Tag Archives: equality

Grammy Nominees Turn Down Their Nominations In Protest

Music made for children can easily been seen as protest music. To educate is to protest the status quo and propose new ways of creating empathy among the future leaders of the world. We should all strive to leave this place better than we found it.

NPR reports that a few 2021 Grammy nominees had decided to turn down their nominations when learning that all their fellow nominees were white. One of the protesters, Alistair Moock, who was nominated for an album in the category of Best Children’s Album, said about his nomination: “I don’t want it like this, where the playing field’s not even.”

According to the NPR article all the nominees in the Best Children’s Album category agreed that a nomination for Pierce Freelon was missing from the list. Freelon released his album D.a.d. on July 31st and it has been piling up positive reviews since then.

Dog on Fleas and the Okee Dokee Brothers also declined their nominations and the latter group said: “We thought that it was the strongest thing we could do, to stand with people of color whose albums are too often left out of the Grammy nominations,”.

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A Protest Music Interview: The Black Creatures

According to this band’s public description they are a “darkpop hip-hop musical duo from Kansas City, Missouri pulling elements from sci-fi to tell an interdimensional story.” But these two musicians are so much more than that. They fuse different styles of music together, they cover important things happening in their country and they believe that using their voice in such a way is simply their responsibility as artists.

The Black Creatures just released their debut album Wild Echoes.

Halldór Kristínarson: First of all, thank you for participating. Secondly, you recently released your debut album, Wild Echoes. How did this collaboration between the two of you come to be? And can you tell me about the process of getting this album done during these strange virus times?

The Black Creatures: We ended up becoming bandmates after high school. Despite having some of the same interests, we were just never high school friends. So technically we met through Facebook. Through circumstances, we got on the topic of music making, knocked out a couple songs in a week, and realized there was something that felt really good about the music we were making. It was a healthy outlet for some big growing pains we were trying to work through.

We had a much smaller release locally a little less than a year ago for these songs. We put out the album and asked a housemate to help design a little booklet that went with it. Then we saved up enough money to print and press the CDs and then invited like 10 people privately on Facebook. Around this time a local record label took an interest in our performances and the album and they’ve really been a tremendous help with letting people know who we are and what we do.

We had a whole tour planned and then everyone kind of decided at once that the Coronavirus was actually serious. Which, it still is over here. Anyway with how everything worked out, we finally had enough downtime to get the album mastered, registered… legit. It’s really cool how people are receiving our music. It feels gratifying. We put a lot into what we do.

HK: You made a video to a single off of your latest album, called Wretched (It Goes). I understand the song is about the prison system in the US? How do you personally experience this system on a day to day basis (it seems like it stretches its Wretched tentacles to all parts of the US society)?

TBC: Well, to answer how the prison industrial complex affects us everyday, we have to start with good old American values. The US was originally a big land grab for British colonialism, which was totally based on capital. The settlers got bold and kicked British capitalists out of their harbors and so forth, but they remained unfair to the Indigenous land ambassadors who taught them much of all they knew about the land and kidnapped Africans to do the dirtiest of work.

After people decided that was barbaric, they turned to institutions to maintain the same social castes, giving preference to the methods that gained the most capital. Here, the private prison industry was born. They had to maintain the social castes by any means necessary, right? So they found ways to segregate society into factions of “normal” and “other.” It’s super obvious when you examine the relationship between Black America and the legal system, but we see this with the disabled, the LGBTQ community, poor people, undocumented folks… any community that is seen as invaluable to the status quo.

Kansas City police are also notoriously violent, and there’s some smaller towns just outside of city limits where the cops are really on some deranged, old money racism shit.

And, waking up every day, fear in the back of your mind, knowing your life can change at a moment’s notice is what weighs heavy on us.

HK: It seems like you are not afraid to cover heavy or political topics in your songs. Has your art always been political or even used in protest?

TBC: Not entirely sure what this even means. Every piece of art is made within the context and framing of its artist’s perspective, and every person (artist or otherwise) is affected by politics. So, isn’t all art political? People have totally gone so far as to call our music political, but we’re really not doing anything that different from other songwriters. We are just putting our own experiences and feelings into what we do. Even Taylor Swift kind of does that.

HK: Can you describe the protest or socially conscious music scene in your home city, Kansas City? On a more national level, do you feel musicians (or other artists) are using their voices enough, for change?

TBC: It’s like Angela Davis says, “the personal is the political,” like a lot of people have made music about radical transformation forever. So if you just started talking about racism as a white person, yeah we probably noticed, but it’s hard to say people are not using their voices enough.

HK: Your music fuses many genres. Can you tell me a bit about your creative process and how it came to be that your work mixes all these worlds together?

TBC: We hold the perspective that genres are just a creator’s way of challenging their craft. Ya know, if you want to say you’re an R&B artist you try to utilize all the elements that are believed to be within the realm of other R&B music. So, we take the idea of challenging ourselves and flip it inside out. We want to use recognizable elements from many genres and while that makes something entirely new, it also produces work that’s incredibly familiar. That said, those results come from many different approaches. Sometimes we start with a beat, a melody, a lyric or lyrics, while other times we individually have two halves of a whole song, an instrumental and lyrics, that we bring together to form a whole.

HK: How has this weird year affected your work? Have you gotten into the online concert thing?

TBC: Right before Covid was taken a little bit seriously here in the States we actually had a whole tour ready to go. That ultimately got cancelled. Following that, performing was basically something that couldn’t happen up til recently; we’ve done a few outdoor events as a handful of pop-up, outdoor, quarantined venues had been created. We had done a few online performances! However, while other artists have had the resources and environment necessary to manage them, those are not the circumstances we have.

HK: I noticed you are very active on YouTube, covering literally all sorts of topics in your chat videos. Can you tell me a bit more about the idea of that project?

TBC: There were really a lot of reasons we wanted to get into making youtube videos, and honestly one of them was to really hone in on some self-disciplines. With the Thirsty Thursdays we would alternate on tackling weekly topics in a variety of formats; story-telling, comedy, more music, etc. The 1 Hour Song Challenge, much like the name suggests, challenged us to make a song in just an hour. That forced us to commit to ideas that we would otherwise never imagine holding on to under normal circumstances. We personally really like making things, and so aside from pursuing some discipline, we used youtube as a playground for creative exercise.

HK: Can you name some of your influences, old or new?

TBC: The Gorillaz, Erykah Badu, Prince, The Weeknd, Kenji Yamamota, Kehlani, SWV, Kendrick Lamar, Tech N9ne, noname, mcchris, Toro y Moi, Geoff Barrows, Ben Salisbury, Hans Zimmer

HK: What is on the horizon for you?

TBC: We’ve got a music video coming out later in October so keep an eye out for that 😉

HK: Anything else you’d like to shout from the rooftops?

TBC: If this discomfort is new to you it’s time to examine that too. Step out of what is comfortable and into what is right.

Find out more about The Black Creatures on Facebook ı Bandcamp ıYouTube ı Soundcloud

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Icelandic Female Musicians Unite In Protest Of A Biased Music Industry

Using the hashtag #viðerumhér (which translates to we are here) Icelandic women have come together and created a fast growing playlist showcasing the musical variety of women creators in the Icelandic music industry.

Although being famed for equality, Iceland has its problems and plenty of them. Recent studies have shown that it is far more dangerous of a place than portrayed. Women in music get pushed aside and not thought of as worthy enough as the men. Again and again big concerts or festivals get produced with no or very few women artists and they have long ago had enough.

Though it is a serious subject the women involved use humor as well; the username of the playlist is easylistening, pointing out how in Iceland it is common to think of female musicians creating only soft elevator music.

Cover photo is created by Ólöf Erla Einarsdóttir from Svart design.

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