Tag Archives: r&b

DJ Generals Strike’s top 40 protest songs of spring 2024

I’m DJ General Strike, host of the weekly protest music radio show, Protest Tunes on 91.3 KBCS FM in Seattle, WA. I broadcast 2 hours of radical protest music of all genres and eras every Wednesday at 9 PM. Every quarter, I put together a radio show and playlist of my favorite new protest songs released that season, which I call “molotov hot tracks.” This Spring, saw the release of many great protest songs, most notably songs about the recent British parliamentary election and the upcoming US presidential election, songs against Israel’s ongoing war/genocide in Gaza, and songs of LGBTIA Pride.  I aired most of these songs on my show this Wednesday (July 10th 2024), which you can listen to the archive of here. I’ve organized these 40 protest songs by genre below (and alphabetically within genre). You can also listen to all 40 songs on this Spotify Playlist. I hope you all are inspired by these molotov hot tracks!


Folk

Adeem the Artist – White Mule, Black Man

Adeem the Artist, AKA Adeem Maria, a nonbinary pansexual poet, singer-songwriter, storyteller, and blue-collar artist. A seventh-generation Carolinian, they now reside in the hills of East Tennessee. They started their music career performing on cruise ships. This track about the history of racism in Knoxville, TN  is off Adeem’s new album Anniversary, released May 3rd.

Apes of the State – Forensic Files feat. Local News Legend

Apes of the State is an independent Lancaster, PA based folk punk band. As a band, they are driven by DIY ethics with a goal of helping as many people as possible with their music. The members are also heavily involved in activism for people recovering from substance use disorder and promoting harm reduction. This single released May 3rd, features fellow feminist folk punk duo Local News Legend, also from central Pennsylvania.

Carsie Blanton – The Democrats

Carsie Blanton is a singer-songwriter and guitarist based in New Orleans. Blanton says she “writes anthems for a world worth saving.” About this single released May 31st, she said it’s a “f— the democratic party for sitting on its hands during a genocide” kind of a song.

Troy Cassar-Daley – Windradyne

Troy Cassar-Daley is an Aboriginal Australian country music songwriter and entertainer. His mother is from the Gumbaynggirr and Bundjalung people. Cassar-Daley has released thirteen studio albums, two live albums and five compilation albums over 30 years. Windradyne tells the tale of the Indigenous warrior and resistance leader of the Wiradjuri nation from the 1800s.

Ani DiFranco – New Bible

Grammy winning feminist folk-rock singer-songwriter, author and activist. One of the first artists to create her own label in 1990, she is called ‘the mother of the DIY movement’ and has sold over 5.5 million albums on her own Righteous Babe Records. New Bible is an anti-capitalist song, the 2nd single off her upcoming album Unprecedented Sh!t’, Ani’s 23rd release, just released July 12th.

John Moreland – The Future Is Coming Fast

Moreland is a Singer-songwriter from Tulsa, Oklahoma. This is the opening track off his new album, Visitor, which Moreland recorded at his home in Bixby, Oklahoma, in only ten days, playing nearly every instrument himself, as well as engineering and mixing the album. On “The Future Is Coming Fast”, Moreland laments the “perpetually logged-on life in a time of catastrophe.”

David Rovics – This Is Genocide

Rovics is a Portland, OR based activist singer-songwriter, and anti-Zionist Jew from New York. In order to spread the political messages in his songs Rovics has made all of his recorded music freely available as downloadable mp3 files and all his sheet music and lyrics are available for download too at davidrovics.com. This song against Israel’s war on Gaza is off Rovics new album Bearing Witness, released May 1st.

Aaron Lee Tasjan – I Love America Better Than You

Aaron Lee Tasjan is a Nashville-based singer-songwriter, guitarist, and record producer, formerly of the bands Semi Precious Weapons and BP Fallon & The Bandits. About this song, Tasjan said “As a queer person living in the southern United States in 2024, I am examining my country’s complexities, contradictions and hard truths in a way that’s conversational.”

Frank Turner – The Leaders

Frank Turner is an English punk and folk singer-songwriter who began his career as the vocalist of post-hardcore band Million Dead, then embarked upon a primarily acoustic-based solo career following the band’s split in 2005. This anti-authoritarian song off Turner’s new album Undefeated, is a rewrite of an old unreleased song of his called Practical Anarchist.

Rock

Joe & The Shit boys – LEGALIZE EVERYTHING

Joe & The Shit boys are a queer vegan indie-rock band “with hardcore vibes”, from the Faroe Islands, (the archipelago between Iceland and Norway). The band formed with the intention of calling out bad behavior in their conservative local music scene, which they describe as “filled with boneless homophobes and meat-eating misogynists.” In this short song they challenge the prohibition of all recreational drugs.

Ferocious Dog – Kleptocracy

Ferocious Dog are an English folk-punk band from Warsop, Nottinghamshire, England. Their fans are affectionately referred to as ‘Hell Hounds’. This song against corrupt politicians in Britain written on the occasion of the British parliamentary elections is the title track off their new album released May 17th.

Melody Angel – Say Her Name

Melody Angel (which is her real name) is a Chicago based blues-rock guitarist and multi-instrumentalist, songwriter, vocalist, arranger, and producer. She’s also a cousin of Chicago blues icon, Otis Rush. This song off her self titled 3rd album released June 7th, raises awareness for Black women victims of police brutality.

Scarlet Rebels – Divide and Conquer

Scarlet Rebels are a five-piece melodic rock band from Llanelli, South Wales, formed in 2018. They’re known for their efforts to raise money and collect donations for local food banks and charities. This protest song against Britain’s ruling Conservative Party is from their upcoming album, “Where The Colours Meet” due out August 16th.

R&B/Pop

Emma Donovan – Change is Coming

Emma Donovan is an Aboriginal Australian singer and songwriter formerly of bands the Stiff Gins and the Putbacks. She is a member of the renowned Australian musical Donovan family. She started her singing career at age seven with her uncle’s band, Australian Aboriginal country group the Donovans. This hopeful political song is off her new solo album Til My Song Is Done released April 19th.

The Secret Sisters – If the World Was a House

The Secret Sisters are a singing and songwriting duo consisting of vocalists Laura Rogers and Lydia Rogers, who are sisters from Muscle Shoals, Alabama. About this song, they said “it is wrestling with a longing for everyone to take better care of each other, and to recognize that every person you share the planet with matters just as much as you do.”

Reggae/Ska

Buju Banton – Slogan

Buju Banton is a Jamaican dancehall, ragga, and reggae singer, from Kingston, Jamaica. Buju is a nickname given to him by his mother as a child. Banton is a Jamaican word that refers to someone who is a respected storyteller, which he adopted in tribute to deejay Burro Banton, who’s style of rough vocals and forceful delivery Buju emulates. Buju released this single about the media’s political spin on May 3rd. 

YG Marley – Survival

YG Marley is the son of American rapper and singer Lauryn Hill and Jamaican football player Rohan Marley, and the grandson of reggae pioneer Bob Marley. This song about black resilience, which samples and references a handful of Bob Marley tracks, made its premiere on “The Tonight Show”, May 14th, in which Lauryn Hill performed alongside YG Marley.

Black Roots – Exploited

Black Roots are a roots reggae band from Bristol, England, formed in 1979. This track about the legacy of slavery and European colonialism is off their new album Roots, released in April.

Jazz/Spoken Word

The Brkn Record – Why do they fear us (featuring Yolanda Lear)

The Brkn Record is a project led and produced by Jake Ferguson, the co-founder and bass player for the UK’s deep jazz outfit the Heliocentrics, with fellow Heliocentrics co-founder and drummer Malcolm Catto. This song about blackphobia is off The Brkn Record’s new album, The Architecture of Oppression Part 2 released May 31st.

Hip Hop

Audio Assault – STRIKE!

Audio Assault is a political techno-industrial rap band originally from Dallas, Texas, one of the first acts to combine hip hop, industrial rhythms and rock guitars. This single released May 21st, features hip-hop legend Kool Keith, disco-industrial artist Xiu Xiu , punk-hiphop artist Ceschi (of Codafendents), Denver rapper and author Time (of Calm), and Bay Area artist Yunoka Berry (of Angelo Moore & The Brand New Step).

Dakota Bear x NugLife – Stolen Land

Dakota Bear is a Saskatoon-born, Vancouver-based Indigenous hip-hop artist and activist. NugLife is an LA based producer, beat-maker, and DJ. This song is off Nuglife’s album Nuglife 2024 released in April, and is about the colonization and genocide of the first nations peoples of Canada.

Dobby – Language is in the Land

Dobby is a Filipino-Aboriginal Australian musician. He describes himself as a “drapper”, a contraction of rapper and drummer, although he plays other instruments too, and is also a composer. This track is off Dobby’s new album WARRANGU: River Story, about the Barwon, the Bogan and the Culgoa Rivers in New South Wales, which he says is “about fighting for these rivers, and it’s about knowing how to be proud and how to take care of our land and waterways.”

Gabriel Teodros – Fire Season Part 2

Gabriel Teodros is a musician, DJ and writer from Seattle formerly of the groups Abyssinian Creole and Copperwire. Teodros’ music often features socially conscious themes, and he was a catalyst in the surge of dynamic underground rap acts from the Pacific Northwest during the first decade of the 2000s. This followup to his 2023 anti-war song Fire Season was released May 31st.

K!MMORTAL – Stop Business As Usual PART 2 feat. Phoenix Pagliacci & Bobby Sanchez

 Kimmortal is a Queer Filipina emcee and singer-songwriter based in Vancouver, BC. Their debut album Sincerity = was entirely crowd funded by her community. In this follow up to Kimmortal’s November single against Israel’s war on Gaza, Stop Business As Usual, they feature Toronto R&B/Hip-Hop artist Phoenix Pagliacci of TRPP and  transgender American-Peruvian rapper Bobby Sanchez.

Mach-Hommy – POLITickle

Mach-Hommy is a rapper and record producer from Newark, New Jersey of Haitian descent. He is well-known for his reclusive nature, concealing his real name and face in all public appearances. This behavior has led him to be described as “one of hip-hop’s most elusive artists” and gained him a cult following. POLITickle is about the International Monetary Fund in Haiti and is off his new album #Richaxxhaitian released May 17th.

Rapsody – He Shot Me

Rapsody began her career at North Carolina State University, where she joined hip hop collective H2O and its spinoff group Kooley High, despite not having rapped before. She launched her solo career in 2008. This song off her new album Please Don’t Cry is about the police murder of Breona Taylor, and samples Bob Marley’s “I Shot the Sheriff”.

Rebelwise – Be Like Water (feat. Aya Iworiosa, Stic.Man, Ashel Seasunz & Quincy Davis)

Rebelwise are a conscious hip hop band from Portland, OR. They describe themselves as “Rebelwise delivers dope-medicine to uplift our people and our communities.” “REBEL speaks to the spiritual warriors standing with conviction. WISE speaks to engaging with a deeper awareness, in relationship with Creation.” This song off their new album Fully Loaded Altar, features Stic.Man, one half of the political hip-hop duo Dead Prez.

Talib Kweli & Madlib – Nat Turner (feat. Cassper Nyovest and Seun Kuti)

Talib Kweli earned recognition through his collaboration with fellow Brooklyn rapper Mos Def, when they formed the group Black Star in 1997. Madlib, is a DJ, music producer, and rapper, who has described himself as a “DJ first, producer second, and MC last.” Their new album Liberation 2 released in April is a sequel to their 2007 release Liberation. This track was inspired by abolitionist Nat Turner, an enslaved man who led a rebellion of enslaved people in 1831 in Virginia.

Macklemore – Hind’s Hall

The Seattle star rapper released this viral protest single on May 6th.  The title references Columbia University Gaza encampment activists’ renaming of Hamilton Hall to “Hind’s Hall” in honor of Hind Rajab, a Palestinian child killed by Israeli forces. Tom Morello said “Hind’s Hall” is the most Rage Against The Machine song since Rage Against The Machine.” Macklemore is donating all proceeds from the track to UNRWA.

Metal/Hardcore

Bear McCreary and Serj Tankian- Incinerator

Bear McCreary is an Emmy winning composer of film, television, and video game scores. This single featuring System Of A Down’s Serj Tankian on vocals is from Bear’s new double album The Singularity. About the song, Bear said “Once I heard Serj’s searing vocals, I knew immediately that Incinerator would be the first song on the album, acting like a warning that a massive, aggressive, and emotional journey lay ahead.”

CROSS DOG – Jane Roe

Cross Dog is a female fronted experimental, bass-driven hardcore punk band from Peterborough, Ontario. In this pro-choice single from their new album All Hard Feelings, the name ‘Jane Roe’ is used to “represent every single person who is forced to fight for their reproductive rights and access to abortions.”

Death Lens – Disturb The Peace

Death Lens originally formed in LA as an instrumental project, then evolved as they began using their platform to protest injustices facing their communities. This song, off their new album Cold World, is “a song written for the people, inspired by the people, and for my people – like my immigrant parents who came to the chaos of America to give us a better life and opportunity,” says vocalist Bryan Torres.

Tom Morello – Soldier In The Army Of Love

Tom Morello, is a guitarist, singer-songwriter, and political activist, best known for his tenure with Rage Against the Machine and Audioslave. This new solo single, off his upcoming solo rock album, Morello calls the song “a salute to the transformative power of music”. It features a guest guitar solo by his 13-year-old son, Roman Morello.

Punk

The Anti-Queens – Crusade

The Anti-Queens are a “punked up rock n’ roll quartet of super high-powered women who give the male-dominated music industry a run for their money” from Toronto. This single off their new album, Disenchanted, explores the systemic oppression faced by marginalized groups, particularly Indigenous Peoples in Canada.

The Irrepressibles – Yo Homo

The Irrepressibles is the creative guise of British musician Jamie McDermott.  The project’s name is “about breaking boundaries in music and being honest about being gay in music”. Based in London, for many years, Jamie Irrepressible currently works from Manchester. Yo Homo! is a single about gay & queer rebellion released May 24th.

Lambrini Girls – Body of Mine

Lambrini Girls are a queer feminist three-piece punk band from Brighton, UK. About this single released April 23rd, The band says, “this song is about trying to connect to your gender identity, feeling like you’re not fully yourself, and struggling to figure out how to truly become it.”

Pink Suits – Dystopian Hellscape

Pink Suits are a queer, feminist punk duo out of Margate, U.K, formed in 2017. This is the title track off their sophomore album Dystopian Hellscape, which they describe as “an astute and comprehensive reaction to existing in the mess that is Tory Britain in 2024.” The track uses contemporary news stories to “create a tapestry of struggle that builds up in a horrifying picture of contemporary life.”

Ryan Cassata & The Top Surgeons – The Truth The Life The Way

Ryan Cassata  is a transgender singer-songwriter, actor, speaker, and activist based in New York. This is the opening track off Ryan’s first punk album, with new band The Top Surgeons, called “This Machine Kills Transphobia”. They describe the album as “a collection of punk songs meant to challenge systems of oppression, especially sexism and transphobia.”

The Tony Slug Experience – Puppet Smut

This track, featuring Jello Biafra of the Dead Kennedys is off the self-titled album, The Tony Slug Experience, an homage to Amsterdam punk pioneer Tony Slug, of bands BGK, Loveslug, The Nitwitz, and The Hydromatics. An international group of over 30 musicians contributed to what became Tony’s final record; right after all recordings were on tape, Tony died at the age of 60 after a brief battle with throat cancer. 

Lady Parts – Glass Ceiling Feeling

Lady Parts is a band created for the British sitcom, We Are Lady Parts, created, written, and directed by Nida Manzoor, who alongside her siblings, also writes and supervises the music for the show. The series follows a British punk rock band named Lady Parts, which consists entirely of Muslim women. This track is off the show’s soundtrack, We Are Lady Parts (Music From The Original Series – Seasons 1 & 2) released May 31st.

A Protest Music Interview: The Black Creatures

According to this band’s public description they are a “darkpop hip-hop musical duo from Kansas City, Missouri pulling elements from sci-fi to tell an interdimensional story.” But these two musicians are so much more than that. They fuse different styles of music together, they cover important things happening in their country and they believe that using their voice in such a way is simply their responsibility as artists.

The Black Creatures just released their debut album Wild Echoes.

Halldór Kristínarson: First of all, thank you for participating. Secondly, you recently released your debut album, Wild Echoes. How did this collaboration between the two of you come to be? And can you tell me about the process of getting this album done during these strange virus times?

The Black Creatures: We ended up becoming bandmates after high school. Despite having some of the same interests, we were just never high school friends. So technically we met through Facebook. Through circumstances, we got on the topic of music making, knocked out a couple songs in a week, and realized there was something that felt really good about the music we were making. It was a healthy outlet for some big growing pains we were trying to work through.

We had a much smaller release locally a little less than a year ago for these songs. We put out the album and asked a housemate to help design a little booklet that went with it. Then we saved up enough money to print and press the CDs and then invited like 10 people privately on Facebook. Around this time a local record label took an interest in our performances and the album and they’ve really been a tremendous help with letting people know who we are and what we do.

We had a whole tour planned and then everyone kind of decided at once that the Coronavirus was actually serious. Which, it still is over here. Anyway with how everything worked out, we finally had enough downtime to get the album mastered, registered… legit. It’s really cool how people are receiving our music. It feels gratifying. We put a lot into what we do.

HK: You made a video to a single off of your latest album, called Wretched (It Goes). I understand the song is about the prison system in the US? How do you personally experience this system on a day to day basis (it seems like it stretches its Wretched tentacles to all parts of the US society)?

TBC: Well, to answer how the prison industrial complex affects us everyday, we have to start with good old American values. The US was originally a big land grab for British colonialism, which was totally based on capital. The settlers got bold and kicked British capitalists out of their harbors and so forth, but they remained unfair to the Indigenous land ambassadors who taught them much of all they knew about the land and kidnapped Africans to do the dirtiest of work.

After people decided that was barbaric, they turned to institutions to maintain the same social castes, giving preference to the methods that gained the most capital. Here, the private prison industry was born. They had to maintain the social castes by any means necessary, right? So they found ways to segregate society into factions of “normal” and “other.” It’s super obvious when you examine the relationship between Black America and the legal system, but we see this with the disabled, the LGBTQ community, poor people, undocumented folks… any community that is seen as invaluable to the status quo.

Kansas City police are also notoriously violent, and there’s some smaller towns just outside of city limits where the cops are really on some deranged, old money racism shit.

And, waking up every day, fear in the back of your mind, knowing your life can change at a moment’s notice is what weighs heavy on us.

HK: It seems like you are not afraid to cover heavy or political topics in your songs. Has your art always been political or even used in protest?

TBC: Not entirely sure what this even means. Every piece of art is made within the context and framing of its artist’s perspective, and every person (artist or otherwise) is affected by politics. So, isn’t all art political? People have totally gone so far as to call our music political, but we’re really not doing anything that different from other songwriters. We are just putting our own experiences and feelings into what we do. Even Taylor Swift kind of does that.

HK: Can you describe the protest or socially conscious music scene in your home city, Kansas City? On a more national level, do you feel musicians (or other artists) are using their voices enough, for change?

TBC: It’s like Angela Davis says, “the personal is the political,” like a lot of people have made music about radical transformation forever. So if you just started talking about racism as a white person, yeah we probably noticed, but it’s hard to say people are not using their voices enough.

HK: Your music fuses many genres. Can you tell me a bit about your creative process and how it came to be that your work mixes all these worlds together?

TBC: We hold the perspective that genres are just a creator’s way of challenging their craft. Ya know, if you want to say you’re an R&B artist you try to utilize all the elements that are believed to be within the realm of other R&B music. So, we take the idea of challenging ourselves and flip it inside out. We want to use recognizable elements from many genres and while that makes something entirely new, it also produces work that’s incredibly familiar. That said, those results come from many different approaches. Sometimes we start with a beat, a melody, a lyric or lyrics, while other times we individually have two halves of a whole song, an instrumental and lyrics, that we bring together to form a whole.

HK: How has this weird year affected your work? Have you gotten into the online concert thing?

TBC: Right before Covid was taken a little bit seriously here in the States we actually had a whole tour ready to go. That ultimately got cancelled. Following that, performing was basically something that couldn’t happen up til recently; we’ve done a few outdoor events as a handful of pop-up, outdoor, quarantined venues had been created. We had done a few online performances! However, while other artists have had the resources and environment necessary to manage them, those are not the circumstances we have.

HK: I noticed you are very active on YouTube, covering literally all sorts of topics in your chat videos. Can you tell me a bit more about the idea of that project?

TBC: There were really a lot of reasons we wanted to get into making youtube videos, and honestly one of them was to really hone in on some self-disciplines. With the Thirsty Thursdays we would alternate on tackling weekly topics in a variety of formats; story-telling, comedy, more music, etc. The 1 Hour Song Challenge, much like the name suggests, challenged us to make a song in just an hour. That forced us to commit to ideas that we would otherwise never imagine holding on to under normal circumstances. We personally really like making things, and so aside from pursuing some discipline, we used youtube as a playground for creative exercise.

HK: Can you name some of your influences, old or new?

TBC: The Gorillaz, Erykah Badu, Prince, The Weeknd, Kenji Yamamota, Kehlani, SWV, Kendrick Lamar, Tech N9ne, noname, mcchris, Toro y Moi, Geoff Barrows, Ben Salisbury, Hans Zimmer

HK: What is on the horizon for you?

TBC: We’ve got a music video coming out later in October so keep an eye out for that 😉

HK: Anything else you’d like to shout from the rooftops?

TBC: If this discomfort is new to you it’s time to examine that too. Step out of what is comfortable and into what is right.

Find out more about The Black Creatures on Facebook ı Bandcamp ıYouTube ı Soundcloud

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