forceful delivery Buju emulates. Buju released this single about the media’s political spin on May 3rd. 

YG Marley – Survival

YG Marley is the son of American rapper and singer Lauryn Hill and Jamaican football player Rohan Marley, and the grandson of reggae pioneer Bob Marley. This song about black resilience, which samples and references a handful of Bob Marley tracks, made its premiere on “The Tonight Show”, May 14th, in which Lauryn Hill performed alongside YG Marley.

Black Roots – Exploited

Black Roots are a roots reggae band from Bristol, England, formed in 1979. This track about the legacy of slavery and European colonialism is off their new album Roots, released in April.

Jazz/Spoken Word

The Brkn Record – Why do they fear us (featuring Yolanda Lear)

The Brkn Record is a project led and produced by Jake Ferguson, the co-founder and bass player for the UK’s deep jazz outfit the Heliocentrics, with fellow Heliocentrics co-founder and drummer Malcolm Catto. This song about blackphobia is off The Brkn Record’s new album, The Architecture of Oppression Part 2 released May 31st.

Hip Hop

Audio Assault – STRIKE!

Audio Assault is a political techno-industrial rap band originally from Dallas, Texas, one of the first acts to combine hip hop, industrial rhythms and rock guitars. This single released May 21st, features hip-hop legend Kool Keith, disco-industrial artist Xiu Xiu , punk-hiphop artist Ceschi (of Codafendents), Denver rapper and author Time (of Calm), and Bay Area artist Yunoka Berry (of Angelo Moore & The Brand New Step).

Dakota Bear x NugLife – Stolen Land

Dakota Bear is a Saskatoon-born, Vancouver-based Indigenous hip-hop artist and activist. NugLife is an LA based producer, beat-maker, and DJ. This song is off Nuglife’s album Nuglife 2024 released in April, and is about the colonization and genocide of the first nations peoples of Canada.

Dobby – Language is in the Land

Dobby is a Filipino-Aboriginal Australian musician. He describes himself as a “drapper”, a contraction of rapper and drummer, although he plays other instruments too, and is also a composer. This track is off Dobby’s new album WARRANGU: River Story, about the Barwon, the Bogan and the Culgoa Rivers in New South Wales, which he says is “about fighting for these rivers, and it’s about knowing how to be proud and how to take care of our land and waterways.”

Gabriel Teodros – Fire Season Part 2

Gabriel Teodros is a musician, DJ and writer from Seattle formerly of the groups Abyssinian Creole and Copperwire. Teodros’ music often features socially conscious themes, and he was a catalyst in the surge of dynamic underground rap acts from the Pacific Northwest during the first decade of the 2000s. This followup to his 2023 anti-war song Fire Season was released May 31st.

K!MMORTAL – Stop Business As Usual PART 2 feat. Phoenix Pagliacci & Bobby Sanchez

 Kimmortal is a Queer Filipina emcee and singer-songwriter based in Vancouver, BC. Their debut album Sincerity = was entirely crowd funded by her community. In this follow up to Kimmortal’s November single against Israel’s war on Gaza, Stop Business As Usual, they feature Toronto R&B/Hip-Hop artist Phoenix Pagliacci of TRPP and  transgender American-Peruvian rapper Bobby Sanchez.

Mach-Hommy – POLITickle

Mach-Hommy is a rapper and record producer from Newark, New Jersey of Haitian descent. He is well-known for his reclusive nature, concealing his real name and face in all public appearances. This behavior has led him to be described as “one of hip-hop’s most elusive artists” and gained him a cult following. POLITickle is about the International Monetary Fund in Haiti and is off his new album #Richaxxhaitian released May 17th.

Rapsody – He Shot Me

Rapsody began her career at North Carolina State University, where she joined hip hop collective H2O and its spinoff group Kooley High, despite not having rapped before. She launched her solo career in 2008. This song off her new album Please Don’t Cry is about the police murder of Breona Taylor, and samples Bob Marley’s “I Shot the Sheriff”.

Rebelwise – Be Like Water (feat. Aya Iworiosa, Stic.Man, Ashel Seasunz & Quincy Davis)

Rebelwise are a conscious hip hop band from Portland, OR. They describe themselves as “Rebelwise delivers dope-medicine to uplift our people and our communities.” “REBEL speaks to the spiritual warriors standing with conviction. WISE speaks to engaging with a deeper awareness, in relationship with Creation.” This song off their new album Fully Loaded Altar, features Stic.Man, one half of the political hip-hop duo Dead Prez.

Talib Kweli & Madlib – Nat Turner (feat. Cassper Nyovest and Seun Kuti)

Talib Kweli earned recognition through his collaboration with fellow Brooklyn rapper Mos Def, when they formed the group Black Star in 1997. Madlib, is a DJ, music producer, and rapper, who has described himself as a “DJ first, producer second, and MC last.” Their new album Liberation 2 released in April is a sequel to their 2007 release Liberation. This track was inspired by abolitionist Nat Turner, an enslaved man who led a rebellion of enslaved people in 1831 in Virginia.

Macklemore – Hind’s Hall

The Seattle star rapper released this viral protest single on May 6th.  The title references Columbia University Gaza encampment activists’ renaming of Hamilton Hall to “Hind’s Hall” in honor of Hind Rajab, a Palestinian child killed by Israeli forces. Tom Morello said “Hind’s Hall” is the most Rage Against The Machine song since Rage Against The Machine.” Macklemore is donating all proceeds from the track to UNRWA.

Metal/Hardcore

Bear McCreary and Serj Tankian- Incinerator

Bear McCreary is an Emmy winning composer of film, television, and video game scores. This single featuring System Of A Down’s Serj Tankian on vocals is from Bear’s new double album The Singularity. About the song, Bear said “Once I heard Serj’s searing vocals, I knew immediately that Incinerator would be the first song on the album, acting like a warning that a massive, aggressive, and emotional journey lay ahead.”

CROSS DOG – Jane Roe

Cross Dog is a female fronted experimental, bass-driven hardcore punk band from Peterborough, Ontario. In this pro-choice single from their new album All Hard Feelings, the name ‘Jane Roe’ is used to “represent every single person who is forced to fight for their reproductive rights and access to abortions.”

Death Lens – Disturb The Peace

Death Lens originally formed in LA as an instrumental project, then evolved as they began using their platform to protest injustices facing their communities. This song, off their new album Cold World, is “a song written for the people, inspired by the people, and for my people – like my immigrant parents who came to the chaos of America to give us a better life and opportunity,” says vocalist Bryan Torres.

Tom Morello – Soldier In The Army Of Love

Tom Morello, is a guitarist, singer-songwriter, and political activist, best known for his tenure with Rage Against the Machine and Audioslave. This new solo single, off his upcoming solo rock album, Morello calls the song “a salute to the transformative power of music”. It features a guest guitar solo by his 13-year-old son, Roman Morello.

Punk

The Anti-Queens – Crusade

The Anti-Queens are a “punked up rock n’ roll quartet of super high-powered women who give the male-dominated music industry a run for their money” from Toronto. This single off their new album, Disenchanted, explores the systemic oppression faced by marginalized groups, particularly Indigenous Peoples in Canada.

The Irrepressibles – Yo Homo

The Irrepressibles is the creative guise of British musician Jamie McDermott.  The project’s name is “about breaking boundaries in music and being honest about being gay in music”. Based in London, for many years, Jamie Irrepressible currently works from Manchester. Yo Homo! is a single about gay & queer rebellion released May 24th.

Lambrini Girls – Body of Mine

Lambrini Girls are a queer feminist three-piece punk band from Brighton, UK. About this single released April 23rd, The band says, “this song is about trying to connect to your gender identity, feeling like you’re not fully yourself, and struggling to figure out how to truly become it.”

Pink Suits – Dystopian Hellscape

Pink Suits are a queer, feminist punk duo out of Margate, U.K, formed in 2017. This is the title track off their sophomore album Dystopian Hellscape, which they describe as “an astute and comprehensive reaction to existing in the mess that is Tory Britain in 2024.” The track uses contemporary news stories to “create a tapestry of struggle that builds up in a horrifying picture of contemporary life.”

Ryan Cassata & The Top Surgeons – The Truth The Life The Way

Ryan Cassata  is a transgender singer-songwriter, actor, speaker, and activist based in New York. This is the opening track off Ryan’s first punk album, with new band The Top Surgeons, called “This Machine Kills Transphobia”. They describe the album as “a collection of punk songs meant to challenge systems of oppression, especially sexism and transphobia.”

The Tony Slug Experience – Puppet Smut

This track, featuring Jello Biafra of the Dead Kennedys is off the self-titled album, The Tony Slug Experience, an homage to Amsterdam punk pioneer Tony Slug, of bands BGK, Loveslug, The Nitwitz, and The Hydromatics. An international group of over 30 musicians contributed to what became Tony’s final record; right after all recordings were on tape, Tony died at the age of 60 after a brief battle with throat cancer. 

Lady Parts – Glass Ceiling Feeling

Lady Parts is a band created for the British sitcom, We Are Lady Parts, created, written, and directed by Nida Manzoor, who alongside her siblings, also writes and supervises the music for the show. The series follows a British punk rock band named Lady Parts, which consists entirely of Muslim women. This track is off the show’s soundtrack, We Are Lady Parts (Music From The Original Series – Seasons 1 & 2) released May 31st.

I contributed to the Misogyny In Music report – it’s sadly unsurprising that its recommendations have been rejected

Photo by cottonbro studio

Sally Anne Gross, University of Westminster

The Misogyny In Music report, published in January 2024 by the Women And Equalities Committee, was the first major report into the working conditions of women and girls working across the UK music sector.

The scope of the report, which I contributed to, was ambitious. It covered performers, songwriters, audio engineers, major music companies and institutions and both classical and popular music education. The report revealed the level of inequality across the music supply chain and the sexism, misogyny, bullying and sexual abuse that women and girls experienced in their working lives.

As part of the report, back in September 2023, the BBC broadcaster DJ and author Annie Macmanus (better known as Annie Mac) gave evidence to the House of Commons committee, calling the music business a “boys’ club” that is “rigged against women”.

The report was widely heralded as a turning point. Finally, the boys’ club of the music industry was laid bare. But on Friday, April 19, the government issued its response to the report’s recommendations – a wholesale rejection.


This article is part of our State of the Arts series. These articles tackle the challenges of the arts and heritage industry – and celebrate the wins, too.


With the publication of the report and its recommendations, it seemed for a moment as if women’s needs might be being addressed given the cross-party support the committee had garnered.

The recommendations called for legislative change to increase protection for women in several different areas: from amending the Equalities Act to provide freelancers the same rights as employees, to prohibiting the use of nondisclosure agreements “in cases involving … sexual abuse, sexual harassment or sexual misconduct”.

The government argues that there are already legal safeguards in place that make nondisclosure agreements unenforceable if they are used in order to protect perpetrators.

Other recommendations include: reform of parental leave to include freelancers, that public funding and licensing of music venues should be made conditional on those premises taking steps to tackle gender bias, sexual harassment and abuse. In terms of education, the report recommends investment in training for women in areas such as audio engineering where the gender imbalance is particularly acute. The report further recommends education for school children and specifically boys “on issues of misogyny, sexual harassment and gender-based violence”.

So why did the government reject the recommendations?

Annie Mac | Radio 1’s Free Party at Ushuaia Ibiza Beach Hotel by radio1interactive

The government’s response

The government’s argument was that there is no need for additional action, because action is already in play. It said: “This response has set out the many initiatives that the government is taking forward or the policies that are currently in place to provide legal protections for women in the workforce, including in the music industry.”

The response from women and commentators across the music industry has been one of great disappointment and almost disbelief.

“It’s incredibly disheartening to hear the government deny the reality of the endemic misogyny and discrimination that women face in the UK music industry”, said Nadia Khan, the founder of the charity Women in CTRL.

But should we be surprised by this government’s response? As a woman and a mother who has been working in the UK music industry for over 30 years I can say from personal experience it’s been – at best – frustrating and exhausting.

How the industry treats women

Sexism and misogyny are a daily occurrence in the industry. In 1993, I became the first woman to be appointed as an artists and repertoire manager (A&R) at Mercury Records UK. A&R is one of the most prestigious roles in any record label.

On my first day, all the men – even the ones I knew – stared silently through their office blinds as I walked into my office. Not one came out to greet me. I felt I was not considered one of them. Now there are women working in music companies in all kinds of positions from A&R to heads of departments, but they are still not treated as equal to men, as the report clearly found.

I have now been teaching in a music department of a university for nearly two decades. I have seen how slow the process of change is and how resistant institutions can be to change.

Those who contributed to the report are disappointed that the government has rejected its recommendations. Photo by Marlene Leppänen

When I started teaching, just as when I started out as a music manager and independent record label owner, I was surrounded by men. As a woman in the industry, you become accustomed to coping; managing either by being invisible and unheard or deflecting unwanted advances and patronising comments with humour and a smile. Sometimes you just lose your temper, and sometimes you make a quick getaway.

In 2016 I became a researcher focusing on the impact of inequalities on mental health and the working conditions of the music industries. My co-author and researcher George Musgrave and I published our research in two reports for the charity Help Musicians UK, and a book entitled Can Music Make You Sick? Measuring the Price of Musical Ambition (2020). In it, we examined the relationship between poor working conditions and bad mental health.

We were honoured to contribute to the Misogyny In Music report. We, like everybody else that contributed, were hoping that the data would count and that legislative action for change would follow. The government response is disappointing, to say the least. Are we surprised? No. But we will we keep on fighting.


Sally Anne Gross, Reader in Music Business, University of Westminster

This article is republished from The Conversation under a Creative Commons license. Read the original article.

New database tracks gender equality projects within the European music industry

The brand new project, which was launched just this week, tracks and catalogues networks that tackle gender equality and equity in the European music industry.

Snapshot from the GENiE website.

The project, called GENiE (Gender Equality Networks in Europe), already has catalogued over 300 networks in 25 countries. On the project website one can look up networks by country or project type (festival, management, radio, community, safe spaces, record labels, workshops, etc.). For now, the project is focused on European networks and designed to motivate cross border collaborations, inspire people to get involved in the music industry in their own countries and showing the paths to do so.

The project was founded by Grace Goodwin, an academic researcher and session drummer from the UK. According to Grace, “geography and regionality can influence the career progression and experiences of women”.

Among the listings one can find in the database are projects that fight for better representation for women, publish job, management and learning opportunities, music festivals representing women and much more.

The project already landed a big, official supporter in the online music service Soundcloud. In an interview with the streaming service and music community Goodwin is quoted saying that there is still a lot of progress to be made. We caught up with Grace via email and asked her a few questions about her project and her academic work within the music industry.

What is your background in the music industry and how did you come up with Genie?

I trained as a session drummer and percussionist at university. I then studied a masters in music industry which led me to advising artists and supporting their work through mentoring. Like most people in the industry I have had many jobs which have included teacher, record label manager, workshop leader etc. I am currently focusing my time on a PhD where I am researching gender equity in the music industry, which also offered some of the inspiration for GENIE.

Can you tell me a bit about your academic background as well? What are some of the things you have researched or published?

I started my PhD in 2023 so I’m considered in the early stages of academia! My research focuses on gender equity with my PhD focusing on regional gender inequality – how where a woman is based can affect her career progression in the music industry. GENIE has recently opened up new doors with research and I am now widening my scope to research in Europe and looking for potential collaborators. I’m hoping to start publishing work during my PhD. I am passionate about delivering research which has tangible outcomes which can make real change in the industry.

I know the project is in the very early stages, but have you gotten any feedback yet from the music community?

The feedback so far has been amazing, I was scared to put it out into the world in case people didn’t really engage with it but I’ve had lots of people get in touch to add their projects since the launch. A lot of people have told me that it has allowed them to find new projects in their own country which is great. I think it is the type of project that will build over time as it becomes more visible.

What do you hope to see this project grow into, in the future? What possibilities do you imagine and what changes do you dream of?

This is something I am really starting to think about as I had to get over the hurdle of launching it first! I think that it is an amazing resource for networking and collaboration so I think these will be some of the wider goals of the project. Maybe organising networking events around major festivals and conferences. Also I want to act as an advocate for these projects- understanding their issues, funding models, best practice; Collating this in some way to then inform cultural policy and support. And now that I am aware of over 350 projects across Europe I want to keep connecting people! The ideal change would be where the type of work I do would no longer need to exist!