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News, Protest Tunes

DJ General Strike’s Top 40 Protest Songs of 2024

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Happy New Year comrades, this is DJ General Strike, host of the weekly protest music radio show, Protest Tunes on 91.3 KBCS FM in Seattle, WA. I broadcast 2 hours of radical protest music of all genres and eras every Wednesday at 9 PM. 2024 was an active year for protest music, in light of the Presidential election in the US and the General election in the UK. Many great anti-war songs were also released against Israel’s ongoing war/genocide in Gaza. Over the last year I’ve compiled a playlist of over 800 of these protest songs, which you can listen to in its entirety here, and I’ve made 4 shows on my top protest songs of each season, or what I call Molotov Hot Tracks. I narrowed that high volume of songs down to my top 40 protest songs of 2024.  I aired most of these songs on my show last Wednesday, New Year’s Day, which you can listen to an archive of here. I’ve organized these 40 protest songs by genre below for ease of listening (and alphabetically within genre), you can also listen to all 40 on this Spotify Playlist. Without further ado here’s my top 40 Protest Songs of 2024.

Folk

Grammy winning feminist folk-rock singer-songwriter, author and activist. One of the first artists to create her own label in 1990, she is called ‘the mother of the DIY movement’ and has sold over 5.5 million albums on her own Righteous Babe Records. New Bible is an anti-capitalist song, the 2nd single off of her album Unprecedented Sh!t’, Ani’s 23rd release, released July 12th.

Carsie Blanton is a singer-songwriter and guitarist based in New Orleans, US. Blanton says she “writes anthems for a world worth saving.” About this song this single released May 31st, she said it’s “a “f— the democratic party for sitting on its hands during a genocide” kind of a song.”

Petrie is an English folk singer-songwriter and guitarist from Leicester, England. She began performing in 2006, but in 2010 the advent of the Conservative-led coalition government influenced her, as a socialist, feminist, and lesbian, towards an increasing emphasis on political songwriting.  This track is off of her new album Build Something Better, released March 8th.

Welles, is a singer-songwriter and guitarist from Arkansas, US, who was the frontman of the bands Dead Indian, formed in 2012, and Cosmic-American, formed in 2015. In 2024, Welles garnered attention on social media for authoring and performing satirical protest songs, like this viral anti-war-on-Gaza song, which satirizes common justifications for war.

Seth Staton Watkins is a folk singer from St. Louis, US, who is best known for his renditions of traditional Irish rebel tunes. He records and produces all of his music in his home studio. He released “Stand Together”, a rewrite of his 2023 song “It’s Not the Poor Folk”, this November in the wake of Trump’s electoral victory.

Sister Wife Sex Strike is a Seattle-based anarchist folk punk band comprised of Sister Pigeon and Sister Moth. The band’s name is inspired by a real life sex strike that they went on in 2021. They released this anti-Zionist single on July 4th, off of their new album Sister Wife Sex Change, which dropped August 2nd.

Rock and Roll

Frank Turner is an English punk, folk and indie-rock singer-songwriter who began his career as the vocalist of post-hardcore band Million Dead, then embarked upon a primarily acoustic-based solo career following the band’s split in 2005. This anti-authoritarian song off of Turner’s new album Undefeated, is a rewrite of an old unreleased song of his, called Practical Anarchist.

MC5 (Motor City 5) was an American rock band formed in Lincoln Park, Michigan, in 1963. The last two members of the band, Wayne Kramer and Dennis Thompson passed away this year, while they were working on their all-star comeback album Heavy Lifting which features guests like Tom Morello, Slash, Vernon Reid, and more.  The album was released this October, timed to the band’s posthumous induction into the Rock and Roll Hall of Fame.

Primal Scream are a Scottish rock band originally formed in 1982 in Glasgow by Bobby Gillespie and Jim Beattie. Primal Scream had been performing live from 1982 to 1984, but their career did not take off until Gillespie left his position as drummer of The Jesus and Mary Chain. This epic nine minute track compares settler colonialism in Ireland, Scotland and Palestine.

R&B/Pop

This Welsh musician, composer, producer, filmmaker and author performs solo and with  rock band Super Furry Animals, who obtained mainstream success in the 90s, and the electro-pop band Neon Neon. He’s considered a figurehead of the era known as Cool Cymru, a Welsh cultural movement in music and film in the 1990s and 2000s. This anti-government corruption song is off of his newest album Sadness Sets Me Free released last January.

Shaina Taub is a Vermont-raised, Brooklyn-based composer, singer-songwriter and performer. This song is newly written for Taub’s musical about the Women’s Suffrage Movement, “Suffs” upcoming Broadway run. Taub wrote the music, lyrics, and book for the musical and also stars as Alice Paul in “Suffs”.

The 74 year old living legend, had his first Billboard No. 1 hit at the age of 12, and has won 25 Grammys (the most by any solo artist). This is Stevie’s first new song since 2020, and it encourages people to get involved and seize the crucial moment that the U.S. and the world find themselves in right now.

Sunny War is a Blues/Folk/Punk guitarist from Nashville, US. “Walking Contradiction” is the first single from her album Armageddon In A Summer Dress, which drops on 21st of February 2025. Sunny War wrote its songs after moving into her late father’s 100-year-old house in Chattanooga. A big fan of Crass, the influential British anarcho-punk collective, she recruited Crass’ Steve Ignorant to perform on this track.

Reggae/Ska

DJ Pamplona is an independent audio engineer from Rio de Janeiro Brazil, of the group Dub Ataque. He is now based in Florida where he owns his own studio and record label, Pamplona Beats. This anti-war-on-Gaza song features Soom T, a Scottish reggae singer of Indian origin.

Zion I Kings, a family of producers and musicians from three respected roots production houses, finished and released this posthumous track by the late Peetah Morgan in July. Peetah, who passed away on February 25th, was the lead singer of Grammy-winning  contemporary reggae band Morgan Heritage, formed in 1994 by five children of reggae artist Denroy Morgan.

The Undercover Hippy is UK based singer-songwriter Billy Rowan, who spent 7 years DJ’ing and MC’ing on the Drum & Bass circuit, then started The Undercover Hippy as a solo act in 2007 and now plays with a 5 piece band. 100% of proceeds from this track are donated to Palestinian charities: Sanabel Team, The Sameer Project and We Are Not Numbers.

Jazz/Spoken Word

aja monet is a poet, writer, lyricist and activist based in Los Angeles, US. She was the youngest poet to ever hold the title Nuyorican Poets Café Grand Slam Champion at the age of 19 in 2007. This song was inspired by Langston Hughes’ 1938 poem, “For the Kids Who Died.”

Meshell Ndegeocello is a singer-songwriter, poet, and bassist. Her music incorporates a wide variety of influences, including funk, soul, jazz, hip hop, reggae and rock. She’s been nominated for 11 Grammys, and won two. This epic 8 minute track is off of her new album, No More Water: The Gospel of James Baldwin, which pays homage to the eminent writer and activist, James Baldwin.

Hip-Hop

Abe Batshon is a Palestinian American songwriter, artist and entrepreneur born in San Francisco and raised in Hayward, California. This single, released in February about the war in Gaza, also features Lebanese singer Samer and Detroit-based Palestinian-American hip hop artist Sammy Shiblaq.

Arrested Development was formed in Atlanta, US, in 1988 by rapper and producer Speech and turntablist Headliner. They were the first hip hop band to win a Grammy for Best New Artist, in 1993. This track is from their new album Bullets In The Chamber, released in January, which is so full of great protest songs, it was hard to pick just one.

Brother Ali is a blind, albino rapper, community activist, and member of the Rhymesayers Entertainment hip hop collective from Minneapolis, US. In this track Ali, who is Muslim, and anti-zionist Jewish producer unJUST tackle Israel’s assault on the Palestinian people. They released this single in March, off of their collaborative album Love and Service which came out in April.

Eddie Mack is an Arab-American Hip-Hop artist from Detroit, US. Mack engineers and produces and writes all of his own music. His distinct sound combines vintage Hip-Hop tracks with contemporary production methods. This sequel to his October 2023 protest song against Israel’s war on Gaza, The Sound Of War, was released in August.

Harris J, AKA “the Muslim Justin Bieber” is a young British Muslim artist whose debut album, Salam, was released in 2015. This song features rapper Lowkey, an Iraqi-British rapper and activist from London.  These two London-based Muslim artists collaborated on this anti-war track against Israel’s war/genocide in Gaza.

Kimmortal is a Queer Filipina emcee and singer-songwriter based in Vancouver, BC. Their debut album Sincerity was entirely crowd funded by her community. In this follow up to Kimmortal’s November 23’ single against Israel’s war on Gaza, Stop Business As Usual, they feature Toronto R&B/Hip-Hop artist Phoenix Pagliacci of TRPP and  transgender American-Peruvian rapper Bobby Sanchez.

The Seattle star rapper released this follow-up to his viral Spring protest single on September 20th, and performed it live for the first time in Seattle the next day at the Palestine Will Live Forever benefit concert. The track features Palestinian-American artists Anees and Amer Zahr, Gaza-born rapper MC Abdul, and the LA Palestinian Kids Choir. Just like the first song, Macklemore is donating the proceeds from “Hind’s Hall 2” to UNRWA.

Considered one of the pioneers of female rap, MC Lyte first gained fame in the late 1980s, becoming the first female rapper to release a full solo album in 1988. She’s back after ten years with a brand new album, called ‘1 of 1’. In this song MC Lyte, Stevie Wonder, and Common address systemic injustice and the pervasive impact of racism on African Americans.

Rapsody began her career at North Carolina State University, where she joined hip hop collective H2O and its spinoff group Kooley High, despite not having rapped before. She launched her solo career in 2008. This song off her new album Please Don’t Cry is about the police murder of Breonna Taylor, and samples Bob Marley’s “I Shot the Sheriff”.

Metal/Hardcore

Formed in LA in 1990 and fronted by rapper Ice T. who first established himself as a rapper then co-founded the group with lead guitarist Ernie C out of their shared interest in heavy metal music. Body Count have been credited for paving the way for the rise of rap metal and nu metal, even though Ice-T does not rap in most Body Count songs. This track critiques the American two party system, comparing the Democrats and Republicans to warring gangs.

FEVER 333 is a political rap-core trio formed in Inglewood, US, in 2017 by members of Letlive,  Chariot and Night Verses. Originally named The Fever, 333 represents the band’s three core principles of community, charity and change. This anti-police brutality single, released in August, is off of their new album ‘Darker White’, released on October 4th.

English rapper and songwriter of Indian origin. Hyphen had an usual start in music – he  was working in finance and feeling depressed and lacking purpose, and started making music to help him deal with depression, which gave him a new sense of purpose. He released this immigrant rights, anti-1% single this October.

Ren is a Welsh songwriter, musician, rapper, producer, director and disability rights activist, he has had chronic Lyme disease for over 10 years. He was a member of the indie hip-hop band Trick The Fox and the British busking band The Big Push. He released this anti-capitalist single on October 18th.

Serj Tankian is an Armenian-American musician and activist, best known as the lead vocalist, primary lyricist, keyboardist, and occasional rhythm guitarist of the heavy metal band System of a Down, formed in 1994. Tankian says he wrote this song during the early days of System of a Down. It’s about the Armenian genocide that took place during WWI, and how it still impacts his family and the broader Armenian community.

Tom Morello, is a guitarist, singer-songwriter, and political activist, best known for his tenure with Rage Against the Machine and Audioslave. This new solo single, off his upcoming solo rock album, Morello calls the song “a salute to the transformative power of music”. It features a guest guitar solo by his 13-year-old son, Roman Morello.

Punk

Destroy Boys are a teen punk band from Sacramento, US. Their name was taken from words that singer Violet Mayugba wrote on her chalkboard at home during a period of relationship troubles. This feminist anti-assault/harassment anthem from their new album, Funeral Soundtrack No. 4 features fellow feminist punks Mannequin Pussy, from Philadelphia, and Scowl from Santa Cruz, California.

Dropkick Murphys are Celtic punk band from Massachusetts, US. About this song, frontman Ken Casey says, “For nearly a decade, the division between red and blue, right and left, has grown deeper, darker and uglier…Nobody enjoys this more than the billionaires, who are making record profits off the blood, sweat, and tears of the working class… They love it when we fight amongst ourselves, because their biggest fear is us joining together to come after them…THE REAL ENEMY.”

Punk rock band from Santa Cruz, US, formed in 1986. Known for their energetic sound and thought-provoking lyrics, the band briefly disbanded before reuniting in 2012. They released this protest single as a call to action ahead of the U.S. election on October 22nd.

Lady Parts is a band created for the British sitcom, We Are Lady Parts, created, written, and directed by Nida Manzoor, who alongside her siblings, also writes and supervises the music for the show. The series follows a British punk rock band named Lady Parts, which consists entirely of Muslim women. This track is off the show’s soundtrack, We Are Lady Parts (Music From The Original Series – Seasons 1 & 2) released May 31st.

Lambrini Girls are a queer feminist three-piece punk band from Brighton, UK, known for their energetic, emotive lyrics and political commentary. About this single released in February the band said  “’Gods Country’ is our long, overdue call-out of the government and rise of the far right… We have the audacity to call our country ‘Great’. So we ask you, ‘Are you sure?”

This 7-member Irish Folk Punk Band from Germany, started out as a duo, playing in small barns and pubs as “The O’Reillys,” and a little later mutual friends joined them as the “Paddyhats” and turned the duo into a full band. This anti-fascist song is “directed against political and social currents that endanger democracy – and calls on people to speak up, rise up and fight together for freedom and justice.”

Pop punk band with grunge influences founded in Baltimore, US in 2019, after the three members met at Johns Hopkins University. Pinkshift has used their platform to advocate for racial diversity, Palestine, and gender inclusivity. This anti-Trump song began its life as an “anti-fascist poem” written by vocalist Ashrita Kumar.

Exclusive, Interview

Exclusive Video Premiere: Checkpoint/Dompass/Hajiz by Free Radicals

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By Profula – Own work, CC BY-SA 4.0

The Karankawa was an indigenous tribe that lived along the coast of the Gulf of México. Along with the Atakapa tribe these indigienous communities thrived for a few thousand years in the area before Spanish people, under the command of royalty and religion, invaded the land, bringing disease and terror.

Today, ancestors of these people live scattered around northern México as well as the greater Houston area. The city of Houston is the fourth most populous city in the US and now considered one of the most diverse cities in the country. According to the 2020 census Hispanic, Latino, African-American and Asian people make up around 70% of the population.

Where some people might see such diversity of ethnicity and cultures as a positive and enriching thing, others find it bothersome and prefer their life in a monotonous bubble. In the whole of the United States clashes have occurred because of race, gender and religious beliefs. In the melting pot that is Houston, one musical group in particular has been at the forefront of protests and marches against racism, against wars, for equality, against police brutality, support Palestine, et cetera. This is the musical genre soup that is Free Radicals.

The band members have throughout their 20 odd year career mostly released instrumental music and used their voices rather at before mentioned marches and protests. But throughout their career the band has collaborated with rappers, singers and spoken word artists who have lent their voices to various projects. In 2020 the band released the critically acclaimed ‘White Power Outage vol. 1’ which, in a very direct way addresses denazification in the US, or rather the lack thereof. Now, two years later, the band is back with vol. 2 and we could not be more excited to premiere one of the singles off of the new album and its corresponding music video.

I’m honored to have had the opportunity to converse with the band via email and I’m stoked to now share the Q and A with the Shouts audience.

Halldór Kristínarson: Can you tell me a bit about the new volume and in particular the song/video we are premiering, ‘Checkpoint/Dompass/Hajiz’?

Free Radicals: Seven years ago, Free Radicals released the instrumental version of Checkpoint on our breakdance music album Freedom of Movement.  We always knew we wanted to come back to the track and do a rap version, and now finally, the whole project has come together with four powerful and musical voices. We decided we could only do the topic justice if we included rappers from Houston, Palestine, and South Africa. Apparently, having English, Afrikaans, and Arabic lyrics on the same tune is not a normal thing to do, because when we registered the song on YouTube and on streaming services, we could choose to list only one language.

We first invited EQuality, who has been collaborating with Free Radicals since our 2004 album Aerial Bombardment with his insane spoken word piece We All Inhale. He had also joined us to take on Israeli apartheid on Every Wall on our 2012 album The Freedom Fence. He opens up  Checkpoint/Dompass/Hajiz for his fellow rappers with a bang. When we the got tracks from Prince Alfarra from the Gaza Strip, and Jitsvinger from South Africa, we were completely blown away. 

We knew that this song was going to be everything we had imagined for years, but the icing on the cake was the voice of one of our mentors, Lindi Yeni, a South African who taught dance in Houston for many years. Her theatrical experience kicked in and she improvised a skit between herself and a South African border checkpoint guard during apartheid. Lindi is a legendary figure in Houston, who helped arrange political asylum for South African performers during the apartheid years, and is seen here performing for Nelson Mandela.

To say that this was our dream team would be an understatement!

Exclusive Premiere:
Checkpoint/Dompass/Hajiz by Free Radicals

HK: Some protest musicians are subtle and poetic, hiding a bit their messages while others tackle issues very openly in their lyrics. What can you tell me about the evolution of your style of protest music, did you consciously reach this point or was it all a natural happening?

FR: Recently, on social media, someone commented about the album cover for White Power Outage Volume 2, saying “What is this? Some kind of subtle attempt to imply that businessmen, judges, police, and politicians are all white supremacists?” We responded, “We weren’t trying to be subtle!” 

We live in a country that has had no reckoning with our history of apartheid and genocide. In Germany, there are zero statues of Nazis that are still standing, they teach the Holocaust, racism, and genocide in school. The United States has only barely ever started the process of denazification. Here, in the South, every attempt to teach real US history in schools is attacked, statues of slave owners and Indian killers abound. There’s no subtlety, and we’re certainly not trying to be subtle when responding to it.

Our political messaging comes from the street protests that we perform at. Our marching band, the Free Rads Street Band, has marched with Palestinians protesting Israeli oppression, Muslims and other groups fighting against Muslim ban laws in India, janitors demanding a living wage, anti-war protests, anti-corporate greed protests, students demanding gun control, people for women’s rights, etc. 

Sometimes, journalists have mentioned that we were talking about border walls in 2012, years before Trump, and oil wars in 1998, years before the 2003 Iraq War, as if that was somehow prophetic. But there was nothing prophetic about it at all. There were protests against border walls in Texas and Palestine all the way back to the 90s, and of course, there were protests against the earlier Iraq war in 1990. Protests in the streets have been shouting about these issues for decades, and we just try to amplify those messages.

HK: How important is it for you to be able to use your art as a vessel for political activism?

FR: Our albums have always had political themes. Our first release, The Rising Tide Sinks all in 1998 was the beginning of a long collaboration between our musicians, social movements, and visual artist John Kitses. However, 99% of the shows that we’ve played have been just instrumental music, and we don’t make political speeches from the bandstand. We play at parties and clubs, weddings and funerals, street protests and break dance competitions. So, we’re used to just focusing on instrumental music most of the time, with politics only really coming in at the street protests, and when we release an album.

HK: How is the scene in Houston, when it comes to socially conscious music and art? Are there many artists who use their talents to raise awareness or promote a positive message of change?

FR: With the most diverse neighborhoods in the entire world, the Greater Houston area has all kinds of pockets of resistance and art. There are incredible LatinX, Black, Asian, indigenous, African, Muslim, and white musicians, artists, poets, filmmakers, dancers, and comedians who wouldn’t even be capable of leaving off political themes from their arts, it’s too much a part of them.

Just to mention some of the Houston artists who have participated in the White Power Outage albums with us…  Swatara Olushola fought to expose the scandal of the Sugar Land 95. Obidike Kamau was the long time host of Self Determination on KPFT, and is an activist for reparations. Marlon ‘Marley’ Lizama teaches writing to incarcerated youth. Jason Jackson teaches music to refugees and kids in shelters with Nameless Sound. Zack Hamburg blogs about cars and climate change. Henry ‘Hennessy’ Alvarez is part of the local chapter of the Brown Berets. Karina Nistal, Michele Thibeaux, EQuality, 200 Texas Poet Laureate Lupe Mendez, Deniz ‘deecolonize’ Lopez, and Nosaprise all make music about social justice. Brian Is Ze has an intersectional take on gender and health care issues. Akua Holt is the host of Pan African Journal on KPFT.

We didn’t just invite rappers, singers, comedians, and spoken word artists who we like listening to, we focused on connecting with artists who are also activists!

HK: What do you hope to achieve with your latest album?

FR: We hope that the album will be the soundtrack for dismantling white supremacy, corporate capitalism, the military industrial complex, and environmental destruction! Or, if we fail, we hope the album can be an elegy for the dream of a sustainable and equitable world.

HK: What is on the horizon for you?

FR: White Power Outage vol. 2 features 66+ voices of all ages, and right now, we are especially looking forward to our June 7 concert with living legend Harry Sheppard, our 94 year old mentor, band member, and friend.

HK: Anything else you’d like to shout from the rooftops?

FR: On the two volumes of White Power Outage you will hear the beautful voices of the kids from Peace Camp Houston chanting these:

Down Down with Deportation!
Up Up with Liberation!
No Hate! No Fear!
Immigrants Are Welcome Here!
¡Racista, escucha! ¡Estamos en la lucha!
Freedom for All! No Cages, No Walls!

News

Roma Musicians Discuss Inclusion In Larger Czech Community

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While festivals often feature live Romani music, mainstream media outlets largely ignore it.

Roma music band Bengas. Photo by Jiří Bernovský, used with permission granted by Migel Milan Horvát.

This article was written by Elmira Lyapina. It was originally published by Global Voices (GB) on July 1st 2021 and is republished here according to the media partnership between GB and Shouts.

While Roma people are the largest ethnic minority in Czechia, comprising about 2.2 percent of its population, they are considered one of the most stigmatized and discriminated minorities in the nation. But even with the discrimination and undue stereotypes, the Roma people continue to have a huge social impact and are extremely prominent in Czechia’s music scene.

This author conversed with representatives of Czechia’s Roma music community about the prejudge and discrimination they face, the latest news of Roma oppression, and the borderless nature of music.

Roma minority and their social exclusion

Anti-Roma discrimination was brought to the forefront last month after a Romany man was killed by the police on June 19. The death triggered a wave of turmoil and protests within the Roma community as some Roma media compared the conflict to the George Floyd murder in the United States. Although it was determined by forensic autopsy examination that the police were not responsible for the man’s death, the case drew attention to tensions between the Czech majority and Roma national and ethnic minority.

These tensions are nothing new, particularly when it comes to Czechia’s social and cultural dynamics. For instance, the Council of Europe (COE) recently noted, that many European school programs fail to acknowledge the Roma people in their curricula and many historical accounts related to the Roma are unobjective or incomplete and fall prey to stereotyping.

In its 2020 report, the COE recommended Czechia address the ongoing discrimination and prejudice against the Roma people by including their history in school textbooks and addressing the issue of propaganda and false information about Roma people on the internet and social media. They also warned Czechia regarding the lack of advancement on its Roma language programs, where elementary and high schools were supposed to offer Roma language classes. These initiatives are part of a 20-year plan to protect Roma people and Travellers and fight against racism, intolerance, and social exclusion.

Results of a June 2021 poll showed that 70 percent of respondents in Czechia expressed antipathy toward the Roma. 

Roma musicians and their social inclusion 

Roma music band Kale. Photo used with permission granted by Emil “Pupa” Miko.

Despite the unpopularity and social exclusion of Roma as people, prevailing public opinion considers them a very musical nation.

Migel Milan Horvát from the band Bengas explains:

We are six musicians. We have no problem with fusion, the whole family plays some instrument. We play not only Romani-Gypsy folklore, but also a lot of Latin music, Balkan music (Kusturica or Bregovič), Russian Gypsy music, Polish songs, funk, soul, and of course such evergreens as Bésame Mucho.

Roma music is favorite among the general public, and world-famous Czech classical composers like Karel Bendl or Antonín Dvořák often included Roma melodies in their work. In recent years, Roma music can be found on almost every radio station, due to the popularity of the French Gypsy Kings or Czech-US band N.O.H.A., which are famous for their Roma-Latin style.

In the Czech pop music scene, there are a solid number of musicians of Roma origin, but they mostly sing mainstream melodies.

Horvát explains:

Czechs are a rock nation. Chinaski, Kabát — these are the leading Czech musicians, which is listened to by almost every Czech. Jan Bendig, musician of Roma origin, is probably the only one who has established himself out of many Roma people.

Emil “Pupa” Miko, a Roma musician and long-term member of the bands Věra Bílá and Kale disagrees:

…on the Czech scene you can hear and see musicians of Roma origin, but they do not sing Roma music, but they rather are musically assimilated with Czech music or taste.

While live festivals throughout the country often feature Roma or Gypsy musicians, they are not included in many mainstream media channels.

Miko reflected on the issue:

We have been officially playing since 1996, when we released our first CD. Since then, we have played not only in the Czech Republic but also abroad, we have toured 36-37 countries. We play our universal music, it’s Roma music, positive, dance, that everyone likes.

Czechs perceive our songs positively, they even sing our songs along with us in our concerts…

However, when we tried to promote our music on radio, even through commercial channels, they refused to play “black music”, due the fear of losing their listeners… In fact, since then did not changed much, they play old songs, for example of Antonin Gondola, or our old songs only if there is some “great” occasion.

Horvát expressed similar opinion:

The Roma are a musical nation, we have a musical tradition for centuries… Our group is called Bengas, translated from Romani as “devils”, since we play such energetic things and as fast as devils…

Czech people invite us a lot, but privately, to their celebrations. We also play a lot at festivals. The Czechs like the way we play, it won’t take even 5 minutes before someone dances. Although, we are called as the “band on which you dance”, however, on the Czech market, in larger scale it is hard to get, and I know it is on the basis of the nationality. Couple of times we were giving an interview to the Czech TV and radio, but none released our music, and they didn’t want to promote us in any way…

Both address the issue of such phenomenon as Gypsy World Music, noting that the recent peak of acceptance and recognition of Roma music in Czechia was around 2004, which was connected with the world-famous band Gypsy Kings visit the country.

Horvát recalled that his band performed as the opening act on the Gypsy Kings concert in the T-Mobile arena in Prague:

We also travel a lot in Europe. There are only 4–5 of us such Roma bands that travel around Europe. We lived in France for a while. Although, we try to avoid the negative thoughts, but when we compare the attitude, in Czechia, at the official level, there is a different relationship with the Roma than, for example, in France or even in neighboring Slovakia. Privately, Czechs, individuals, love us. But political discourse does not always benefit society.

While both musicians shared largely positive experiences of acceptance by the Czech people individually, they both agree that on a wider level discrimination exists, including media discrimination, prejudices, and difficulty finding housing for themselves or work for relatives.

When asked what Roma musicians need to gain to have equality in Czechia, Emil “Pupa” Miko replied:

I think it would take time to change that mood, the mentality and the way people with different skin colors are perceived, as it is in the USA now.

Migel Milan Horvát concluded:

I believe, the future is in the hands of children… What I am most interested in, when we play, is the reactions of the children. If the child is interested in something, it is immediately recognizable. Adults can lie, but children will not. I know that. We played for over 10 years in orphanages. Plus, we’re all in the band around 50 years old now. It is important to stay positive, and Roma music is positive.